Previous Next Email Guide Semester Subject Student Name Karishma Kaur Hooda, Dhruvanshi Sanghavi, Ameya Thanawala, Neha Jayasanker, Mansi Bhatia Allied Design - Landscape IV Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia karishma@aoamumbai.in , ameyat19@aoamumbai.in , neha19@aoamumbai.in , mansib19@aoamumbai.in , dhruvanshis19@aoamumbai.in Studio Conductors Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia : : : : : : : : : : : The royal garden has a formal manicured nature with radiating pathways. The arrangement of trees is a peculiar note. Also the serpentine gallery has a driveway approach.Serpentine Pavilion is located in the lawn of the Serpentine Gallery which has a main driving access and multiple radiating approaches . The site is also near to the Serpentine river and has a formal manicured landscape with various arrangements of trees. The landscape arrangement of the setting portrays a contrast in terms of tree arrangement. The tree line near the serpentine Victorian structure is linearly aligned one-point perspective to border a user walking path, inducing a sense of direction and imparts formality in user-movement. These trees are equally spaced and all being of the same type and size. On the other hand , the unequal sizes and densities of trees gives an organic informal character to the landscape setting. We observe the cloud like nature of the for. and how this organic nature merges with the sky as well as the landscape. Here we have created a color palette to show how different colors in the context create different spatial feels when perceived together, like the sky along with latticework and anti slip glass creates a limitless feel. The sky weather and lattice creates a mystical feel together, the lattice work along with the manicured landscape and sky creates a distinction between the foreground and background, whereas the contrast of the lattice work to the night sky and trees creates a focus on the pavilion at night. Serpentine Pavillion

Previous Next Email Studio Conductors Semester Subject Student Name Praniti Bhoir Aashtha Chauhan Suyash Dhadiwal Swamini Gawad Sandesh Jadhav Rucha Joshi Anushka Joshi Shristhi Khatwani Khushi Pednekar Avantika Pendam Architectural Building Services III Ar. Richa Raut, Ar. Kanak Kashyap, Ar. Minal Gujjar praniti20@aoamumbai.in aashtha20@aoamumbai.in suyash20@aoamumbai.in sandesh20@aoamumbai.in rucha20@aoamumbai.in anushka20@aoamumbai.in shrishti20@aoamumbai.in khushi20@aoamumbai.in : : : : : : : : : The Exercise Started With A Fun Quiz Of Picturesque Images Where As A Team We Had To Identify The Region In India By Different Pictures As A Clue. The Quiz Eventually Ended By Us Guessing Kokan And Tamilnadu Regions. It Then Culminated Into An Abs Exercise Where We Had To Study How The Toilets In Different Regions Work According To Their Traditional Practices. Analysis Was Done Based On The Materials Used, The Sewage Management System, Water Storage, And Way Of Usage. The Assignment Made Us Aware About The Concept Of Bio Toilets And Evoked In A Question Of How Can Ancient Age Old Techniques Be Used In Making Toilets Today? This Followed By Understanding The Merits And Also The Demerits Of This Techniques. Certain Principles Like Water Storage Through ‘hauds’ , Using Factual Data While Designing The Toilets And Using To The Fullest Of The Material Available Locally, Certainly Left A Mark On Us. Study Of Traditional Toilets In The Region Of Tamilnadu And Konkan.

Email Guide Semester Subject Student Name Miriam Thomas Architectural Design II Ar. Anisha Mehta, Ar. Chintan Shah, Ar. Devyani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija miriamt20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshad Shintre, Ar. Joel Roy, Ar. Amey Mhatre : : : : : : : : : : : This project required designing a studio space for Sajeev Visweswaran, an artist. This project helped to study artists' space requirements and their works.Exploring the form of the space with an understanding of the structure, envelope, act, organization, material, and location all based on the various aspects involved in the art and the life of the protagonist. These spaces were derived based on the artist's works. The process followed to develop the design was to extract 2D and 3D diagrams from his works and convert them to meaningful spaces, which finally became a design. Hence the idea was to create a space that closely represented the artist as well as fulfilled the purpose it was made for. Keeping in touch with his ideologies, the space came to represent a form that is simple- one that is rooted to its surroundings just like the artist it was meant to represent. A space with strong visual connections allowing one to be secluded and connected at the same time. A form that has unity and variety in its orientation and made of materials derived from his vernacular Indian background. Previous Next The Artist Retreat

Previous Next Celenem Percorso Email Semester Competition Name Student Name Himanshi Mittal, Adnan Motiwala, Tasneem Vali Arttechtism Design a Muse II-V himanshi19@aoamumbai.in , adnan20@aoamumbai.in , tasneem20@aoamumbai.in : : : : : : : : Competition Brief: The Competition “ARTTECHTISM Design-a-muse” aims to celebrate the parallel disciplines by intertwining the two and developing an Art-inspired Architecture. Narrative: The painting selected for the brief is 'Triptych Speed'. It is a series of 3 paintings made by artist Gerardo Dottori as part of the futurism art movement. Dottori's work is characterized by the use of strong colors, especially red and blue placed against a range of landscape greens that underscore the sense of rapid flight. The use of a splintered, dynamic vocabulary of form evokes an intoxicating sense of speed. 'Triptych speed' is a classic example of the same. Done in three parts, it represents the beginning, the path and the arrival. At first glance, the structure appears quite brazen which overwhelms the user as does the painting. But a closer look will make one realize the simplicity of its navigation. An enormous entrance greets the user which leads to an open to sky area. This coupled with the semi circular trusses make the spatial quality quite celebratory and public. The structure further leads to a semi covered area with a tinted glass skylight. Light plays an important role in the painting which has been reflected in the structure as well. The structure ends with a narrow opening giving one the sense of exclusivity while they come out.

Previous Next Semester Ar. Rohit Shinkre VI Studio Conductors : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. URBANISM FOR GRASSROOT ECONOMY

Previous Next Email Studio Conductors Semester Subject Student Name Swarangi Dharmadhikari, Dhwani Doshi, Yug Dudhara , Pratima Wagh Foundation studio I Ar. Neha Panchal, Ar. Yagnik Bhatija, Ar. Mythili Shetty, Ar. Parnavi, Ar. Devayani Deshmukh swarangi20@gmail.com , yugd20@aoamumbai.in , dhwani20@aoamumbai.in , pratimaw20@gmail.com : : : : : : : : : The exercise focused on material exploration of volleyball with respect to different surfaces. Through personal interaction with the ball, we figured out how the material of the ball reacted with the hands of the user while playing, the surface of the ground, net, shoes, etc. analyzing the failure of material and its response with respect to climate, ground, equipment, etc. Understanding the role of the ball in the sports, different types of balls according to material and conditions and its manufacturing process were studied. All the study was represented by sketches, drawings and graphics. Volley Ball

Previous Next Email Studio Conductors Semester Subject Student Name Aaksha Trivedi, Tasneem Vali, Hetika Vani Foundation studio I Ar. Neha Panchal, Ar. Yagnik Bhatija, Ar. Mythili Shetty, Ar. Parnavi, Ar. Devayani Deshmukh aashka20@aoamumbai.in , tasneem20@aoamumbai.in , hetika20@aoamumbai.in : : : : : : : : : The project started with documenting the garbage collected in a day ,for a week . Thereafter each group was given an item from the garbage which was then to be translated into an infographic. We followed the journey of a simple matchbox from manufacturing to disposal. The infographic consists of the entire lifecycle of matchbox particularly- SHIP matches, right from manufacturing to disposal. The process starts with matchstick and matchbox manufacturing. Thereafter comes the stacking and packaging of matchbox.After packaging the matchboxes are ready for distribution at wholesalers and retailers. The graphic also speaks about the afterlife of the matchbox along with the entire history of SHIP safety matches. Analyzing the various steps that a simple matchbox goes through before ending up in our garbage made us realize the importance of every minute thing that we use and discard without a second thought. Ship Safety

Previous Next The Courtyard Dairies Email Semester Competition Name Student Name Khushi Patel, Riya Godambe, Niket Vira Archdais Studio Container VI khuship18@aoamumbai.in riyag18@aoamumbai.in niketv18@aoamumbai.in : : : : : : : Competition Brief: The aim of the competition is to design a designers work studio which can break the conventional model for small office spaces, and create a space that fosters innovation, collaboration and productivity. Narrative: The design aims at offering a spatial experience to the clients and a creative work environment for the designers while also acting as a perfect hub for cultural exchange in the form of exhibitions, art festivals, and recreational space for the surrounding commercial hub and IT offices. A studio is like a home to a designer hence in our design we have treated the container like micro-living units. We wanted to restore Baner’s status as an agricultural city amidst the rapidly growing concrete jungle by incorporating botany such that it becomes a part of their daily routine and calms their senses at the same time. The intent was to create a flexible work environment that provides interaction among the designers in every part of the studio. The different spaces are tailored around a central courtyard which acts as a workspace full of natural atmosphere and flexibility. The journey of the client through the studio also revolves around this courtyard which is represented as a Storyboard. A Storyboard is a collection of cells that each depicts an image and together narrate a journey. Creating storyboards helps developers to think through a process in a step-by-step manner allowing them to design streamlined user experience. Likewise, while understanding the work culture, we also wanted the clients to be a part of this journey of developing a product right from the first stage to the final prototype.

Previous Next MERAKI - My Relaxing Palace (Top 30) Email Semester Competition Name Student Name Harshil Jain; Priyanshi Hiran Archresource Farm - a -cation IX harshilj17@aoamumbai.in priyanshih17@aoamumbai.in : : : : : : : : Competition Brief: The competition aims to develop a strategy that not only serves for materialistic development but also looks into science and nature. Narrative: ‘Meraki’, this term is often used for something which belongs to the Soul. As famously quoted, ‘Home is where the heart is’, houses have always been the peaceful place for the human soul. However, due to the hustle of city life, the interaction of the human soul and the house has gone for a toss. The intent of the design proposal of the The farmhouse is to rejuvenate this interaction of the human soul and the house. As a breakaway from the city life, the farmhouse has been proposed on the outskirts of the town of Malapurram in the state of Kerala. The design proposal intends to create a play of Active and Passive spaces to allow Public interaction and also give Privacy to the users to have an interaction with the soul. Timelessness has been considered as the key intention of the design and the same has been tried to be achieved with the use of Light, Spaces and Volumes. Along with connecting spaces to nature, the design also intends to allow the users to pursue their hobbies and also develop new hobbies and interests. Kerala being famous for its vernacular architecture style, the design utilises Brick and Concrete for the Farmhouse and Wattle and Daub technique for the Barns and Temporary structures. Lastly, the entire moment and journey within the farmhouse has been proposed such that it leads to interaction with the soul.

Email Guide Semester Subject Student Name Palak Panchal Architectural Design III Ar. Anshu Choudhri palak20@aoamumbai.in Studio Conductors Ar. Nachiket Kale, Ar. Amey Matre, Ar. Mehul Sanghavi, Ar. Anshu Choudhari, Ar. Amit Jain : : : : : : : : : : : The project given to us was to design a House for our own Family on the site of Vihar Lake, Powai, Mumbai. This designed house, ‘THE HOUSE OF CURVES’, is a structural framework of curves amalgamating into one another. The compositional approach chosen is 'Tight Cluster Units'. The transition into the house is choreographed to be in a curved fashion and is open to the sky so that the user can experience the landscape around. This curved path also instigates intrigue within the setup. Such intrigue is also seen through the helical staircase which is closed from one side and open on the other. On the first floor, the user has to walk through a ramp to reach rooms that have glass roofs. The user can see the landscape through that roof while walking and hence is allowed to experience nature. Previous Next House for My Family

Previous Next JoBongo Email Semester Competition Name Student Name Adnan Motiwala, Tasneem Vali Arch 8 Revision II adnan20@aoamumbai.in , tasneem20@aoamumbai.in : : : : : : : : Competition Brief: The competition focuses on identitying metal objects that have been forgotten and repurpose them into a functional typology of a residence. Narrative: The space is a contemporary blend of funky and neutral, clubbing Joey's playful personality and a taste for Kitsch art, with Chandler’s practical and witty self. The color scheme is a set of cool colors with gray undertones giving a modular look to the place. The red couch which provides a proper seating is made to shape like a lifebuoy bodying their love for Baywatch. The casual seating area is equipped with a home theater unit and the bean bags provide the necessary comfort. The foosball table has been deconstructed to serve as a party element which rests in a leisure area. Joey’s room is filled with bizarre elements and a self portrait of all his headshots as an actor. Chandler’s room is equipped with a murphy bed which doubles as a desk to accommodate his work. All in all a casual place apt for FRIENDS to hangout at, defines the JoBongo.

Email Guide Semester Subject Student Name Cherie D'Souza Architectural Design I Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy cheried20@aoamumbai.in Studio Conductors Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy : : : : : : : : : : : Various physical and visual boundaries are perceived in our day-to-day life. These boundaries are mapped using the art of cartography. Identification of light and shadow during different times of the day, depth of a body or object in the space, movement of vehicles, activities of various people, difference in levels and textures were some of the aspects that were perceived and recognized during this exercise. These boundaries are both tangible and intangible and help understand the space and movement of the body in it. Referring to the works of Denis Wood, various symbologies were adopted as a way to portray these boundaries. In the first sketch, shadows from the Chaitya Bhoomi were created, with the effect of light and shadow during different times of the day. Stippling is used to show differences in texture, while the height of the umbrellas used by the vegetable vendors is also altered as it changes over time. The depth of a building was shown with the help of shading and hatching. Different line intensities were carefully used to depict the slope of the road. Intangible aspects like variation of temperature and sound were also observed and mapped. Previous Next The Art of Cartography