Previous Next Visual Thinking

Previous Next Re-imagining Urban Bult Environments In indian Cities

Email Guide Semester Subject Student Name Ruchi Pathak Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre ruchi1@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The Exercise Leads On Making Various Geometric Grids Using Existing Grids Created By Artist. The Four Hybrid Grids Are Made Using The Base Grids Of Ann Thorncroft, Kapitza And Lionel March. Each Of The Hybdrid Grid Has A Logic Of Picking Elements From One Grid And Repetition Pattern From Another Grid. This Led To Formation Of Several Patterns Using The Same 3 Base Drawings. The Final Grid Drawing- Cityscapes, Is A Illustration Of One Of These Hybrid Grids And 3 Illustration Of O M Ungers, Ian Leonidov And Notes Of Eno Music. The Final Grid Is A Illustration Of A Typical City Scape With Builtforms Of Various Scales, Vegetation, A River Cutting Along The City And The Roads. The Roads Hold The Notes Of Music Indicating The Events Or Life Happening In The City. Previous Next Taxonomy Of Grids 7

Previous Next Heritage Conservation: Perspective and the challenges

Previous Next Nirvana Email Semester Competition Name Student Name Tarun Panjabi, Ishita Phatak, Vaibhavi Tolamatti Archmello Masterpeace V tarun19@aoamumbai.in ishita19@aoamumbai.in vaibhavi19@aoamumbai.in : : : : : : : Competition Brief: The Brief of the competition is to design a Meditation and Yoga centre.The aim of the competition is to promote such retreat centers which have now become the need of the hour in today’s world. Narrative: A Wellness center is a very essential part for people in this urban society due to the integrated health solutions they provide to both mind and body. Location plays a very important part in the making of any wellness center. Here, our location is the city of Alappuzha in the state of Kerala, India. As this city is located near the waterfront, it creates the perfect setting along with the tropical climate. It is a place with less amount of population that adds up to the beauty of the site and the overall motive of this project. We start with the basic idea of proposing such spaces that respond to such a setting and are designed to allow the maximum amount of natural light and ventilation. All the buildings are centered with a courtyard and many green pockets that create breathing space and a kind of openness in the plot. There is an emphasis on earthy elements such as the use of stone, timber, natural fences. The horizontal expanse of the structure is well balanced with the verticality of the planes formed by the diverse vegetation. We are also proposing congregation spaces for users where they could get some hands-on experiences and help them connect more with nature. Along with this, things like comfort, accessibility, and aesthetics are equally paid attention to. The path gradients are very carefully calculated to minimize fatigue and provide subtle pause points. Gardens are proposed to encourage walking as a form of exercise and act as a barrier from urban noise and smoke.

Previous Next Email Guide Semester Subject Student Name Eshita Taggarsi Technical Design III Ar. Saurabh Mhatre eshitat20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, , Ar. Amey Ghosalkar,, Ar. Sulakshana Bhanushali,, Ar. Nachiket Kalle, Ar. Nitesh Avadh : : : : : : : : : : : Through The Course Of The Exercise We Understood The Space And Area Required For A Particular Function And What Are The Conditions To Make A Itchen Function Properly. Then We Used This Learning To Redesign Our Existing Kitchens. Rasoi

Email Guide Semester Subject Student Name Ishita Phatak Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre ishita19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : This studio addresses the Geometric nature of the world around us and takes radical steps to help identify the same. These inferences are then decoded in a drawing format to generate a critical conversation governing the visual language all around us. I explored certain grid patterns and tried to create a hybrid from those 'generating complex' patterns. Thus, we were introduced to a set of 3 illustrations that each focus on the technical (figure building), spatial (landscape), and social (occupational event) aspects of spaces. I selected the Hejduk Diamond Museum for the figure building, Neue National Gallery as the landscape element, and Ice Hockey as the occupational event. Resonating these three aspects along with the hybrid grid generated, I juxtaposed all four elements to finally ideate on a representational medium that captures this particular GRIDSCAPE. Previous Next Taxonomy Of Grids 4

Previous Next Semester Ar. Rohit Shinkre VI Studio Conductors : : : This CP looks at the importance of informality and the tools and practices of urbanism. Students will perform their research and discussions on various relevant topics and will propose design and planning ideas to support informality as a means of inclusiveness. INFORMALITY AND URBANISM

Email Semester Subject Student Name Aashi Jain Tech Design V aashi19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : The First Illustration Is A Representation In The Style Of Frank Llyod Wright , Characterized By Hand-Drawn Coloured One-Point Perspective Drawing. The Drawing Depicts Architectural Scheme & Functions Of The Building And With A Perspective View It Showcases The Activities Being Performed Inside The Building. The Viewer Can Grasp The Depth Of The Building Due To Its Semi-Open Envelope And An Open Floor Plan. The Light Colour Shades For The Context Ecology And The Structural Systems Defines The Building’s Purpose And Its Form As An Architectural Value. The Second Illustration Is A Representation In The Style Of Arata Isozaki , Characterized By Strong Geometric Form Along With The Shadows As A Key Element Of The Building Scheme. The Drawing Focuses On The Exterior Form Of The Building, Highlighted In Red And Its Elevational Expression. The View Point For The Drawing Allows To Grasp The Scale And The Horizontality In Relation To The Ground & Sky Being The Background For This Architectural Foreground. Previous Next Arithmetic Modes Representation 1

Previous Next Email Guide Semester Subject Student Name Shanaya Wadia, Samruddhi Shinde, Nachiket Amonkar Foundation Studio I Ar. Neha Panchal, Ar. Yagnik Bathija shanaya20@aoamumbai.in , samruddhi20@aoamumbai.in , nachiket20@aoamumbai.in Studio Conductors Ar. Anisha Mehta, Ar. Ronak Savla, Ar. Devayani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar, Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija : : : : : : : : : : : Teamwork was our core intent and, performing tasks (previously: assigning tasks) and organising data were our two chosen functions. The user performs the task of organising the cubes to create a smooth way that reaches the top. Teamwork is necessary to plan the organisation of the cubes and then the users individually slide the blocks as decided. The space made of grids has a rectangular base of 4.5 x 3 metres and a height of 3 metres. Thus, the overall volume is 40.5 cubic metres. There are six levels, each at 0.5 metres high. The number of cubes on each level decreases from the bottom to the top. The blocks are to be slid along the horizontal axis only. The effort added was to develop a recreational and leisure space within labour camps for the working men. Keeping the activity these people are involved in, the idea of hybridising our two functions is blended to provide relaxation amenities employing pushing, sliding, and shifting dynamic solids to reach a common goal. interACT

Email Guide Semester Subject Student Name Aashi Jain Architectural Design IV Ar. Rishi Vora aashi19@aoamumbai.in Studio Conductors Ar. Nachiket Kalle, Ar. Amey Ghosalkar , Ar. Amit Jain, Ar. Rishi Vora, Ar. Mehul Sanghvi : : : : : : : : : : : The site is situated at Goregaon (East) near film city. The Basti adjacent to the plot gives us a sense of community living or people having similar expectations from the society coming together to enhance this experience of living. The Basti and the IGIDR campus on the site are two examples where people having similar aspirations come together to live in a community. They live together and share their experiences, joy, sorrow, etc. Units come together to form space and the space enhances the experience of co-living. The units are either stacked, interlocked, or arranged in a way that maximizes interaction. Even during ancient times, the hunters would come together because they had some similar goals, and working in a group would provide them security and efficiency. They would form small groups and live together and this would suffice their needs as a community. They would build tents, houses and shelters such that it could enhance their interaction and workrate and help communicate better together. A similar concept is seen in the Basti. A sense of oneness, togetherness, and security is achieved through this! Previous Next Adaptable Units