Previous Next Email Guide Semester Subject Student Name Darsh Seth Architectural Building Construction and Materials IX Ar. Hardik Dedhia Ar. K.V. Pameshwar Ar. Dhara Parekh darshs17@aoamumbai.in Studio Conductors Ar. Hardik Dedhia Ar. K.V. Pameshwar Ar. Dhara Parekh : : : : : : : : : : : Understanding the structural integrity of folded plates under varied loading conditions and exploring various possibilities and its applications. Creating a folded plate origami taking inspiration from nature and realizing it in physical form. Further speculating about the architectural manifestation of the resulting origami in real world scenarios. Folded Plates 3

Email Guide Semester Subject Student Name Aishwarya Balsekar Architectural Representation and Detailing IX Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar aishwaryab17@aoamumbai.in Studio Conductors Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar : : : : : : : : : : : This thesis looks into the understanding of what creates a sacred space and analyzes the elements that facilitate Transcendence in the minds of the users. The process of the design of the poster began with the understanding of what the topic entails. This led to several explorations and helped with the following elements being categorized and shown through the work. Light: The play of light on materials and surfaces inside a space hugely impacts how the spaces are perceived. Numinosity: The element of spirituality is heightened by the feeling of numinosity. This emotion is triggered by several elements of design. Through the poster the aim was to integrate the key elements in a manner to convey the idea of the thesis. Previous Next The Spiritual Transcendence of Sacred Architecture

Previous Next An Intermission Email Semester Competition Name Student Name Nehal Manshani Vedashree Mhadgut DAC - Academy's Recess - Rethinking Amphitheatre Area VIII nehalm17@aoamumbai.in vedashreem17@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: Previously, the Banyan tree created an identity of the old era, a new abstract form has been introduced in its place to mark the start of a new era. Stepped seating has been created beneath and around this abstract form. A deck created as an extension of the amphitheater connects it to the first floor as well as the staircase at the mid landing level. It also allows a connection to the art gallery on the first floor , acting as a binding feature to the activities being conducted there mainly during exhibitions or any installation or art displays, it also allows for shaded resting spaces. The open courtyard in the center, facing the stage, has been created to provide an outdoor seminar or performing arts space for informal discussions in addition to the auditorium. The wall connecting to the outer footpath has been treated as a blank wall in order to keep it as a wall of remembrance and a canvas for the leaving batches to convey their experiences and messages. This forms an interface between the inside and the outside so small windows have been created for the outsiders to get a glimpse of the college.

Previous Next Email Studio Conductors Semester Subject Student Name Priyal Vasaiwala Environmental Studies IX Ar. Snehal Gaikwad, Ar. Swati Choksi, Ar. Richa Raut priyalv17@aoamumbai.in : : : : : : : : : The assignment was aimed at understanding Passive Design Solutions for various climatic conditions across India. The selection of the location, climate zone, topography and other features was left open for students to be done individually. An independent house typology was given to the class which was to be altered providing passive design strategies based on the selected criterias. The following aspects were considered for a site in New Delhi with composite climate - - Climate (Temp, Humidity, Radiation, etc.) - Design (orientation, Window openings - sizes, types, placement, walls, roof, etc.) - Building Use & Functions (Daytime nighttime, heat gains/loss, air exchanges, etc.) - Materials (Local/Sourced, Specifications - density, conductivity, etc.) The above listed considerations were then reflected schematically through sketches of the altered plan and sections of the house. Esquee- Application Of Passive Design 2

Previous Next Email Guide Semester Subject Student Name Bhavya Mewada Allied Design - Landscape IV Ar. Juhi Prasad, Ar. Shruti Barve bhavya19@aoamumbai.in Studio Conductors Ar. Juhi Prasad, Ar. Shruti Barve : : : : : : : : : : : Landscape as Nature: The pristine elements of nature envisions one towards the limitless desert edge and the calm and clear sky where the wind ravages often and gusts the land as storms. This dynamic interface between elements enhances it to the fullest. Landscape as Habitat Habitat is a homogenous living cycle of flora, fauna and humans. The settlement is ever changing due to human activities and forces of nature of wind, light and precipitation which aid in choosing the apt location of life to flourish. This land transformation due to the forces generated two man made habitats in the location-rural based & fort structure which work in coordination. Landscape as system The place emanates a strong identity of a systematic structure. This system in return shapes the landform. This influence on land & water with respect to various hydrology and geological processes are evident in these areas. Kochi

Email Semester Subject Student Name Dhanashree Jadhav Humanities V dhanashree19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next Practicing Humanity (Style: Surrelaism)

Previous Next Email Studio Conductors ​ Semester Subject Student Name Ameya Thanawala, Krishna Khurusane, Manasa Ravikumar, Vaishnavi Gurnalkar, Pranali Thool Architectural Theory IV Ar. Neha Panchal, Ar. Yagnik Bhatija ameyt19@aoamumbai.in vaishnavis19@aoamumbai.in krishnak19@aoamumbai.in manasar19@aoamumbai.in pranali19@aoamumbai.in : : : : : : : : : : The critical analysis of the manifesto of Futurist Architecture, made us realize architecture is not just about the present, It is about past, present and future as well as the people and their diverse needs. What Antonio wished to bring about as well as the needs of Marinetti were very Youth centred. What they didn’t realize is that multiple Generations exist at the given time frame. If architecture evolves with the needs of the people, then all the generations should be considered. We Believe that “ One must Design for the Present, Acknowledging the Past and Being Responsible for the Future”. Also, Architecture needs to have a connection with the people and not just merely exist. They can be living creatures. Dynamism can not only be achieved through form but also by the way the building is interacting with the people at multiple levels. Every individual develops an emotional bond with a building and hence the buildings should also respond in that way. This led us developing the manifesto of Supplementary futurism which talks about “Supplements' ' which can enhance the existing built and unbuilt spaces and can be of a better value to the society. Manifesto of Supplementary Futurism

Email Guide Semester Subject Student Name Jayraj Mistry Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre jayraj19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The taxonomy of grids aims to understand the geometry and the logic that goes into the development of the grid structure. Then, combine the two logics and geometry for the outcome of the juxtaposed geometries. The basic grids consisted of a pattern by visual artist Tauba Auerbach, translation rotation by Julio Le Parc, artwork by Luiz Sacilotto, a four-fold pattern in Humayun's tomb, and musical serial composition by Lidy Prati. These artworks formed the basis for the creation of hybrid grids. The final gridscape drawing consists of one of the hybrid grids generated, the plan of the existing structure, and the field plan of ice hockey. By combining and layering all these grids, the internal divisions and the hybrid grid acts as an internal arrangement of the objects on the base plan, while the ice hockey player position marks the overall movement patterns in the entire space. So this exercise aims at understanding and then reimagining the basic logic to create an interesting illustration. Previous Next Taxonomy Of Grids 2

Previous Next Email Guide Semester Subject Student Name Kartika Pinjarkar, Manasa Ravikumar, Vaishnavi Siddhapara, Jigisha Soni, Siddhi Shinde Allied Design - Landscape IV Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia kartikap19@aoamumbai.in , manasar19@aoamumbai.in , vaishnavis19@aoamumbai.in , jigishas19@aoamumbai.in , siddhi19@aoamumbai.in Studio Conductors Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia : : : : : : : : : : : Cuadra San Cristobal, located in Mexico, was designed by landscape and minimalist architect Luis Barragan for his fellow rider friend Egerstom in the year 1966. The entire area of the structure is classified into different zones based on the flooring type and zoned out as the water body, the sand (main arena), the lawn, and the abandoned land used for the training of horses. The majority of the site area has been provided with different activities for the horses. The main feature of the structure is the water body and the pink wall. The silence of the huge arena is enhanced by the sound of the fountain – a thick stream of water spouted in an arch drawing inspiration from the Mexican ranches. The pink wall emphasizes the division between the residential area and the stable area as the public and private spaces. The vegetation beyond the pink wall subtle outs the dramatic effect by giving it a more earthy look. The pink wall gives the vision of the landscape beyond it. The overall colors create a dramatic effect. The colors, bold and intentional, allowing the sun to cast different stories each hour of the day on the wide arenas. Cuadra San Cristobal By Luis Barragan

Email Guide Semester Subject Student Name Kevin John Architectural Design I Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy kevinj20@aoamumbai.in Studio Conductors Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy : : : : : : : : : : : We live in a world full of visual boundaries that may be rigid and tangible or may even be intangible. These boundaries could be permeable as well as impermeable. These are not boundaries that limit us but in turn facilitate movement and help constructing a space for humans, animals and vehicles. Through the course of this exercise I have tried to understand what exactly defines these boundaries, be it by material, texture, color, nature or functionality. Through the process of cartography I have tried to highlight such visual boundaries that I have been able to identify that exist around me. A basketball court has been taken as one of the examples to show how straight and curved lines on a plane form a sense of visual boundary and directs the gameplay through different regions for scoring points or by adding limits to the movement of a player. Another example of a simple entry road to a society is taken as an example to show how materials play an important role to define boundaries. The asphalt road, concrete tiles and soil create different regions for movement be it for vehicles or for pedestrians. Previous Next Invisible Margins

Previous Next Pacing the Space Email Semester Competition Name Student Name Adnan Motiwala Shanaya Wadia Tasneem Vali DAC - Academy's Recess - Rethinking Amphitheatre Area I adnan20@aoamumbai.in shanaya20@aoamumbai.in tasneem20@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: The Amphitheatre is a fusion of various departments. The design provides a space where all the students come to unwind and just be themselves. To make it lively, the space is equipped with a musical niche with pre-installed instruments like a foot piano, a clap box and a xylophone. A watchtower stands in the middle of the amphitheatre, encompassing the banyan tree, giving the students a panoramic view of the space. The place is littered with crescent-shaped stools, and their retractable nature prevents them from being an obstacle. The college logo is seen in the form of a seating area, bordering the walls. It's the perfect spot for relaxing with the overview of the banyan tree, and it makes an excellent background for pictures. The logo is bordered with an LED lighting which compels you to stay and extend the experiential nature of the place.

Previous Next Email Guide Semester Subject Student Name Krish Mewawala, Karishma Hathiram, Sharvari Joshi Technical Design VII Ar. Nitesh Avhad, Ar. Amey Ghosalkar, Ar. Karan Danda krishm18@aoamumbai.in , karishmah18@aoamumbai.in , sharvarij18@aoamumbai.in Studio Conductors Ar. Nitesh Avhad, Ar. Amey Ghosalkar, Ar. Karan Danda : : : : : : : : : : : The exercise intended to explore the types and construction details of commercial design in high rise structures. The proposed design is a commercial tower, proposed to house 80 offices, spanning across 32 floors. Depending on the user and cost, the number of offices on each floor has been planned in the design. 4 levels have been conceptualised, so as to provide various combinations in the floor layout. A special emphasis has been laid on the planning of breakout spaces or terraces, so as to catch the fresh air in a commercial environment, something that is totally absent in the city. They also serve as refuge areas, and have been planned at every 25 metres. The parking provision is done in the basement, where as a 6 m double heighted podium has been provided for drop-off as well as cafeteria facilities. Furthermore, to cater to the interactive needs, several punctures have been created into the solid of the building, which not only reduces the bulkiness and mass of the building, but also serve as breakout spaces of private terraces to the office spaces, as seen in the plan. The skin and the elevation have been designed according to the orientation of the building, thus increasing the sunlight entering. CAPTIONS OF AROUND 5 WORDS: 1 – Form Evolution, Concept and Calculations 2 – Planning, Vertical Zoning and Massing 3 – Construction Timeline and Details, and Materials 4 – Structural System 5 – Load Transfer and Detail of the Core High rise structure and Design 1