Previous Next The motion frame Email Semester Competition Name Student Name Janhavi Jadhav Tarun Panjabi Vaibhavi Tolamatti DAC Redefining Platitudes II, V janhavij20@aoamumbai.in , tarun19@aoamumbai.in vaibhavi19@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: I DON'T DIVIDE ARCHITECTURE, LANDSCAPE, AND FUNCTIONS, TO ME THEY ARE ONE. – LUIS BARRAGAN Emotions, Experience, and Elements cohere together to form up a space. This illustration depicts the assembling of the 3 E's which form up the character of the project. Every space here provokes emotions through colour and the multiple activities inside the frame. To show the true sense of togetherness in this community hall design, there is use of warli art and it’s warm colour evokes optimism and excitement. The whole experience of the illustration is portrayed through multiple vantage points as we believe that space could be perceived by every individual through a different perspective and angle. The vital part that forms up the space is all the basic elements and the ideology with which a whole structure comes into place as portrayed. Every unit, every element that comes together to form this structure is broken up to its smallest scale. One can see bricks, tiles, columns, roof, building masses all converging together to form up the space. The greens are also juxtaposed along the contours lines which stitch up the illustration together. The ideology here is that every space revolves around the landscape, terrain, and context created by the space. The graphic thus portrays the idea of function, landscape, and architecture existing as a single entity as each of the following comes from different paths, converges, and interlocks together.

Email Guide Semester Subject Student Name Salonee Shetty Architectural Representation and Detailing IX Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar salonees17@aoamumbai.in Studio Conductors Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar : : : : : : : : : : : The topic of my thesis is - ‘ Light , a felt stimulus ‘ which informed the production of the ensuing graphic which dwells on the methods of both thinking about the design of the framework of tackling the use of light in architecture and also representing the very same . The graphic developed overtime and is an ongoing process - the factor/parameters that went into its making are - The directionality of light with informs the form of the building / structure The internal aesthetic / mood of the space The design of the 2D and 3D effect of light The creation of volumetric space from light itself THis resulted in the production of graphic that both represents and inquired into the design dissertation . Previous Next Light , a felt stimulus

Previous Next Email Studio Conductors Semester Subject Student Name Pranav Chaubal Environmental Studies IX Ar. Snehal Gaikwad, Ar. Swati Choksi, Ar. Richa Raut pranavc17@aoamumbai.in : : : : : : : : : The site chosen for the project was the city of jaisalmer. Jaisalmer falls under the hot and dry climatic region. This makes the passive cooling in the day and heating during the night the major challenges to be tackled. The spatial arrangement of the house was so designed that there is a path for a regulated wind flow. This is an attempt to locate the built mass on the periphery and create a diagonal passage for wind. This passage consists of openings at certain levels which allows for heating up and cooling down of spaces as required through certain design elements. To complement this massing a combination of traditional and contemporary design elements was devised. The courtyard, chajjas, jaalis were used with a combination of a water body, wooden louvers. Additionally, taking inspiration from the coolness of narrow passages formed between houses a similar method was used to maintain lower temperatures. Esquee- Application Of Passive Design 1

Previous Next Euphoria Email Semester Competition Name Student Name Eshita Taggarsi Manan Raut Simran Khaitan DAC Redefining Platitudes III, V eshitat20@aoamumbai.in mananr18@aoamumbai.in simrank20@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: A person's decisions determine whether they are good or bad. We begin in a world devoid of color, with our main character, RP09, travelling down a bleak route. Suddenly, a massive boom and a distortion occurs, transporting our character to a dystopian world called Euphoria. RP09's first glimpse is full of hues, and he is both awestruck and scared at the new environment he has entered. The people there were completely different from the black and white world he came from. There were creatures from all over the universe living different lives but somehow the same, overlapping with each other. After some time in the new realm, RP09 realizes what he is up against: he is trapped in a virtual world. He has four lives to complete the game, he has to collect certain coins and in case he fails, there will be serious consequences like him being trapped in the game forever. Our main character ends up doing horrible things to achieve his goal and as a result of the route he chooses, he becomes a wicked guy. He leaves a trail of ruin and death in his wake, continuing to lose his life in the process of the games. As he reaches the final stages of the game; all his tasks have been completed, and just one mission remains. He has almost beaten the game but then the wheels turn around and he is defeated. As a result, RP09 loses all his lives and becomes one of the martians living in the game, a part of the dysphoric Euphoria and forgets about his life at home, wandering aimlessly till the end of time.

Email Guide Semester Subject Student Name Utkarsha Mali Architectural Design VI Ar. Mahesh Khanolkar utkarsham18@aoamumbai.in Studio Conductors Ar. Mahesh Nilakh, Ar. Swapna Hankare, Ar. Shekoba Sanap, Ar. Mahesh Khanolkar, Ar. Rupa Sheth, Ar. Rajan Kulkarni : : : : : : : : : : : When it comes to the healthcare profession, the campus is not only college, but also it becomes home to students since they spend most of their time either in the library or in the hospital irrespective of day or night. Hence circulation becomes one of the most crucial elements, along with space making and placemaking. The campus facilitates the students the ease to reach destinations in less time. The built mass has been laid down linearly as connected pieces with passive design strategies that ensure fewer occupancy loads. Previous Next Maritime Institute/ Veterinary Institute 6

Previous Next Rispetta L'ospite (Top 50) Email Semester Competition Name Student Name Priyanshi Hiran Architerrax IX priyanshih17@aoamumbai.in : : : : : : : Competition Brief: The aim of the competition is to connect the architecture fraternity around the globe and to provide an International platform for architecture students to showcase their design. Narrative: The Globetrotters contribute a huge value to any country’s tourist economy. The main design intends to focus on designing a visitor’s servicing centre and not a visitor’s information centre. This service institution is the main touchpoint for visitors to grasp on how to explore this destination. The site selected is Italy‘s capital Rome. The history of Rome depicts a long-standing conflict between spiritual power and political interests. The eye-catching facts here are the city’s design and planning principles. This destination is a people’s place that respects ancestral culture and traditions. The ultimate design proposal is based on these lines for concept build-up. Some key aspects of the proposal include digital servicing, engagement with local travellers, susceptible conveyance mode, and most importantly, a “wow experience”.

Previous Next Email Guide Semester Subject Student Name Bhavya Mewada, Dhruvi Jain Humanities V Ar. Harshada Shinte, Ar. Amey Ghosalkar bhavya19@aoamumbai.in , dhruvi19@aoamumbai.in Studio Conductors Ar. Harshada Shinte, Ar. Amey Ghosalkar : : : : : : : : : : : Sangath means “moving together through participation” . B.V. Doshi’s masterpiece in a way manifests his philosophies of rediscovering the Indian Traditional Architecture, creativity and evokes the local ethos in harmonizing the present Place , with People and with their Past elements. The Series of Sunken Vaults amalgamating with terraced amphitheater and landscape gives rise to double-height spatial volumes and outdoor spaces for conferencing , informal meetings & experiencing pause points. This Set-up reflects the idea of Indian villages of having discussions, sharing and respecting the privacy of each other. Sir B.V. Doshi interlocks multi-height spaces that flushes the interiors with maximum daylight through Skylights , cut-out in roof slab which helps to regulate the coolness inside with release of hot-air towards upper level through Stack Effect. Sangath’s Complex form-Vaults are locally constructed using hollow clay tiles as an infill material with ferro-concrete cavity roof, cast in-situ formwork. The Exterior roof skin is cladded with white china mosaic tiles which were the waste material in the site, being used efficiently through hands of local workforce, achieving sustainable approach in materials. Grass Mounds & Mosaic Tiles reflects the harsh sunlight and insulates the heat away from the interiors. Sangath

Previous Next समाजाला लागलेली कीड | Samaajala Lagleli Keed Email Semester Competition Name Student Name Mohit Pandharkame Pragati Shingade Shivani Baderao DAC Redefining Platitudes II, V mohit20@aoamumbai.in pragati20@aoamumbai.in shivanib19@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: The primary graphic illustrates a centipede which is associated with SUPERSTITIONS. The 2nd graphic has maze sort of visual & the light,vibrancy ,which is associated with the SARASWATI SYMBOL which further aligns with education/knowledge and the vibrant colors are linked to the idea that education brings light and colours into our lives. The 3rd graphic was a composition of curves and circles, such that the circle is divided into 2 semicircles and are faced opposite to each other, which further associates with the “YIN YANG'' sign. The Yin, the dark swirl, is associated with shadows, femininity, and superstitions; the Yang, the light swirl, represents brightness, passion,growth and education. The overall idea elaborated on “ समाजाला लागलेली कीड”.

The navel of Latin American Civilization (Top 20) Previous Next Email Semester Competition Name Student Name Laxaree Sawant ,Nidhi knot Archiol History Of Architecture V nidhik19@aoamumbai.in , laxaree19@aoamumbai.in : : : : : : : Competition Brief: Archiol history of architecture is a competition looking for presentation board and essay submission on any periods from the history of architecture evolved with civilization. Narrative: We aimed at studying a civilization that wasn't a part of our academic curriculum. We discovered the Inca and its various cultural beliefs and how it influenced the architecture of that era and eventually the people’s lifestyle. The well-known historical sites like the Machu Picchu to the humble golden temple of "Qorikancha" are a part of this civilization. We tried to narrate the story of a civilization glorious in its unblemished form, suppressed to the shackles of colonialism.

Previous Next Adomania

Email Guide Semester Subject Student Name Jayraj Mistry Architectural Design IV Ar. Amit Jain jayraj19@aoamumbai.in Studio Conductors Ar. Nachiket Kalle, Ar. Amey Ghosalkar , Ar. Amit Jain, Ar. Rishi Vora, Ar. Mehul Sanghvi : : : : : : : : : : : The rising star project aims at creating the bonds and connections between the people , which is lost and can be reflected in the town planning. The central open space thus connects the different classes of the society under one roof to increase the interaction and create new experiences for the upcoming new actors by reviewing their daily life experiences . Thus this space informally becomes a huge canvas for the upcoming actors to see , to think , to improve themselves and become a person of experience in an informal way . Along the way , it also creates a series of interactive landscape elements and various gathering points on the entire site and the most important the play of shadows creating the timeline of different activities being captured into the space which shows the ever changing nature of the activities . Previous Next Bridging the gap

Previous Next Email Studio Conductors Semester Subject Student Name Priyal Vasaiwala Environmental Studies IX Ar. Snehal Gaikwad, Ar. Swati Choksi, Ar. Richa Raut priyalv17@aoamumbai.in : : : : : : : : : The assignment was aimed at understanding Passive Design Solutions for various climatic conditions across India. The selection of the location, climate zone, topography and other features was left open for students to be done individually. An independent house typology was given to the class which was to be altered providing passive design strategies based on the selected criterias. The following aspects were considered for a site in New Delhi with composite climate - - Climate (Temp, Humidity, Radiation, etc.) - Design (orientation, Window openings - sizes, types, placement, walls, roof, etc.) - Building Use & Functions (Daytime nighttime, heat gains/loss, air exchanges, etc.) - Materials (Local/Sourced, Specifications - density, conductivity, etc.) The above listed considerations were then reflected schematically through sketches of the altered plan and sections of the house. Esquee- Application Of Passive Design 2