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  • Research_Building Services_Study Of Traditional Toilets In The Region Of Tamilnadu And Konkan. | AOA Confluence '22

    Previous Next Email Studio Conductors Semester Subject Student Name Praniti Bhoir Aashtha Chauhan Suyash Dhadiwal Swamini Gawad Sandesh Jadhav Rucha Joshi Anushka Joshi Shristhi Khatwani Khushi Pednekar Avantika Pendam Architectural Building Services III Ar. Richa Raut, Ar. Kanak Kashyap, Ar. Minal Gujjar praniti20@aoamumbai.in aashtha20@aoamumbai.in suyash20@aoamumbai.in sandesh20@aoamumbai.in rucha20@aoamumbai.in anushka20@aoamumbai.in shrishti20@aoamumbai.in khushi20@aoamumbai.in : : : : : : : : : The Exercise Started With A Fun Quiz Of Picturesque Images Where As A Team We Had To Identify The Region In India By Different Pictures As A Clue. The Quiz Eventually Ended By Us Guessing Kokan And Tamilnadu Regions. It Then Culminated Into An Abs Exercise Where We Had To Study How The Toilets In Different Regions Work According To Their Traditional Practices. Analysis Was Done Based On The Materials Used, The Sewage Management System, Water Storage, And Way Of Usage. The Assignment Made Us Aware About The Concept Of Bio Toilets And Evoked In A Question Of How Can Ancient Age Old Techniques Be Used In Making Toilets Today? This Followed By Understanding The Merits And Also The Demerits Of This Techniques. Certain Principles Like Water Storage Through ‘hauds’ , Using Factual Data While Designing The Toilets And Using To The Fullest Of The Material Available Locally, Certainly Left A Mark On Us. Study Of Traditional Toilets In The Region Of Tamilnadu And Konkan.

  • Design_Architectural Design_The Artist Retreat | AOA Confluence '22

    Email Guide Semester Subject Student Name Miriam Thomas Architectural Design II Ar. Anisha Mehta, Ar. Chintan Shah, Ar. Devyani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija miriamt20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshad Shintre, Ar. Joel Roy, Ar. Amey Mhatre : : : : : : : : : : : This project required designing a studio space for Sajeev Visweswaran, an artist. This project helped to study artists' space requirements and their works.Exploring the form of the space with an understanding of the structure, envelope, act, organization, material, and location all based on the various aspects involved in the art and the life of the protagonist. These spaces were derived based on the artist's works. The process followed to develop the design was to extract 2D and 3D diagrams from his works and convert them to meaningful spaces, which finally became a design. Hence the idea was to create a space that closely represented the artist as well as fulfilled the purpose it was made for. Keeping in touch with his ideologies, the space came to represent a form that is simple- one that is rooted to its surroundings just like the artist it was meant to represent. A space with strong visual connections allowing one to be secluded and connected at the same time. A form that has unity and variety in its orientation and made of materials derived from his vernacular Indian background. Previous Next The Artist Retreat

  • DAC_Housing and Futuristic Typologies_Celenem Percorso | AOA Confluence '22

    Previous Next Celenem Percorso Email Semester Competition Name Student Name Himanshi Mittal, Adnan Motiwala, Tasneem Vali Arttechtism Design a Muse II-V himanshi19@aoamumbai.in , adnan20@aoamumbai.in , tasneem20@aoamumbai.in : : : : : : : : Competition Brief: The Competition “ARTTECHTISM Design-a-muse” aims to celebrate the parallel disciplines by intertwining the two and developing an Art-inspired Architecture. Narrative: The painting selected for the brief is 'Triptych Speed'. It is a series of 3 paintings made by artist Gerardo Dottori as part of the futurism art movement. Dottori's work is characterized by the use of strong colors, especially red and blue placed against a range of landscape greens that underscore the sense of rapid flight. The use of a splintered, dynamic vocabulary of form evokes an intoxicating sense of speed. 'Triptych speed' is a classic example of the same. Done in three parts, it represents the beginning, the path and the arrival. At first glance, the structure appears quite brazen which overwhelms the user as does the painting. But a closer look will make one realize the simplicity of its navigation. An enormous entrance greets the user which leads to an open to sky area. This coupled with the semi circular trusses make the spatial quality quite celebratory and public. The structure further leads to a semi covered area with a tinted glass skylight. Light plays an important role in the painting which has been reflected in the structure as well. The structure ends with a narrow opening giving one the sense of exclusivity while they come out.

  • College Project_URBANISM FOR GRASSROOT ECONOMY | AOA Confluence '22

    Previous Next Semester Ar. Rohit Shinkre VI Studio Conductors : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. URBANISM FOR GRASSROOT ECONOMY

  • Research_Foundation Studio_Volley Ball | AOA Confluence '22

    Previous Next Email Studio Conductors Semester Subject Student Name Swarangi Dharmadhikari, Dhwani Doshi, Yug Dudhara , Pratima Wagh Foundation studio I Ar. Neha Panchal, Ar. Yagnik Bhatija, Ar. Mythili Shetty, Ar. Parnavi, Ar. Devayani Deshmukh swarangi20@gmail.com , yugd20@aoamumbai.in , dhwani20@aoamumbai.in , pratimaw20@gmail.com : : : : : : : : : The exercise focused on material exploration of volleyball with respect to different surfaces. Through personal interaction with the ball, we figured out how the material of the ball reacted with the hands of the user while playing, the surface of the ground, net, shoes, etc. analyzing the failure of material and its response with respect to climate, ground, equipment, etc. Understanding the role of the ball in the sports, different types of balls according to material and conditions and its manufacturing process were studied. All the study was represented by sketches, drawings and graphics. Volley Ball

  • Research_Foundation Studio_Ship Safety | AOA Confluence '22

    Previous Next Email Studio Conductors Semester Subject Student Name Aaksha Trivedi, Tasneem Vali, Hetika Vani Foundation studio I Ar. Neha Panchal, Ar. Yagnik Bhatija, Ar. Mythili Shetty, Ar. Parnavi, Ar. Devayani Deshmukh aashka20@aoamumbai.in , tasneem20@aoamumbai.in , hetika20@aoamumbai.in : : : : : : : : : The project started with documenting the garbage collected in a day ,for a week . Thereafter each group was given an item from the garbage which was then to be translated into an infographic. We followed the journey of a simple matchbox from manufacturing to disposal. The infographic consists of the entire lifecycle of matchbox particularly- SHIP matches, right from manufacturing to disposal. The process starts with matchstick and matchbox manufacturing. Thereafter comes the stacking and packaging of matchbox.After packaging the matchboxes are ready for distribution at wholesalers and retailers. The graphic also speaks about the afterlife of the matchbox along with the entire history of SHIP safety matches. Analyzing the various steps that a simple matchbox goes through before ending up in our garbage made us realize the importance of every minute thing that we use and discard without a second thought. Ship Safety

  • The Courtyard Dairies

    Previous Next The Courtyard Dairies Email Semester Competition Name Student Name Khushi Patel, Riya Godambe, Niket Vira Archdais Studio Container VI khuship18@aoamumbai.in riyag18@aoamumbai.in niketv18@aoamumbai.in : : : : : : : Competition Brief: The aim of the competition is to design a designers work studio which can break the conventional model for small office spaces, and create a space that fosters innovation, collaboration and productivity. Narrative: The design aims at offering a spatial experience to the clients and a creative work environment for the designers while also acting as a perfect hub for cultural exchange in the form of exhibitions, art festivals, and recreational space for the surrounding commercial hub and IT offices. A studio is like a home to a designer hence in our design we have treated the container like micro-living units. We wanted to restore Baner’s status as an agricultural city amidst the rapidly growing concrete jungle by incorporating botany such that it becomes a part of their daily routine and calms their senses at the same time. The intent was to create a flexible work environment that provides interaction among the designers in every part of the studio. The different spaces are tailored around a central courtyard which acts as a workspace full of natural atmosphere and flexibility. The journey of the client through the studio also revolves around this courtyard which is represented as a Storyboard. A Storyboard is a collection of cells that each depicts an image and together narrate a journey. Creating storyboards helps developers to think through a process in a step-by-step manner allowing them to design streamlined user experience. Likewise, while understanding the work culture, we also wanted the clients to be a part of this journey of developing a product right from the first stage to the final prototype.

  • DAC_DAC Competitions_Pacing the Space | AOA Confluence '22

    Previous Next Pacing the Space Email Semester Competition Name Student Name Adnan Motiwala Shanaya Wadia Tasneem Vali DAC - Academy's Recess - Rethinking Amphitheatre Area I adnan20@aoamumbai.in shanaya20@aoamumbai.in tasneem20@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: The Amphitheatre is a fusion of various departments. The design provides a space where all the students come to unwind and just be themselves. To make it lively, the space is equipped with a musical niche with pre-installed instruments like a foot piano, a clap box and a xylophone. A watchtower stands in the middle of the amphitheatre, encompassing the banyan tree, giving the students a panoramic view of the space. The place is littered with crescent-shaped stools, and their retractable nature prevents them from being an obstacle. The college logo is seen in the form of a seating area, bordering the walls. It's the perfect spot for relaxing with the overview of the banyan tree, and it makes an excellent background for pictures. The logo is bordered with an LED lighting which compels you to stay and extend the experiential nature of the place.

  • Design_Architectural Design_Maritime Institute/ Veterinary Institute 1 | AOA Confluence '22

    Email Guide Semester Subject Student Name Vinay Ekkaldevi Architectural Design VI Ar. Mahesh Nilakh vinaye18@aoamumbai.in Studio Conductors Ar. Mahesh Nilakh, Ar. Swapna Hankare, Ar. Shekoba Sanap, Ar. Mahesh Khanolkar, Ar. Rupa Sheth, Ar. Rajan Kulkarni : : : : : : : : : : : Owing to the proximity of the Arabian sea, the site had an immense potential to exploit the opportunities of developing distinct land-water edges. Creating sensorial experiences played an important role in training cadets for their future endeavors. As users are from a marine background, the proportions of the ship were likely to be reflected in built structures. Spaces flow into each other in an organic yet controlled manner. Previous Next Maritime Institute/ Veterinary Institute 1

  • Technical_Technical Design_Structural drawings in steel 5 | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Abhishek Suryawanshi Technical Design IV Ar. Pranay Bhavsar abhisheks19@aoamumbai.in Studio Conductors Ar. Richa Raut, Ar. Geetesh Varte, Ar. Rohit Karekar, Ar. Pranay Bhavsar, Ar. K.V.Parmeshwar : : : : : : : : : : : The Project Was To Do Structural Design Of Semester Three Ad School Project. For Structural Design A Part Of The Design Was Taken Which Is Main Classroom Block And Entry Foyer With Amphitheater. This Project Was All About Steel Structures And Its Connection Details With Steel- Beams, Stanchions, Gusset Plates, Angles, Etc. The Challenging Part Of The Design Was The Upper Floor Beam Design Above Staircase And Staircase Design Which Is Entirely In Steel. As Design Feature The Steel Arch With Timber Design Elements Is Also Detailed Out. Structural drawings in steel 5

  • Design_Architectural Design_Unembodied Spaces | AOA Confluence '22

    Email Guide Semester Subject Student Name Miriam Thomas Architectural Design I Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy miriamt20@aoamumbai.in Studio Conductors Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy : : : : : : : : : : : Through the course of this exercise, the aim was to recognize the various visual boundaries that exist as we navigated through the built and natural environment that surrounds us. These visual boundaries are perceived for their nature, character, construct, materiality, and function. They enclose Space. Studying the various aspects of these visual boundaries and their organization has led us to begin to perceive the basic constructs of space and the relationship it possesses to the movement of various bodies in space. In the due course of observing and recognizing we stumble upon various organizational constructs of field, space, and movement documented through photographs and drawings. We perceived and analyzed the organization and construct of field and space and the resulting movement of the body in the particular field of space through the construction of diagrams, maps, and models. To begin to understand the subject of cartography and its value in constructing visual narratives. Previous Next Unembodied Spaces

  • DAC_Housing and Futuristic Typologies_MERAKI - My Relaxing Palace (Top 30) | AOA Confluence '22

    Previous Next MERAKI - My Relaxing Palace (Top 30) Email Semester Competition Name Student Name Harshil Jain; Priyanshi Hiran Archresource Farm - a -cation IX harshilj17@aoamumbai.in priyanshih17@aoamumbai.in : : : : : : : : Competition Brief: The competition aims to develop a strategy that not only serves for materialistic development but also looks into science and nature. Narrative: ‘Meraki’, this term is often used for something which belongs to the Soul. As famously quoted, ‘Home is where the heart is’, houses have always been the peaceful place for the human soul. However, due to the hustle of city life, the interaction of the human soul and the house has gone for a toss. The intent of the design proposal of the The farmhouse is to rejuvenate this interaction of the human soul and the house. As a breakaway from the city life, the farmhouse has been proposed on the outskirts of the town of Malapurram in the state of Kerala. The design proposal intends to create a play of Active and Passive spaces to allow Public interaction and also give Privacy to the users to have an interaction with the soul. Timelessness has been considered as the key intention of the design and the same has been tried to be achieved with the use of Light, Spaces and Volumes. Along with connecting spaces to nature, the design also intends to allow the users to pursue their hobbies and also develop new hobbies and interests. Kerala being famous for its vernacular architecture style, the design utilises Brick and Concrete for the Farmhouse and Wattle and Daub technique for the Barns and Temporary structures. Lastly, the entire moment and journey within the farmhouse has been proposed such that it leads to interaction with the soul.

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