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- Research_Design Dissertation_Youth as a medium to change the image of Bihar | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Akanksha Singh Design Dissertation IX Ar. Yashwant Pitkar akankshas17@aoamumbai.in Issuu Link Ar. Rohit Shinkre, Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Sulakshana Bhanushali, Ar. Nachiket Kalle, Ar. Shruti Barve, Ar. Akbar Biviji, Ar. Harshada Bapat Shintre : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/1738_akankshas_ddbook : Studio Conductors : : : Etymologically inferred from the word vihara- the quiet and serene Buddhist monasteries present-day Bihar has, in a brutal irony, been related with viciousness, rebellion, political turmoil, and economic stagnation. The generalization is so relentlessly inserted within the public imagination that the very mention of Bihar brings to mind, pictures of a political jungle raj and poor economic status. This unfortunate image has been covering minds for decades now. By 2004, The Economist magazine said that “Bihar [had] become a byword for the worst of India, of widespread and inescapable poverty, of corrupt politicians indistinguishable from mafia-dons they patronize, caste-ridden social order that has retained the worst feudal cruelties” The true picture of Bihar is quite the reverse. Since the late 1970s, Bihar has lagged far behind other Indian states regarding social and economic development for various reasons. But from 2004 to 2015, Bihar emerged as the fastest-growing state in India, clocking over 10 percent annual growth for the past decade and, in the process, more than doubling its economy. The state was once known for its education, religious influence, culture, and art. In order to develop the state socially and economically, it is important to change the image of the state by making the citizens aware of the significant history and future. This can be done by influencing the most active community that is the youth of the state. By providing a place they can call home, where they can learn and be prepared to face any challenges in the society. Despite progressive economic growth, human development challenges in the State are many and require growth momentum to be continued for years to achieve the desired level of sustainable development.- Bihar Government. The Objective of the dissertation is to design a self-sufficient skill development centre in Bihar to evoke a sense of growth and connection within the people while providing resources to develop skills and acquire employment without migrating out of the state. The proposal is very relevant in today’s time as it is the need of the hour. By educating and developing the youth about industrial skills and artforms(that Bihar is known for), we are not only providing quality learnings and employment opportunities but also taking a step towards changing the image of Bihar. Youth as a medium to change the image of Bihar
- Project Management Consultancy
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- Dilwara Temple, Rajasthan
Previous Next Email Studio Conductors Semester Subject Student Name Kaankshi Shah Architectural Theory V Ar. Harshada Shintre, Ar. Nachiket Kalle kaankshi19@aoamumbai.in : : : : : : : : : : LEGIBILITY: The Dilwara Temple of magnanimous scale and intricate complexity presents comfort to mankind. This is acknowledged with symmetry permitting to read the structure holistically by being visually balanced. The repetitive nature of colonnades set out as attendants offering a specific trajectory and eliminating the idea of getting lost. PENETRABILITY: The Dilwara Temple builds an environment to allow itself, its spaces and barriers to be intercepted by the dwellers. The perception of elements like – light, pause points, scale, mass, void, opacity, transparency and levels create or obstruct visual connect and promote engagement. OCCUPIABILITY: The Dilwara Temple builds an environment to allow itself, its spaces as a pause point and encourage people to occupy it due to its location and the perception of it at a glance. It is an interception for users to pause due to its grandeur which in turns dictates safety. SOCIABILITY: The Dilwara Temple builds a domain for social contact which catalyzes informal encounters among people. The temple puts forward a welcoming habitat with lenses of visual and physical perception of safety and human comfort by use of elements of light, openness, scale, complexity and detailing as the foremost components. POSSESSABILITY: The Dilwara Temple builds a domain in which it offers itself up for possession. The temple opens up a bond with its devotees and develops a notion to feel home due to its ambience of peace and harmony which settles the unsettled. The sense of familiarity, comfort and safety assists for attachment and belonging to the space. Dilwara Temple, Rajasthan
- Representation_Humanities_Chasing Passion (Style: Cubism) | AOA Confluence '22
Email Semester Subject Student Name Tarun Panjabi Humanities V tarun19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next Chasing Passion (Style: Cubism)
- Representation_Humanities_Origins of Modernism 3 | AOA Confluence '22
Email Semester Subject Student Name Himanshi Mittal Humanities V himanshi19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar, Ar. Harshada Shintre : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next Origins of Modernism 3
- DAC_Academic Competition_Staggered: A 200 Bedded Covid Hospital (Runner up) | AOA Confluence '22
Staggered: A 200 Bedded Covid Hospital (Runner up) Previous Next Email Guide Semester Competition Name Student Name Avani Mandpe Siddharth Agrawal Vinay Ekkaldevi Wipra Gada INSDAG Architecture awards 2020 V-VI Ar. K. V. Parmeshwar avanim18@aoamumbai.in siddhartha18@aoamumbai.in vinaye18@aoamumbai.in wiprag18@aoamumbai.in : : : : : : : : : Competition Brief: The aim of the competition was to design a 200 bed Covid hospital which is to be built in 100 days. Narrative: The architectural value of the design mainly lies in creating a happy and spirited atmosphere for its users in times of loss of hope. The concept takes root in symbolism, taking inspiration from the chemical compound of serotonin, the hormone that stabilizes our feelings of happiness.Flexibility was kept at the helm of the design owing to the unpredictability of the times.The structure is planned with repeating floor plates and efficient services that helps in inverting and expanding the use of spaces in case of adversities. The scheme was fast track construction. Hence, phases of construction were set adhering up to a 100 day timeline. A hybrid construction technique was opted for to achieve the desired form in minimum time. The steel details were designed feasible and comprehensive to even laymen to pave way for maximum workforce. The structure entails a horizontal spread and a vibrant, staggered façade. Central voids were created in the hospital blocks to provide for courtyards and increase active facades.The varied fronts and levels give a sense of dynamism to the form, drawing keen parallelism to the nature of the pandemic.Ultimately, the aim of the design is to keep everyone apart, yet together.
- DAC_Writing and Illustration_Authentic Representation - Gender, sex and Sexual Orientation and Inclusivity (Winner) | AOA Confluence '22
Authentic Representation - Gender, sex and Sexual Orientation and Inclusivity (Winner) Previous Next Email Semester Competition Name Student Name Tanaya Nadkarni Cieda Huluku Design Competition X tanayan17@aoamumbai.in : : : : : : : Competition Brief: The huluku competition is all about inspiring creative inclusion in the digital art and design world and promoting the development of inclusive digital art which reflects the world. Narrative: The theme of Sexual orientation under the umbrella theme of inclusivity arose from a slinky. It is a spiraled spring toy that creates beautiful flexible patterns of blending colors when it is played with. This is one perspective to look at Sexual orientation- not always permanent with beautiful fluid blending. Furthermore, when it comes to the roles we take up in society, these need to highlight not our labels but our contributions towards the growth of it all. Today, many humans have gone beyond educational stereotypes purely based on their prowesses. This needs to be acknowledged and encouraged.
- College Project_MUGHAL DECAGONAL GEOMETRIC PATTERN | AOA Confluence '22
Previous Next Semester Ar. Richa Raut, Ar. Rohit Karekar V, VII Studio Conductors : : : Islamic art is expressed from everyday objects to architecture. Consisting of varied geometries, the study aimed to decode the patterns through the commonly used girih method. The intent was to understand the geometry in design through which the pattern is reckoned to emerge organically. Through digital exploration, the study focused on understanding and decoding the complex geometries of decagonal patterns in Mughal architecture and understanding the evolution of the Islamic geometry, its history and cosmology. MUGHAL DECAGONAL GEOMETRIC PATTERN
- Research_Allied Design_Shivaji Park | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Krish Mewawala, Vedhika Shirapure, Iqra Shaikh, Prathamesh Nimbalkar, Madhura Karad, Khushi Jajoo Allied Design - Urban design VI Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia krishm18@aoamumbai.in , vedika18@aoamumbai.in , iqras18@aoamumbai.in , prathameshn18@aoamumbai.in , madhurak17@aoamumbai.in , khushi18@aoamumbai.in Studio Conductors Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia : : : : : : : : : : : - Shivaji Park
- Research_Allied Design_Gateway Of India | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Varada Avachat, Hrithika Chandramouli, Karishma Hathiram, Yash Joshi, Kedar Parmal, Anushka Satpalkar, Shreya Tengle Allied Design - Urban design VI Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia varada18@aoamumbai.in , hrithikac18@aoamumbai.in , karishma18@aoamumbai.in , yash18@aoamumbai.in , anushkas18@aoamumbai.in , shreyat18@aoamumbai.in Studio Conductors Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia : : : : : : : : : : : - Gateway Of India
- Provocative Architecture
Previous Next Email Studio Conductors Semester Subject Student Name Neha Jayasanker, Siddhi Shinde, Viresh A Desai, Isha Patil Architectural Theory IV Ar. Neha Panchal, Ar. Yagnik Bhatija neha19@aoamumbai.in , siddhi19@aoamumbai.in , viresh@aoamumbai.in ishap19@aoamumbai.in : : : : : : : : : : In this task, We were exposed to manifestos written by pioneering architects which set the ground on how one conceives and stimulates their ideals and introduces a new order. We chose the manifesto, “Five points of new architecture” by Le Corbusier to understand how a manifesto is written and shared with the public. Post various discussions and combine our critique as a group on the above we reflected, and stated our aspirations by penning down our own beliefs for a resilient future! The manifesto was to be presented as a written document stating the demands and declaration supported by a visual in any medium. Our manifesto, Provocative architecture highlights and discusses the futuristic idea of how architecture itself can become an expression to provoke its surroundings. We questioned why a building is only identified by its aesthetics and use, why not more? The video forms a visual representation of our manifesto and attempts to trigger the idea to provoke the designers to use the opportunity bestowed to them to focus on the true value for the society through their designs. Provocative Architecture
- Representation_Architectural Design_Drawing In Conversation 3 | AOA Confluence '22
Email Guide Semester Subject Student Name Yusra Zahoor Architectural Representation and Detailing III Ar. Saurabh Mhatre, Ar. Juhi Prasad yusraz20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad : : : : : : : : : : : We began by using the architectural outcomes of our previous AD studio. After being assigned architect Enric Miralles, I chose one of his drawings and analyzed it. It was the floor plan of one of his apartments in Spain. I tried to understand the fundamentals of the drawing. The plan was made layer by layer on tracing sheets and, I followed the same steps to create my floor plan. I separated the drawing elements and combined them to form one complete drawing. The process of deconstructing a drawing made me look at various elements and the appropriate method of representation for the same. The outcome was the same floorplan that I began with but in Enric Miralles’s language. Previous Next Drawing In Conversation 3













