Previous Next Email Studio Conductors Semester Subject Student Name Swarangi Dharmadhikari, Dhwani Doshi, Yug Dudhara , Pratima Wagh Foundation studio I Ar. Neha Panchal, Ar. Yagnik Bhatija, Ar. Mythili Shetty, Ar. Parnavi, Ar. Devayani Deshmukh swarangi20@gmail.com , yugd20@aoamumbai.in , dhwani20@aoamumbai.in , pratimaw20@gmail.com : : : : : : : : : The exercise focused on material exploration of volleyball with respect to different surfaces. Through personal interaction with the ball, we figured out how the material of the ball reacted with the hands of the user while playing, the surface of the ground, net, shoes, etc. analyzing the failure of material and its response with respect to climate, ground, equipment, etc. Understanding the role of the ball in the sports, different types of balls according to material and conditions and its manufacturing process were studied. All the study was represented by sketches, drawings and graphics. Volley Ball

Email Guide Semester Subject Student Name Sukriti Sharma Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre sukriti19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The exercise motivated on studying interesting grid patterns, and articulating Hybridized grids while getting inspired from the principles of the source grids as an initial step. The exercise culminated by deriving the final grid from one of the Hybrid grids and three other listed grids. The process commenced with identifying elements or shapes (line, dots, circle, semi-circle, square) operations and characteristic features of each of the three selected grids including rotation (clockwise or anti-clockwise, bisection, intersection, rhythmic spacing between elements, union, continuity, repetition). This was further processed as reciprocation of varied combinations to come up with three unique grid systems referred to as Hybrid Grids. One of the hybrid grids were selected and paired with three sets of grids- Figure Building, Landscape field, Occupation Event. While segregating the components of all three sets, final drawing of grid was composed as an amalgamation of all four grids. Previous Next Taxonomy Of Grids 5

Previous Next Academy's Alcove (Winner) Email Semester Competition Name Student Name Prajakta Pai Vardhan Arora DAC - Amphikshetra- Rethinking Amphitheatre Area IV prajaktap19@aoamumbai.in vardhana19@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: The proposed design intervention at the Academy’s Amphitheatre aims to enhance the quality of space, student-faculty interaction, and at the same time provide a soothing space for all. The current issues existing in the amphitheater are the lack of seating spaces and the deterioration of the overall quality due to lack of maintenance and some spaces being used for dumping or storage of unwanted materials/objects. The initial thought was to redesign the seating around the tree which has been an integral part of the institution’s history. The new proposed seating is expanded a bit radially and notches have been made to accommodate more people to sit. The plinth is designed as free flowing space which is symbolic to liberal and free minds of the students. This space will allow for more interaction between the students and faculty at the time of lectures or discussions.The proposed canopy over the plinth is to provide a shade so that it can be used throughout the day.The canopy is to be made from paper tubes coated with wax which are supported by a steel frame.

Previous Next समाजाला लागलेली कीड | Samaajala Lagleli Keed Email Semester Competition Name Student Name Mohit Pandharkame Pragati Shingade Shivani Baderao DAC Redefining Platitudes II, V mohit20@aoamumbai.in pragati20@aoamumbai.in shivanib19@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: The primary graphic illustrates a centipede which is associated with SUPERSTITIONS. The 2nd graphic has maze sort of visual & the light,vibrancy ,which is associated with the SARASWATI SYMBOL which further aligns with education/knowledge and the vibrant colors are linked to the idea that education brings light and colours into our lives. The 3rd graphic was a composition of curves and circles, such that the circle is divided into 2 semicircles and are faced opposite to each other, which further associates with the “YIN YANG'' sign. The Yin, the dark swirl, is associated with shadows, femininity, and superstitions; the Yang, the light swirl, represents brightness, passion,growth and education. The overall idea elaborated on “ समाजाला लागलेली कीड”.

Previous Next Email Studio Conductors Semester Subject Student Name Laxaree Sawant Architectural Building Services IV Ar. Richa Raut, Ar. Rohit Karekar laxaree19@aoamumbai.in : : : : : : : : : Hair is one of the most potent natural fibres. When not on the body, it is regarded as a waste product and discarded daily. In reality, it can be the new revolution in recycling. It is rich in nitrogen and other minerals which can produce plant fertilizers. It is also an excellent absorber of oil and is currently used as a safe alternative to cleaning oil spills in the ocean, but is yet to expand to a large scale. If we are mindful of this material, we can substantially harness its hidden benefits and utilize it for humanity’s sustenance. Hair Recycle Management Program

Previous Next Email Studio Conductors ​ Semester Subject Student Name Bhavya Mewada Architectural Theory V Ar. Harshada Shintre, Ar. Nachiket Kalle bhavya19@aoamumbai.in : : : : : : : : : : The Ambaji Mata Temple is located in Gujarat between the breathtaking Gabbar Hills which is an open land and rugged terrain providing a powerful context to the temple. The Temple Complex is divided into 3 main zones : Entrance Gate , Open Transition Path and Temple. The Temple shines bright due to its marble laden material with a golden Shikhara at top , attracting like a sacred force. The Central Open Space and Sky cover enables worshippers to direct towards the main Temple Form. 1- The Gradation of voids and Transparency of Entrance Gate allows people to comprehend the importance of space , making it legible and safe. 2- The Central Arch Form corresponds with the sleek staircase to create the right amount of grasping quality. The Facade character formed with stone intricacy and simplistic monotony of color generates complexity to be able to read the elevation. 3- The Scale of Setting along with Marble as main material creates visual Balance and central open space , parallel shops , seating spaces provokes a comfortable spatial environment for worshippers to form a mental map for sequence. Ambaji Mata Temple, Gujarat

Email Guide Semester Subject Student Name Vaibhavi Khedkar Architectural Design IV Ar. Richa Raut vaibhavi@aoamumbai.in Studio Conductors Ar. Ravi Hazra, Ar. Porus Master, Ar. Ashley Fialho, Ar. Richa Raut, Ar. Saurabh Jain, Ar. Rohit Karekar, Ar. Shekoba Sanap : : : : : : : : : : : Ready? A question to ask yourself while looking at nature. Nature always educates us to grow and evolve, this project also attempted to achieve the same by redefining recreation. A recreation of thrill, energy, wilderness, and in turn a recreation for life. As the keywords उठा, बघा,खेळा,शिका imply celebrating the life while learning and relearning, the realm of the practical world teaches the exact opposite. Thus the form is developed seizing this inspiration forward. By using concrete as a sustainable material, active and passive effects on the built form are experienced. The bicycle paths along the built generate electricity and make it self-sufficient. The red structure at the end tries to make an impact by positive sportiness as it adequately binds with nature. Previous Next Nisarga- Farm House 4

Previous Next Email Guide Semester Subject Student Name Riya Khinvasara Architectural Building Construction and Materials III Ar. KV Parmeshwar Ar. Rohit Karekar Ar. Swapna Hankare Ar. Dhara Parekh riya20@aoamumbai.in Studio Conductors Ar. KV Parmeshwar Ar. Rohit Karekar Ar. Swapna Hankare Ar. Dhara Parekh : : : : : : : : : : : The project aimed at studying various RCC elements like beams and columns using our day-to-day household items. On one hand items like cardboard, plastic scale, steel ruler, rubber were used as structural member while on the other hand, stone, etc were used as loads or dead weights. This exercise also helped us to understand various end conditions and their uses. It also ensured that we understood how structural members behave under different end conditions under load. Deflected

Previous Next Email Guide Semester Subject Student Name Urja Arte Foundation Studio I Ar.Yagnik Bhatija, Ar. Devyani Deshmukh, Ar. Parnavi Karandikar, Ar. Mythili Kowshik, Ar.Rishi Vora, Ar.Neha Panchal, Ar. Ronak Savla, Ar. Anisha Mehta urjaa20@aoamumbai.in Studio Conductors Ar.Yagnik Bhatija, Ar. Devyani Deshmukh, Ar. Parnavi Karandikar, Ar. Mythili Kowshik, Ar.Rishi Vora, Ar.Neha Panchal, Ar. Ronak Savla, Ar. Anisha Mehta : : : : : : : : : : : Starting with gathering average anthropometric measurements of the class, the exercise moved forward with us documenting ourselves through specific postures and then imagining and sketching scenarios in which the same postures could be anticipated. With “Sitting on a chair and eating” as my posture I had imagined two variations of the same. The “noodle soup challenge” portrayed the same action of eating but in a restaurant scenario. The second sketch describes a “inside the train” scene with me sitting crouched at the corner of the seat and eating my tiffin. Overall, the exercise helped us in understanding human space relation and the importance of designing spaces keeping in mind the basic human body dimensions and possible human motion. Take a seat

Previous Next Semester Ar. Tushar Shetty III, V Studio Conductors : : : - THE BUILDING ORNAMENTS

Previous Next Email Guide Semester Subject Student Name Bhavya Mewada, Dhruvi Jain Humanities V Ar. Harshada Shinte, Ar. Amey Ghosalkar bhavya19@aoamumbai.in , dhruvi19@aoamumbai.in Studio Conductors Ar. Harshada Shinte, Ar. Amey Ghosalkar : : : : : : : : : : : Sangath means “moving together through participation” . B.V. Doshi’s masterpiece in a way manifests his philosophies of rediscovering the Indian Traditional Architecture, creativity and evokes the local ethos in harmonizing the present Place , with People and with their Past elements. The Series of Sunken Vaults amalgamating with terraced amphitheater and landscape gives rise to double-height spatial volumes and outdoor spaces for conferencing , informal meetings & experiencing pause points. This Set-up reflects the idea of Indian villages of having discussions, sharing and respecting the privacy of each other. Sir B.V. Doshi interlocks multi-height spaces that flushes the interiors with maximum daylight through Skylights , cut-out in roof slab which helps to regulate the coolness inside with release of hot-air towards upper level through Stack Effect. Sangath’s Complex form-Vaults are locally constructed using hollow clay tiles as an infill material with ferro-concrete cavity roof, cast in-situ formwork. The Exterior roof skin is cladded with white china mosaic tiles which were the waste material in the site, being used efficiently through hands of local workforce, achieving sustainable approach in materials. Grass Mounds & Mosaic Tiles reflects the harsh sunlight and insulates the heat away from the interiors. Sangath

Previous Next Sheen (Honorable mention) Email Semester Competition Name Student Name Jinay Jain and Zayan Gulzar 15 Minute City VII jinay18@aoamumbai.in , zayang18@aoamumbai.in : : : : : : : Competition Brief: The 15 minutes city is an approach to urban design that aims to improve people's quality of life by creating cities where everything a resident needs can be reached within 15 minutes by foot, bike or public transit. Narrative: The “15-minute city” is an approach to urban design that aims to improve quality of life by creating cities where everything a resident needs can be reached within 15 minutes by foot, bike or public transit. This concept puts an emphasis on careful planning at the neighborhood level, giving each district the features it needs to support a full life – including jobs, food, recreation, green space, housing, medical offices, small businesses and more and most importantly, it’s a proposal that doesn’t require a car. A 15-minute city has affordable, accessible and adaptable housing for households of all sizes and ages. It is easy to get goods and services, healthcare, fresh groceries, and all other amenities. The need for transportation is minimized to a great extent to curb pollution and keep a check on people’s health and wellbeing.