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  • Design Innovation In Architecture

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  • Research_Allied Design_Priyadarshni Park | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Jui Mhatre. Zayan Gulzar, Heet Shah Jinay Jain, Parth Bhutalia, Shrideep Kshirsagar Allied Design - Urban design VI Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia juim17@aoamumbai.in , zayang18@aoamumbai.in , heets18@aoamumbai.in , jinay18@aoamumbai.in , parthb18@aoamumbai.in , shrideepk18@aoamumbai.in Studio Conductors Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia : : : : : : : : : : : - Priyadarshni Park

  • College Project_STREET STORIES | AOA Confluence '22

    Previous Next Semester Ar. Harshada Bapat Shintre VII, IX Studio Conductors : : : Mumbai is a large city made of a variety of neighborhood fabrics. The college project will be about analyzing these neighborhoods through their street participation and engagement with the built fabric of the people passing by. Students were tasked with mapping their localities and understanding the characteristics and language of the road networks inclusive of their neighborhood. STREET STORIES

  • Research_Design Dissertation_Reinforcing Nagpur’s identity as ‘Orange city’, thereby creating a layer of citizen association. | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Ojaswi Chauthaiwale Design Dissertation IX Ar. Prof. Sanjay Mehta ojaswic17@aoamumbai.in Issuu Link Ar. Milind Amle, Ar. Swati Chokshi, Ar. Rajratna Jadhav, Ar. Snehal Gaikwad, Ar. Swapna Hankare, Ar. Richa Raut,Ar, Yagnik Bathija, Ar. Neha Panchal, Ar. Porus Master, Ar. Rahul Manohar, Ar. Sanjay Mehta : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/ojaswi_08_ddbook : Studio Conductors : : : Nagpur is one of the largest producers of oranges in India and also exports to the rest of the world. The city is known as the ‘Orange city’ of the country. This unique identity is due to the peculiar variety of oranges cultivated in this region. Owing to the characteristics of the variety with origin in the city, Nagpur received the geographical Indication(GI) status for the same in 2014. Mandarin orange, also known as Nagpur santra now, is the common type of orange widely cultivated in the region. It was brought to Nagpur by the then ruler, towards the end of the 18th century. The fruit soon became very popular and Nagpur got known for its orange cultivation gaining a certain reputation in the Indian market. However, the identity is not exploited in a public realm. There is no identified platform between the farmers/producers and the citizens where they can market and share their experience of the entire process. It is only spoken about and can be heard in news articles. There is no place in and around the city through which the sense of identity can be perceived. Thus, there is a need to reinforce this identity and exploit it beyond the tag. The study revolves around understanding the farming scenario worldwide to further narrow it down at the city level. The process will also generate a dialogue with the farmers being the primary producers and understanding the obstacles faced by them in their occupation as a farmer. This will also aid to understand the scope of the fruit in the processing industry. The objective is to reduce the gap between farmer and consumer and allow direct benefits to the primary producer. The larger aim is to create an association for the people thereby strengthening the identity for the city holistically. The idea revolves around the farming and the allied programs that can be derived, considering orange as the key produce along with other crops depending on their coexistence. Developing various programs based on the scope of the fruit to engage the people in an interactive way, also building a farmer- consumer relationship. Such an intervention will not only motivate the farmers but also create tourism opportunities for the people through agriculture, consequently boosting the agricultural economy of the region. Such a series of developments will add a new layer to the city thus contributing towards its economy and identity for the future. Reinforcing Nagpur’s identity as ‘Orange city’, thereby creating a layer of citizen association.

  • Research_Design Dissertation_The Spiritual Transcendence of Sacred Architecture | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Aishwarya Balsekar Design Dissertation IX Ar. Akbar Biviji aishwaryab17@aoamumbai.in Issuu Link Ar. Rohit Shinkre, Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Sulakshana Bhanushali, Ar. Nachiket Kalle, Ar. Shruti Barve, Ar. Akbar Biviji, Ar. Harshada Bapat Shintre : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/aishwarya_balsekar_1702_blackbook : Studio Conductors : : : “At its highest, Architecture has the ability to turn geometric proportions into shivers, stone into tears, rituals into revelations, light into grace, space into contemplation and time into divine presence”- Julio Bermudez. Sacred Architecture has the ability to help its users transcend physicality. But what is this character of Sacred Architecture that Transcends the sense of Physicality and immerses itself in the realm of the intangible? Spirituality is often not about the divine, it is about perceiving the process of life at its fullest potential. Spirituality is to see something for exactly what it is and not a version envisioned in your mind. Transcendence is the ability to go beyond the range of limits of a field (of act or conceptual sphere). The ability to transcend is to elevate yourself beyond the physicality of this realm. Sacred Architecture allows you to feel this Spirituality and hence allows you to Transcend the physical Realm. The true character of Transcending Architecture is its ability to change your emotion to that of a pleasant one. This mood or emotion you feel is what allows you to imbibe your surroundings, allowing you to perceive what truly exists and hence facilitates the notion of Spirituality and Transcendence. This form of Architecture is the tangible means to see, feel and experience Sacredness and Transcendence. The Spiritual Transcendence of Sacred Architecture

  • Representation_Humanities_Practicing Humanity (Style: Surrelaism) | AOA Confluence '22

    Email Semester Subject Student Name Dhanashree Jadhav Humanities V dhanashree19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next Practicing Humanity (Style: Surrelaism)

  • Vrindavan Soceity

    Previous Next Email Studio Conductors Semester Subject Student Name Kaankshi Shah Architectural Theory V Ar. Harshada Shintre, Ar. Nachiket Kalle kaankshi19@aoamumbai.in : : : : : : : : : : Space syntax is an attempt to constitute a configurational theory in architecture by generating a theoretical understanding of the way people make and use spatial configurations. This is to identify spatial configurations to express a social and cultural meaning. The analysis of the house and the building in terms of circulation and the sequence of spaces is achieved through the space-syntax. Vrindavan Soceity

  • Representation_Architectural Design_Taxonomy Of Grids 6 | AOA Confluence '22

    Email Guide Semester Subject Student Name Dhanashree Jadhav Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre dhanashree19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The hybrid grid in the drawing is the base plan of the building, and the three-dimensional drawing is represented with the use of the Florey building drawing. I assumed it to be an art center, where various events are conducted, and these events are represented with the help of the visual comic illustrations of titin. Previous Next Taxonomy Of Grids 6

  • Research_Environmental Studies_Mudhif Architecture - Iraq | AOA Confluence '22

    Previous Next Email Studio Conductors Semester Subject Student Name Ananya Nayak, Sharayu Vinchurkar, Urja Arte, Isha Padte, Pranjal Tak, Aashtha Chauhan Environmental Studies III Ar. Richa Raut aashtha20@aoamumbai.in , pranjalt20@aoamumbai.in , sharayu20@aoamumbai.in , ishap20@aoamumbai.in , ananyan20@aoamumbai.in , urjaa20@aoamumbai.in : : : : : : : : : Mongolia is a vast, landlocked country, between Russia and China. Its continental climate is one of the world’s most extreme: extremely cold winters, hot summers, high winds and mostly blue skies. Almost a third of Mongolians are still nomads who herd sheep, horses, yaks, camels, goats. They live in circular houses known as yurts. Over the years yurts have been able to sustain the harsh climate of Mongolia due to its structural design and materiality. These structures are excellent for these tribes because they keep shifting during winters. The wooden framework makes it convenient to transport , dismantle and reinstall easily. The organization and furnishings of the interior space mirrors the family's roles and spiritual concepts. Herders were excellent astronomers who used the sun's position in the crown of the yurt as a sundial. Even their structures responded to the cardinal directions where the doorways always faced south, also improving passive heat gain throughout the yurt. Thus this structure adapts well to the climatic conditions in Mongolia and makes it an excellent choice for the migratory herders. Mudhif Architecture - Iraq

  • College Project_CITIES AND CLIMATE CHANGE | AOA Confluence '22

    Previous Next Semester Ar. Snehal Gaikwad, Ar. Swapna Hankare VI Studio Conductors : : : Expanding cities could further away from the vulnerable communities from development and co-existential living, leading to societal conflicts. The CP focused on addressing the dire needs to assess strategies, plan for climate adaptation policies, empower local communities, and create resilient cities for the near sustainable future. CITIES AND CLIMATE CHANGE

  • Technical_Technical Design_Club House for a Residential Complex 5 | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Tarika Deshpande Technical Design V Ar. Milind Amle tarika19@aoamumbai.in Studio Conductors Ar. K.V. Parameshwar, Ar. Milind Amle, Ar. Dhara Parekh, Ar. Pranay Bhavsar : : : : : : : : : : : With the aim to incorporate the learnings of Building construction and Services into Design, the project involved the design of a G+1 Clubhouse and its corresponding construction details. From the Design to constructibility, a suitable facade was to be designed using curtain Glazing and Dry Cladding as a hybrid system. Along with it a Canopy was to be incorporated as an entrance gesture to the structure. The same building spaces were used to study and design Basic Services, Electrical Layout of the structure and Acoustical Services of the Auditorium. The designed Clubhouse is a G+1 structure with a ACP metal cladded facade in composition with Unitised Curtain Glazing system. Entrance to the structure is a large steel frame glass canopy as a welcome gesture. Spaces are designed taking in consideration the equitable lighting and acoustics required. The learnings of the Structure and Services is applied on the project, whilst researching and innovating newer methods to do the same. Club House for a Residential Complex 5

  • Representation_Architectural Design_Drawing In Conversation 2 | AOA Confluence '22

    Email Guide Semester Subject Student Name Michele Dias Architectural Representation and Detailing III Ar. Saurabh Mhatre, Ar. Juhi Prasad michele20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad : : : : : : : : : : : This project intended to study the drawings of the architect, James Sterling, and use them to express the AD design of an artist studio. James Sterling has produced some fascinating drawings with the help of various geometrical shapes and different line intensities. He highlights certain parts in his illustrations using solid colors, which creates an engaging composition. His unique axonometric views show the base of the structure. These aspects of his drawings have been adapted into the outcome of this project. Previous Next Drawing In Conversation 2

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