Previous Next Rivicon Email Semester Competition Name Student Name Adnan Motiwala, Sharayu Vinchurkar, Tasneem Vali Dharavi Project III adnan20@aoamumba.in sharayu20@aoamumbai.in tasneem20@aoamumbai.in : : : : : : : Competition Brief: The aim of the competition is to develop a place making project that will act as a center for change and empowerment in the heart of dharavi. Narrative: Rivicon, an abode of knowledge, innovation, skills and most importantly, dreams is crammed with aspiring souls and minds. It is an iconic complex culminating the talent of the people of Dharavi. The complex is designed keeping in mind the needs and demands of the various programmes developed for the people while providing highly endeavored breathing space in the density of slums. The visual accessibility to the performance area warmly invites the guests from the main road with its grand roof on the northern facade. Along the galli of Dharavi, a promenade showcases artistic and skilful artworks. The night school gives an opportunity to the illiterate working class to learn, to read and write while the space merges with the library as reading space during the day time. The inherent traditional skills of textile, carpentry, leather tanning and pottery are enhanced by the workshop spaces while the studios enhance the art skills. The start-up knacks of the young enthusiasts are supported by the incubation centre with a multi-functional meeting room. All in all, the community-empowerment centre brings the hope and medium to bring up the talent of Dharavi

Previous Next Email Guide Semester Subject Student Name Falguni Sakpal Design Dissertation IX Ar. Ashley Fialho falgunis17@aoamumbai.in Issuu Link Ar. Milind Amle, Ar. Swati Chokshi, Ar. Rajratna Jadhav, Ar. Snehal Gaikwad, Ar. Swapna Hankare, Ar. Richa Raut,Ar, Yagnik Bathija, Ar. Neha Panchal, Ar. Porus Master, Ar. Rahul Manohar, Ar. Sanjay Mehta : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/falgunis_49_book : Studio Conductors : : : "India has been grateful for its owned Classical Music and Ragas since the very beginning. Indian Music has helped convey the social problems and in creating conversations in society. “It is remarkable how every element in the universe originates from a sound vibration and hence it is no wonder how music can harness nature. Its instantaneous pleasing effect can be an answer to misery.” In ancient history, people use to gather to solve difficulties and provide solutions for the same via ART FORMS such as dance or music. This was done so that the people can comprehend those in a better way. Their social and cultural associations can be understood to extract symbols and create meaningful architecture. However, these classical ragas are now getting eroded in the entire system of globalization and in exchanging value art forms globally. The western classical concepts of music when are getting introduced to the country are mixed or rather creating fusions to reach out to more audiences at a global level but more with the economic purposes, and somewhere in that process the true Indian Music is getting aside and as it is one of the intangibles, after some years, it will only be in people’s memories and records. These ancient Indian origin ragas are needed to be revived, restored and preserved immediately. This suggests building social capital, better mental health and quality of life. The qualitative research practised holds two independent approaches; to identify the ragas and their impacts on biodiversity and thereafter investigate the statement ""Architecture is frozen music"" by Johann Wolfgang von Goethe. Interestingly, the unbiased study reveals the fused state between frozen music and liquid architecture throughout the process and comes from a deep understanding that, in its very essence, architecture exceeds building and music exceeds sound. The research findings indicate the approach of the intervention will be celebrating and reviving Indian Classical Music and defining its relation to biodiversity via architecture and suggesting easy ACCESSIBILITY to the art form. Simultaneously, it will be a creation of a common platform for Indian origin artists, the true listeners, learners and worshipers. The thesis will be decoding and translating the intangible components of music into visual, physical, spatial architecture. This will be an opportunity to explore the interrelationship between architecture and Indian classical music in the LOCAL CONTEXT and contribute to the dissemination of classical music, student-oriented activities and nature conservation at an urban level. " Reviving the Golden Ragas: Rejuvenating in the Fused State of Frozen Music and Liquid Architecture

Previous Next Email Guide Semester Subject Student Name Shivani Baderao, Roshani Chabhare, Sarthak Ekal, Atharva Girme, Prajakta Gosavi, Sakshee Gothankar, Prachi Khobragade, Sanchita Tandel, Sejal Umare, Shweta Utekar Humanities IV Ar.Manjushree Desai, Ar. Ronak Savla shivanib19@aoamumbai.in , roshani19@aoamumbai.in , sarthak19@aoamumbai.in , atharvag19@aoamumbai.in , prajaktap19@aoamumbai.in , sakshee19@aoamumbai.in , prachik19@aoamumbai.in , sanchitat19@aoamumbai.in , sejalu19@aoamumbai.in , utekars19@aoamumbai.in Studio Conductors Ar.Manjushree Desai, Ar. Ronak Savla : : : : : : : : : : : Over this period of 400 years, we see the downfall of a major empire by an onslaught of invasions, the inception of regional powers that saw the re-emergence of a structure that was a physical manifestation of ownership in the form of a monolith or an inscription. The presence of these new regional powers led to the growth of a new religion and its need for a new place of worship i.e. the Hindu Temple that was influenced by the styles of the structures that preceded it and its evolution with time in different regions. Architecture as a tool to declare and pronounce absolute authority and dominance in the administration and rule of the empire is seen in the establishment of fortified and well-planned capitals to ensure the growth and safety of these regional powers. The structures following the establishment of capital show the further development that took place in the region. This development of the capital took place in the multiple Kingdoms that were neighboring one another during this era to attain some sort of security in politically unstable southern India. The era is highlighted by a diverse spectrum of materials, form, scale, and style elements that eventually mold and fuse into a distinctive style of temple architecture. The architecture of a particular era depicts its political scenario through various parameters like the typology of structures that range from a township to religious structures like the temples that stood tall through these various shifts of power and became an icon for the region as well as the ruler. Architecture and Politics (550 A.D - 900 A.D)

Email Semester Subject Student Name Himanshi Mittal Humanities V himanshi19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next The Incident Chaos (Style: Expressionism)

Email Guide Semester Subject Student Name Pragati Shingade Architectural Representation and Detailing II Ar.Nikita Sharma pragati20@aoamumbai.in Studio Conductors Ar. Rohit Karekar, Ar. Shivani Mehta, Ar. Anisha Mehta, Ar. Ronak Savla, Ar. Nikita Sharma : : : : : : : : : : : The semester involved the understanding and exploration of 3 dimensional drawings. Exercise helped understanding the various representational styles. It started with simple isometric, axonometric views and further extended towards one-point and two-point perspectives. The process of each representation style first covered basics through small geometric forms followed by exercises including large rooms and localities. Further exploration was done by exploding methods to learn to represent the design in detail. Exercise focused on line weights, scale, dimension i.e. overall neatness of the drawing and understanding of the concepts of behind every representational drawing type Previous Next ARD Portfolio 2

Previous Next Email Studio Conductors Semester Subject Student Name Nikita Jagzap Krishnendu Nair Swamini Gawad Hitashi Ambwani Anushri Patil Madhavi Kadam Architectural Building Services III Ar. Richa Raut, Ar. Kanak Kashyap, Ar. Minal Gujjar nikita20@aoamumbai.in , krishnendun20@aoamumbai.in , swamini20@aoamumbai.in , hitashi20@aoamumbai.in , anushri20@aoamumbai.in , madhavi20@aoamumbai.in : : : : : : : : : Let’s try and calculate it-for an I-phone -Starting right from scratch i.e., making of the mobile phone that includes selection of materials, making a prototype, testing phase, software installation, mass production of mobile phones, packaging followed by shipmen but what goes inside the mobile phone? The mobile phone contains few individual parts namely an antenna, LCD, keyboard, microphone, speaker, battery and most important circuit board. Hearing all this sounds very fancy but there is also a darker side to this. To find the material required for the parts the mobile phone companies involve a malpractice of child labor at various mines, one of them being the cobalt mines in Congo and only give the labourers subsistence wages for their work. The material required for the phone is sourced from all over the world. After the use of phone for a certain year the phone is recycled to a certain extent. The companies sent the metal part to the Melter melts the metals; precious metals are recovered while the other metals are burnt which led to carbon emission. So, the mobile phone actually costs a lot apart from its price What Is The Actual Cost Of Mobile Phone?

Email Guide Semester Subject Student Name Eshita Taggarsi Architectural Design Studio I Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar.Joel Roy, Miss. Teja Gavankar eshitat20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar.Joel Roy, Miss. Teja Gavankar : : : : : : : : : : : Throughout this exercise, we studied the relationship between body movement and space. Through this research process, we began to understand how space could adapt to the movement of the human body, respond to it, allow it to happen, but not force it, defining the relationship between the body and its movement in space. We began our investigation by studying various medieval & renaissance paintings and utilizing their diverse scenarios for the focus of our inquiry. We then re-create/enact and record various movements of the body in space and analyze them through chronophotography, which formed the basis to study and understand the structural and constituent elements of each movement. This methodology allowed to focus on qualitative and quantitative data, which can be further analyzed through technical drawings. We used these understandings to identify the activities related to these postures. Previous Next Body And Movement In Space 4

Email Guide Semester Subject Student Name Palak Bhattad Architectural Design IV Ar. Saurabh Jain palak19@aoamumbai.in Studio Conductors Ar. Ravi Hazra, Ar. Porus Master, Ar. Ashley Fialho, Ar. Richa Raut, Ar. Saurabh Jain, Ar. Rohit Karekar, Ar. Shekoba Sanap : : : : : : : : : : : Blending Architecture with nature and humans, the Hospitable Crown is a camping site that combines the built with its users and surroundings. The design seamlessly integrates the built with the surrounding context, thus connecting them, both visually and physically, and enhancing the user experience. To bridge the users to nature, spaces are designed to follow a defined hierarchical pattern of open, semi-open, and closed zones that unfold gradually. The built form turns inwards and houses the user within it. The landscape design plays a major role in defining the axis of movement for the users. In addition to the concept of integrating the built with the unbuilt and users, it was essential to blend architecture with its vicinity to provide a living crown. The roof completely merges with the topography, which helps involve locals thereby providing them with jobs and enhancing their economy. This also helps visitors learn the local knowledge, and connect with its vicinity and nature, consequently increasing interaction and enhancing collective living. Previous Next Nisarga- Farm House 6

Previous Next Email Guide Semester Subject Student Name Bhavya Hareshkumar Mewada , Ruchi Pathak , Aditya Shanbhag Technical Design V Ar. Tushar Shetty , Ar. Shripad Bhalerao bhavya19@aoamumbai.in , ruchi1@aoamumbai.in , aditya19@aoamumbai.in Studio Conductors Ar. Tushar Shetty , Ar. Shripad Bhalerao : : : : : : : : : : : The project is focused towards understanding the overall construction techniques and systems of small built forms for the architectural design project - community center, designed in sem-4. The materials of the structure are R.C.C. construction accordingly the beam and column layouts were understood and designed to create a structural framework for the building. the exterior envelopes and the materiality was then explored and worked out as seen in drawings. The overall design was worked out with relevant detailing of the structural system selected. Theory of Structures

Previous Next Email Guide Semester Subject Student Name Hiloni Seth Architectural Building Construction and Materials IX Ar. Hardik Dedhia Ar. K.V. Pameshwar Ar. Dhara Parekh hilonis17@aoamumbai.in Studio Conductors Ar. Hardik Dedhia Ar. K.V. Pameshwar Ar. Dhara Parekh : : : : : : : : : : : The exercise intended towards understanding the structural integrity of folded plates under varied loading conditions with respect to the design of these folds. Further on, different possibilities and their applications were also explored. The inspiration of these folds came from nature. Different organisms and plants were studied to understand the composition of their natural folds. Based on this study, the most feasible fold composition was selected and its application in the real architectural world was speculated. Folded Plates 2

Previous Next Email Guide Semester Subject Student Name Ankit Gaikwad Design Dissertation IX Ar. Prof. Rajratna Jadhav ankitg17@aoamumbai.in Issuu Link Ar. Milind Amle, Ar. Swati Chokshi, Ar. Rajratna Jadhav, Ar. Snehal Gaikwad, Ar. Swapna Hankare, Ar. Richa Raut,Ar, Yagnik Bathija, Ar. Neha Panchal, Ar. Porus Master, Ar. Rahul Manohar, Ar. Sanjay Mehta : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/atharvar_47_dd_book_for_issuu : Studio Conductors : : : The DMIC (Delhi – Mumbai Industrial Corridor) project was launched in pursuance of a MOU signed between the Government of India and the Government of Japan in December 2006. "The project’s aim is to create a business model out of urbanization and the trunk infrastructure would help in land monetization and undertaking-specific greenfield and brownfield industrial and physical infrastructure projects. While the corridor stretches from Dadri to JNPT the JNPT near Mumbai, it engages six more states in it namely, Uttar Pradesh, Haryana, Madhya Pradesh, Rajasthan, Gujarat and Maharashtra. In Maharashtra, an additional elongation of the corridor has been decided and to connect the JNPT and the Dighi Port from the Raigad district was the new plan. Because of these unexpected alterations in the project, the state government started acquiring land of the people from the district on a very short notice. These resulted in the protest against the project as the people were totally unaware of the purpose for the land acquisition, their unassured Rehabilitation and were also unsatisfied about the compensation promised for their land. Many farm lands and undocumented lands of the adivasis were also illegally acquired by the land agents even before the project was announced to the common people. Raigad being very close in proximity with Mumbai and Navi Mumbai and also because of the smooth connectivity through both roadways and waterway, the district has been always under rapid urbanization and several infrastructural developments. This has been a threat to the farming sector and the agricultural graph is seen to be continuously falling down. With the industrialization and enhancement of the corporate sector because of the DMIC the leftover agricultural land would undoubtedly be abandoned and people will have no option but to leave farming and move towards the private sector. There needs to be a platform established for the farming community and the youth to emphasize the scope in the field to give them enough reason to direct and advance their skills in the agriculture sector. Hence, educating and empowering not only the farmer’s group but also the new generation is necessary to sustain farming for a longer run and balance the agriculture and the industrial sector after completion of the DMIC project by the year 2035. A farmers’ training institute where advanced farming methods and modern strategies for better yield are proposed in the research. It will be assisted with tourist facilities to promote the fundamental program and also the context of the selected site highly demands the assisted program. Large emphasis of the program is to work for the beneficiaries of the affected villages by the DMIC and to provide employment opportunities through farming as a medium. Hence, promoting FPO (Farmer producer organization) which will also look upon the outsource of the produce and can become a reliable solution in the initial building phase of the project. The research involves study of the existing socio economic fabric of the affected villages of Raigad district and what transition would it go through in the development phase of the DMIC. Its positive and negative impact on the locals and what initiatives would aid the farming community to sustain in the near and the long future is catered in the program formulation part of the research. To ensure the cohesive working of the industrial and the agricultural sector in the affected region by the Delhi Mumbai Industrial corridor and finding appropriate proposals for the interest of the people has been the ultimate purpose of the research. Krishi Sanvardhan Kendra

Previous Next Email Guide Semester Subject Student Name Kaankshi Shah Technical Design V Ar. Sulakshana Bhanushali , Ar. Tushar Shetty kaankshi19@aoamumbai.in Studio Conductors Ar. Sulakshana Bhanushali , Ar. Tushar Shetty : : : : : : : : : : : The exercise aims to understand the electrical system and its components in building and derive a suitable proposal from the understanding. Along with acoustic needs of the spaces to balance reflection and absorption values to balance out the acoustic standards of the room to function as an apt auditorium. Illuminate