Email Semester Subject Student Name Bhoomika Chaudhari Kimaya Churi Atharva Girme Saloni Pawar Sanchita Tandel Sejal Umare Allied Design - Landscape Design V bhoomika@aoamumbai.in kimayac19@aoamumbai.in atharvag19@aoamumbai.in salonip@aoamumbai.in sanchitat@aoamumbai.in sejalu19@aoamumbai.in Studio Conductors Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia : : : : : : : : : Mt. Kailasha is designated as the abode of Lord Shiva in Hindu mythology, where it is described as heaven on Earth. It is a famous pilgrimage site with cultural importance. This description from Shivapura describes Shiva bringing Sati after their marriage to show different sites and scenes of the Himalayas. Their journey starts from the foothill kingdom to the summit of the mountain peak. Reaching the summit, Sati suggests the Bairagi Shiva settle down and build an abode in Mt. Kailasha at the onset of the rainy season. It describes varied landscapes of various peaks of the Himalayas with the transformation in the landscape with different climatic conditions at different altitudes. The description highlights the diversity of flora and fauna found across the Himalayan region with other famous phenomena such as golden mountains at sunrise. The sceneries closely coincide with the existing landscape quality and altitude wise vegetational zones of the area. Previous Next Kailash - The Abode of Shiva

Previous Next Email Guide Semester Subject Student Name Karishma Kaur Hooda, Dhruvanshi Sanghavi, Ameya Thanawala, Neha Jayasanker, Mansi Bhatia Allied Design - Landscape IV Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia karishma@aoamumbai.in , ameyat19@aoamumbai.in , neha19@aoamumbai.in , mansib19@aoamumbai.in , dhruvanshis19@aoamumbai.in Studio Conductors Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia : : : : : : : : : : : The royal garden has a formal manicured nature with radiating pathways. The arrangement of trees is a peculiar note. Also the serpentine gallery has a driveway approach.Serpentine Pavilion is located in the lawn of the Serpentine Gallery which has a main driving access and multiple radiating approaches . The site is also near to the Serpentine river and has a formal manicured landscape with various arrangements of trees. The landscape arrangement of the setting portrays a contrast in terms of tree arrangement. The tree line near the serpentine Victorian structure is linearly aligned one-point perspective to border a user walking path, inducing a sense of direction and imparts formality in user-movement. These trees are equally spaced and all being of the same type and size. On the other hand , the unequal sizes and densities of trees gives an organic informal character to the landscape setting. We observe the cloud like nature of the for. and how this organic nature merges with the sky as well as the landscape. Here we have created a color palette to show how different colors in the context create different spatial feels when perceived together, like the sky along with latticework and anti slip glass creates a limitless feel. The sky weather and lattice creates a mystical feel together, the lattice work along with the manicured landscape and sky creates a distinction between the foreground and background, whereas the contrast of the lattice work to the night sky and trees creates a focus on the pavilion at night. Serpentine Pavillion

Previous Next Email Studio Conductors Semester Subject Student Name Praniti Bhoir Aashtha Chauhan Suyash Dhadiwal Swamini Gawad Sandesh Jadhav Rucha Joshi Anushka Joshi Shristhi Khatwani Khushi Pednekar Avantika Pendam Architectural Building Services III Ar. Richa Raut, Ar. Kanak Kashyap, Ar. Minal Gujjar praniti20@aoamumbai.in aashtha20@aoamumbai.in suyash20@aoamumbai.in sandesh20@aoamumbai.in rucha20@aoamumbai.in anushka20@aoamumbai.in shrishti20@aoamumbai.in khushi20@aoamumbai.in : : : : : : : : : The Exercise Started With A Fun Quiz Of Picturesque Images Where As A Team We Had To Identify The Region In India By Different Pictures As A Clue. The Quiz Eventually Ended By Us Guessing Kokan And Tamilnadu Regions. It Then Culminated Into An Abs Exercise Where We Had To Study How The Toilets In Different Regions Work According To Their Traditional Practices. Analysis Was Done Based On The Materials Used, The Sewage Management System, Water Storage, And Way Of Usage. The Assignment Made Us Aware About The Concept Of Bio Toilets And Evoked In A Question Of How Can Ancient Age Old Techniques Be Used In Making Toilets Today? This Followed By Understanding The Merits And Also The Demerits Of This Techniques. Certain Principles Like Water Storage Through ‘hauds’ , Using Factual Data While Designing The Toilets And Using To The Fullest Of The Material Available Locally, Certainly Left A Mark On Us. Study Of Traditional Toilets In The Region Of Tamilnadu And Konkan.

Email Guide Semester Subject Student Name Miriam Thomas Architectural Design II Ar. Anisha Mehta, Ar. Chintan Shah, Ar. Devyani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija miriamt20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshad Shintre, Ar. Joel Roy, Ar. Amey Mhatre : : : : : : : : : : : This project required designing a studio space for Sajeev Visweswaran, an artist. This project helped to study artists' space requirements and their works.Exploring the form of the space with an understanding of the structure, envelope, act, organization, material, and location all based on the various aspects involved in the art and the life of the protagonist. These spaces were derived based on the artist's works. The process followed to develop the design was to extract 2D and 3D diagrams from his works and convert them to meaningful spaces, which finally became a design. Hence the idea was to create a space that closely represented the artist as well as fulfilled the purpose it was made for. Keeping in touch with his ideologies, the space came to represent a form that is simple- one that is rooted to its surroundings just like the artist it was meant to represent. A space with strong visual connections allowing one to be secluded and connected at the same time. A form that has unity and variety in its orientation and made of materials derived from his vernacular Indian background. Previous Next The Artist Retreat

Previous Next Celenem Percorso Email Semester Competition Name Student Name Himanshi Mittal, Adnan Motiwala, Tasneem Vali Arttechtism Design a Muse II-V himanshi19@aoamumbai.in , adnan20@aoamumbai.in , tasneem20@aoamumbai.in : : : : : : : : Competition Brief: The Competition “ARTTECHTISM Design-a-muse” aims to celebrate the parallel disciplines by intertwining the two and developing an Art-inspired Architecture. Narrative: The painting selected for the brief is 'Triptych Speed'. It is a series of 3 paintings made by artist Gerardo Dottori as part of the futurism art movement. Dottori's work is characterized by the use of strong colors, especially red and blue placed against a range of landscape greens that underscore the sense of rapid flight. The use of a splintered, dynamic vocabulary of form evokes an intoxicating sense of speed. 'Triptych speed' is a classic example of the same. Done in three parts, it represents the beginning, the path and the arrival. At first glance, the structure appears quite brazen which overwhelms the user as does the painting. But a closer look will make one realize the simplicity of its navigation. An enormous entrance greets the user which leads to an open to sky area. This coupled with the semi circular trusses make the spatial quality quite celebratory and public. The structure further leads to a semi covered area with a tinted glass skylight. Light plays an important role in the painting which has been reflected in the structure as well. The structure ends with a narrow opening giving one the sense of exclusivity while they come out.

Previous Next Semester Ar. Rohit Shinkre VI Studio Conductors : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. URBANISM FOR GRASSROOT ECONOMY

Previous Next Email Studio Conductors Semester Subject Student Name Swarangi Dharmadhikari, Dhwani Doshi, Yug Dudhara , Pratima Wagh Foundation studio I Ar. Neha Panchal, Ar. Yagnik Bhatija, Ar. Mythili Shetty, Ar. Parnavi, Ar. Devayani Deshmukh swarangi20@gmail.com , yugd20@aoamumbai.in , dhwani20@aoamumbai.in , pratimaw20@gmail.com : : : : : : : : : The exercise focused on material exploration of volleyball with respect to different surfaces. Through personal interaction with the ball, we figured out how the material of the ball reacted with the hands of the user while playing, the surface of the ground, net, shoes, etc. analyzing the failure of material and its response with respect to climate, ground, equipment, etc. Understanding the role of the ball in the sports, different types of balls according to material and conditions and its manufacturing process were studied. All the study was represented by sketches, drawings and graphics. Volley Ball

Previous Next Email Studio Conductors Semester Subject Student Name Aaksha Trivedi, Tasneem Vali, Hetika Vani Foundation studio I Ar. Neha Panchal, Ar. Yagnik Bhatija, Ar. Mythili Shetty, Ar. Parnavi, Ar. Devayani Deshmukh aashka20@aoamumbai.in , tasneem20@aoamumbai.in , hetika20@aoamumbai.in : : : : : : : : : The project started with documenting the garbage collected in a day ,for a week . Thereafter each group was given an item from the garbage which was then to be translated into an infographic. We followed the journey of a simple matchbox from manufacturing to disposal. The infographic consists of the entire lifecycle of matchbox particularly- SHIP matches, right from manufacturing to disposal. The process starts with matchstick and matchbox manufacturing. Thereafter comes the stacking and packaging of matchbox.After packaging the matchboxes are ready for distribution at wholesalers and retailers. The graphic also speaks about the afterlife of the matchbox along with the entire history of SHIP safety matches. Analyzing the various steps that a simple matchbox goes through before ending up in our garbage made us realize the importance of every minute thing that we use and discard without a second thought. Ship Safety

Email Guide Semester Subject Student Name Harshil Jain, Ronak Gala, Prajwal Pembarti Architectural Design IX Ar. Hemal Buiscitwala harshilj17@aoamumbai.in ronakg17@aoamumbai.in prajwalp17@aoamumbai.in Studio Conductors Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Nitesh Avhad, Ar. Hemal Biscuitwala, Ar. Dhaval Jain : : : : : : : : : : : The project aims to create a networking connection between the visitors, the citizens and the city of Beirut their by providing placemaking activities which will develop the sociability of the space and will result in a productive port. This networking sprawl will help the port for its better functioning thereby boosting the economy of the City of Beirut. The proposal aims to bring back the glory of Beirut port and redefine the port with respect to the urban context and make it the economical centre along with addition of cultural and social aspects as a remembrance to the event. Our proposal will offer iconic and user-friendly public spaces that are highly accessible and distinctive. The port will become a desirable place to experience and a flexible space to carry out the port activities and cater to the public realm at the same time. The public realm will offer high quality routes and spaces that will support connectivity and place making of the overall development and will highlight principles of sustainability and values of seamless connectivity from the ferry and cruise terminals to city centre. The public realm bridges the infrastructural routes in order to create a continuous and uninterrupted high line route for the users. The proposed architectural interventions are, the Passenger Terminal and the Container Housing. These interventions will help the city to gain back its economy and accommodation facilities. Previous Next Rebuilding Beirut Port 2

Previous Next Aalay…the recreational abode Email Semester Competition Name Student Name Nidhi Khot, Shivanjay Bhagat, Roshani Chabhare, Rohit Chopade Uni Villa Vernacular IV nidhik19@aoamumbai.in , bhagat19@aoamumbai.in , roshani19@aoamumbai.in , rohit19@aoamumbai.in : : : : : : : : Competition Brief: Villa Vernacular is a design challenge focused on building a motion towards responsible leisure properties across the world. Narrative: Aalay, the recreational abode, is an attempt at creating a vernacular builtform with a medley of leisure and relaxing spaces creating a habitat for a family of four.The typical vernacular houses in Kerala, known as Nallukettu comprising four blocks, known as 'Shalas' and would be divided into north, south, east and west blocks. These four blocks placed adjacent to each other would open in an open to sky courtyard in the center. Aalay consists of various spaces, placed around a courtyard following the principles of Vastu Shastra and using local building materials makes the builtform in congruence with the traditional structures of the vicinity. The final design is a cumulative outcome of various design ideas and forms put together. Multiple factors such as climate responsiveness, vernacular approach, site, principles of Vastu Shastra (usually followed in Nalukettu), were considered to arrive at this final form. After a thorough study of the traditional built forms around the site and after fabricating a proper client profile, the various ideas of spaces emerged: Central playful courtyard in water bodies, interior green spaces, non monotonous workspaces. The structure is therefore an unification of all these factors which cater to living, along the backwaters.

Previous Next Email Studio Conductors Semester Subject Student Name Devam Ghatak Environmental Studies III Ar. Prerna Thakar devamg20@aoamumbai.in : : : : : : : : : In this project, we explored various mediums to create light effects in a space. By using the concept of direct sunlight in different patterns to create an essence in space. The alleyway has pergolas which are creating the pattern with sunlight, the pattern has been explored by changing the dimensions of the pergolas. This helped us to understand the effect of sunshades in space. Arbor Way

Previous Next Timeless Mesh (Editor's Choice Award) Email Semester Competition Name Student Name Vaishnavi Siddhapara, Siddhi Shinde Uni Terra Terra V vaishnavis19@aoamumbai.in siddhi19@aoamumbai.in : : : : : : : Competition Brief: The aim of the Competition is to design a pavillion with the help of the compuatational design softwares. Narrative: The project intends to create a pavilion that is used as a breakout and an informal meeting space that acts as a forum for social interaction. The design started with keeping 3 factors in mind - sustainability, easy installation, and interactive space. A SPACE BECOMES A PLACE WHEN IT'S NOT ONLY MEANT FOR SPENDING TIME BUT TO RECOLLECT THE TIME SPENT IN IT. To allow the public to experience this pavilion we thought of using simple elements like structure, form and its sensitivity, light, and shadow, material and its lightness, and an element of surprise. A place that encourages healthy exchange could be done by incorporating functions like small gathering spaces that also act as an event, informal workspace, a space for recreation, lounging, and mini food stations. So we developed an assembly that requires a minimum of materials and can be tailor-made by anyone. This pavilion is meant to be agile and deployed in various sites all across the globe thus requiring a module system will require easy installation. Thus our design creates a timeless mesh. The play of light and shadow with the movement of the user creates a juxtaposition, permitting the users to reshape their own physical and architectural place through their movements inside the work.