Email Semester Subject Student Name Dhruvi Jain Humanities V dhruvi19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next Work as Penitentry (Style: Dadaism)

Previous Next Email Guide Semester Subject Student Name Sarthak Ekal Technical Design IV Ar. Geetesh Varte sarthak19@aoamumbai.in Studio Conductors Ar. Richa Raut, Ar. Geetesh Varte, Ar. Rohit Karekar, Ar. Pranay Bhavsar, Ar. K.V.Parmeshwar : : : : : : : : : : : The intent and focus of this exercise was to Design the structural detail and explore steel. This structure is taken from previous semester AD project which was originally a school building. A part of this project that is multipurpose hall, library, computer lab, science lab and toilet. Structure has curved arch roof. And structure is supported by a composite slab by using decking sheet and steel joist,Binder,girder etc. Further in details of stairs case, structural member details and joinary details. Structural drawings in steel 2

Email Guide Semester Subject Student Name Sharvil More Architectural Design IV Ar. Ravi Hazra sharvilm19@aoamumbai.in Studio Conductors Ar. Ravi Hazra, Ar. Porus Master, Ar. Ashley Fialho, Ar. Richa Raut, Ar. Saurabh Jain, Ar. Rohit Karekar, Ar. Shekoba Sanap : : : : : : : : : : : The project aims to give architectural experiences to the users that are framed around natural elements like the sky, vegetation, land, and the lake present on the site. These elements are seen everywhere but are not experienced to the fullest, especially in the cities. The users mainly come from the cities; hence the idea was to give them a maximum experience of the diverse nature. Being an intervention in a site full of diverse nature, architecture has been designed to enhance and complement this nature, also being impactful and not just volumes placed on the site. The aim was to keep the architecture simple, informal, and elegant avoiding any kind of complexity. The rigid orthogonal form makes a strong and bold impact on the sloping contours with a sloping roof from all four sides giving a varying volumetric experience. The color palette is a neutral palette to blend and compliment the setting. The architectural elements have been used for different kinds of experiences and functions. Previous Next Nisarga- Farm House 2

Bangar documentation (Winner) Previous Next Email Guide Semester Competition Name Student Name Anushka Satpalkar Heet Shah Hrithika Chandramauli Jinay Jain Neha Raut Priyanshi Vora Sharvari Joshi Shreya Tengle Shrideep kshirsagar Siddharth Dak Varada Avachat Vedika Shrirapure COA's Excellence in documentation of architectural heritage VI Ar. Amey Ghosalkar anushkas18@aoamumbai.in heets18@aoamumbai.in hrithikac18@aoamumbai.in jinay18@aoamumbai.in neha18@aoamumbai.in priyanshiv18@aoamumbai.in sharvari18@aoamumbai.in shreyat18@aoamumbai.in shrideepk18@aoamumbai.in siddharthd18@aoamumbai.in varada18@aoamumbai.in vedika18@aoamumbai.in : : : : : : : : : Competition Brief: The Council of Architectecture (COA) has instituted an annual awards programme for excellence in documentation of architectural heritage in India. The COA Heritage Award aims to encourage interest and talent of students for understanding,Documenting of Heritage buildings. Narrative: Bangar is a village located in the Pauri Garhwal district of Uttarakhand. It has a total population of about 280 people wherein 60% of it is dominated by the women of the village. This village, located on the banks of River Nayar, is almost 700-900 years old. Most of the villagers are involved in agriculture and defence as their core occupation. It is a very old settlement with a rich cultural heritage. The settlement started at the age of the kings and continued to survive till date due to their rich cultural and traditional practices. The local Garhwali style of architecture is adopted in all their structures. In spite of the advent of urbanisation and modernisation, they still continue to use the traditional old materials and methods of construction keeping the traditional architecture intact. However, due to lack of services and opportunities, migration has become a major issue resulting in the gradual shrinking of the village. The settlements are homogeneous and it is this single tie which holds the entire village together. Bangar is the only village in the Garhwal district which is located in the valley. Over the years, there has been geographical and historical evolution in house planning as well as in street planning. There has also been unique construction and intricate detailing done, which have been documented and studied in detail.

Previous Next कथा कथन | Katha Kathan (Winner) Email Semester Competition Name Student Name Pradyumna Vikharankar Riya Khinvasara Simran Ajgaonkar DAC Redefining Platitudes IX, II, V prayumnav17@aoamumbai.in riya20@aoamumbai.in simrana19@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: The world is engulfed with unending stories all around. The notion applies not only to humans, but each living creature, as well as a non-living object that exists. The existence of one forms a story in itself. All existing ingredients of this world play a role knowingly or unknowingly in these narrations. A story can be categorized into multiple divisions. Broadly, we can summarize them as, [a] a story that somehow evolves over the time based on some incidents that takes up its form through exaggerations & cooked up details, which can be termed as rumors. [b] a story that is told from ages which eventually doesn’t confine itself to just a storyline, but becomes a belief, ritual or a superstition that can be termed as mythological fictions. [c] a story that we live daily, nothing but our experiences. As such, these stories can be placed on a timeline irrespective of its factual nature. This timeline helps us understand the originality and additions that occur to the story and how a narrative unfolds. This crucial fluidity allows for permutations and combinations to exist that help us curate our own platform to explore and read the world in our own way.

Previous Next Email Guide Semester Subject Student Name Jayraj Pratap Mistry Technical design IV Ar. Sulakshana Bhanushali, Ar. Prerna Thacker, Ar. Tushar Shetty jayraj19@Aoamumbai.In Studio Conductors Ar. Sulakshana Bhanushali, , Ar. Prerna Thacker , Ar. Tushar Shetty : : : : : : : : : : : Understanding the need of the spaces and the acoustic needs of the spaces , first the levels has been raised as we move away from the board for the clear sight view and clear hearing levels at each point .the arrangement of the students are done in compact seating to minimize the distance by providing the advantage of reduced volume and increasing the acoustic experience of the room along with the recessed false ceiling. Thus at the end of the room , the buffer space acts as a barriers during the lectures due to window curtains , furniture and creates an buffer space . The side walls are having the absorption values so that the reverberation of the sound does not takes place.the front wall of the room are having the reflected surface so that the sound can reflect and travel to the maximum distance while the ceiling has both reflection and absorption values to balance out the acoustic standards of the room. Thus from reflection to absorption, different materials are used across the room to create an acoustically good room .nence the 8mm acoustic panels are suspended from the ceiling through hanger wire and attached to the metal grid and as well they are cladded to the walls on the wooden battens . Directing Water

Email Guide Semester Subject Student Name Ameya Thanawala Architectural Design V Ar. Swapna Hankare ameyat19@aoamumbai.in Studio Conductors Ar. Mahesh Khanolkar, Ar. Rajan Kulkarni, Ar. Rupa Sheth, Ar. Mahesh Nilakh, Ar. Ashley Fialho, Ar. Swapna Hankare, Ar. Shekoba Sanap : : : : : : : : : : : Imagine a workspace that is not engaging and affects one's physical and mental health? This simple question led to developing an Activity-based workplace’ approach with work-life balance, network learning, Interactions, and a sense of community. An Activity-based workplace aids in one’s personal and collaborative growth. It is a mix of open, semi-open, and private spaces for each user. Thus, having connectivity as well as buffers, nooks, and niches, level of privacy, and proximity of spaces considering the needs of all users was crucial. Situated on Topea island of Bora Bora islands, the site is a tropical wonder. It overlooks the lagoon water and the mighty mount Otemanu backing it. The Design derives cues from topography, vegetation and then tries to integrate them with Spaces and Netflix’s work philosophy. This results in an amorphous structure with varied volumes and space qualities making it fun and functional for the users. The project focuses on accessibility, inclusivity, and socio-economic fundamentals. The Design also delves into Interior Architecture, Landscape architecture, and Structural design in detail to bring out the best for the client. Previous Next Corporate Den By Netflix.Inc 1

Email Guide Semester Subject Student Name Kaankshi Shah Architectural Design V Ar. Anuradha Shah kaankshi19@aoamumbai.in Studio Conductors Ar. Shruti Barve , Ar. Karan Danda , Ar. Anuradha Shah , Ar. Venkat Ashok, Ar. Pradeep Pavithran : : : : : : : : : : : The narrative deals with War as the semblance of a sense of survival with self-healing for the loss and celebration for the brave souls. It portrays the psychological memory for all for extreme aggression and destruction (Symbolic destruction) – The gruesome experience of 1917, helplessness and the need of survival. This is to focus on the memory of people and events to satisfy people’s psychological requirement with memorial behavior. To also cater to the space to act as a symbol – To rather not mourn the deaths but celebrate the lives of soldiers (To personify the pride to pay tribute). The Symbolic destruction is to highlight the importance of a symbol which attaches function giving emotion to that symbol constructed as a journey to instigate re – thinking of the concept of war and spread awareness among people about the specific events or places throughout history. Symbolism – Dynamism – Helplessness – Gruesome – Survival – Pride Previous Next 1917- An Expanse

Previous Next Email Guide Semester Subject Student Name Palak Panchal Humanities II Ar. Harshada Shintre, Ar. Juhi Prasad palak20@aoamumbai.in Studio Conductors Ar. Harshada Shintre, Ar. Juhi Prasad : : : : : : : : : : : In our day-to-day life, we see many spaces but we often don't know how these spaces are built by elements like - Columns, Floors, Walls, etc. This project helped me understand how different elements are used in a building to make up the space. In the Asiatic Library, the Floor is used as a space for support and stability. Steps act as a strong and rigid element and are used for movement. The column is used as a movement guide and for support as well. The door and roof functioned for their purpose. In the Temple of Hatshepsut, walls act as a protection to the mortuary inside. Columns act as rhythm. all of this was identified by drawing diagrams for it. Elements of Space Making 2

Previous Next Email Guide Semester Subject Student Name Ritika Mehta, Trisha Raote, Niharika Bhagwat Allied Design - Urban Design IX Ar. Nitesh Avhad rithikam17@aoamumbai.in , trishar17@aoamumbai.in , niharikab17@aoamumbai.in Studio Conductors Ar. Harshad Bhatia, Ar. Tushar Shetty, Ar. Amey Ghosalkar : : : : : : : : : : : The port can be divided into two categories; the working port and the passenger port. The working port primarily consists of technical functions with specified efficiencies, excluding a few administrative buildings. The passenger zone on the other hand can have a public scope, place-making qualities and an opportunity to contribute positively to the city’s situation. We would like to incorporate elements from their lost heritage style, create spaces that pay homage to the lost lives, and a memorial for the explosion. The idea is to incorporate a cultural platform that uses the deformed inland area without flattening it. This aims at showing resilience for the locals, giving them a place to perform and display their art and also allow for periodic fests, which would bring in further tourism, foreign investments and sponsorships. We wish to respond to the economic and social issues of the city through the port at 3 broad levels. One, the public participatory platform will give the locals a place to display, market and monetize their art or skills. Two, the port will aim at reusing as much material as possible from the blast, reducing construction costs, it will also manage its waste and energy in a manner that allows it to be self-sufficient. Three, it will use the public platform as a tool to attract foreign investments, and the passenger terminal will be designed to enhance tourism. Rejuvenating Beirut

Uru documentation Previous Next Email Guide Semester Competition Name Student Name Aakansha Patankar Aashi Jain Aditya Shanbhag Diksha Shukla Dhruvi Jain Ishita Phatak Jayraj Mistry Kaankshi Shah Mahir Mody Prathamesh Panchal Prathishtha Johar Tarun Punjabi COA's Excellence in documentation of architectural heritage IV Ar. Juhi Prasad aakansha19@aoamumbai.in aashi19@aoamumbai.in aditya19@aoamumbai.in diksha19@aoamumbai.in dhruvi19@aoamumbai.in ishita19@aoamumbai.in jayraj19@aoamumbai.in kaankshi19@aoamumbai.in mahir19@aoamumbai.in prathamesh19@aoamumbai.in prathishtha19@aoamumbai.in tarun19@aoamumbai.in : : : : : : : : : Competition Brief: The Council of Architectecture (COA) has instituted an annual awards programme for excellence in documentation of architectural heritage in India. The COA Heritage Award aims to encourage interest and talent of students for understanding,Documenting of Heritage buildings. Narrative: An essential aspect that separates this structure from any other handicraft is the huge scale of the Uru. The documentation holistically explored the translation of this scale while associating it with an architectural building. The core objective behind this project resides in the principle that these ships don't follow a set of pre-hand working drawings which is a fundamental feature in any aspect of a real time architectural design Thereby, treating the Ship, its site and the entire premise as an architectural structure, environment and its program transpired to be the biggest aspiration of this journey. The documentation is an attempt to bring forth the design-based semblances working upon the curvatures of the ship and various parametric permutations applied in architecture all around the globe. This builds up an untold narrative that encapsulates the ship and the town of Beypore. The drawings produced, the places mapped, and the context studied all pursue a different purpose and follow various methods yet merge together in a network of connections. The Uru exhibition replicates the relationship between the Khalasis, their culture, the craft and its history while treating the ship, the site, and Beypore, each of it at different scales as different canvases.

Previous Next Email Studio Conductors Semester Subject Student Name Srishti Khatwani, Isha Keni, Sarvesh Kambli Foundation studio I Ar. Neha Panchal, Ar. Yagnik Bhatija, Ar. Mythili Shetty, Ar. Parnavi, Ar. Devayani Deshmukh srishtik20@aoamumbai.in , sarveshk20@aoamumbai.in , isha20@aoamumbai.in : : : : : : : : : After documenting our garbage in a streak for a week, one product was selected for further analysis and understanding its history. Our group was assigned to research and understand Tetley's green tea. Our study started by analyzing green tea and its growth through the ages. We further researched the manufacturing process of the tea and represented it through an infographic which became the main attraction of the poster. The poster also highlights the evolution of the logo of Tetley’s company, their marketing strategies from 1973 to 2015, User experiences of Tetley green tea. This study helped us to understand the process of enquiring through the working of a green tea company. ! Green Tea