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  • Representation_Architectural Design_Taxonomy Of Grids 3 | AOA Confluence '22

    Email Guide Semester Subject Student Name Tarun Panjabi Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre tarun19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The Taxonomy Of Grids Is A Exercise To Get The Understanding Of Grids Made By Different Artists And Then Creating A Hybrid Of Them. The Angles, Colours, Geometry Used In Grids Were Well Understood And Then The Hybrid Was Created. Later The Hybrid Grid Along With 3 Other Drawings Were Used Created An Intresting Illustration. In Grid The Main Element Of Rotation And Sense Of Changing Scale Were Enhanced. In The 2nd Drawing Of Occupation Event Smaller Basic Shapes And Creating A Kind Of Loop Giving A Sense Of Nonending Motion Were Used. In 3rd Drawing Which Was Landscape Field, The Maon Elements Picked Were The Thicker Walls Creating A Visual Sense Of Viewing Different Things And The Last Drawing Of Figure Building Was Having Elemnets In A Non-Linear Way Creating A Sense Of Different Scales, Connection Between Them Generating Interest. Previous Next Taxonomy Of Grids 3

  • Representation_Architectural Design_The Spiritual Transcendence of Sacred Architecture | AOA Confluence '22

    Email Guide Semester Subject Student Name Aishwarya Balsekar Architectural Representation and Detailing IX Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar aishwaryab17@aoamumbai.in Studio Conductors Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar : : : : : : : : : : : This thesis looks into the understanding of what creates a sacred space and analyzes the elements that facilitate Transcendence in the minds of the users. The process of the design of the poster began with the understanding of what the topic entails. This led to several explorations and helped with the following elements being categorized and shown through the work. Light: The play of light on materials and surfaces inside a space hugely impacts how the spaces are perceived. Numinosity: The element of spirituality is heightened by the feeling of numinosity. This emotion is triggered by several elements of design. Through the poster the aim was to integrate the key elements in a manner to convey the idea of the thesis. Previous Next The Spiritual Transcendence of Sacred Architecture

  • Design_Architectural Design_Nisarga- Farm House 4 | AOA Confluence '22

    Email Guide Semester Subject Student Name Vaibhavi Khedkar Architectural Design IV Ar. Richa Raut vaibhavi@aoamumbai.in Studio Conductors Ar. Ravi Hazra, Ar. Porus Master, Ar. Ashley Fialho, Ar. Richa Raut, Ar. Saurabh Jain, Ar. Rohit Karekar, Ar. Shekoba Sanap : : : : : : : : : : : Ready? A question to ask yourself while looking at nature. Nature always educates us to grow and evolve, this project also attempted to achieve the same by redefining recreation. A recreation of thrill, energy, wilderness, and in turn a recreation for life. As the keywords उठा, बघा,खेळा,शिका imply celebrating the life while learning and relearning, the realm of the practical world teaches the exact opposite. Thus the form is developed seizing this inspiration forward. By using concrete as a sustainable material, active and passive effects on the built form are experienced. The bicycle paths along the built generate electricity and make it self-sufficient. The red structure at the end tries to make an impact by positive sportiness as it adequately binds with nature. Previous Next Nisarga- Farm House 4

  • DAC_Academic Competition_Inside Out - Contextual Design (Top 16) | AOA Confluence '22

    Inside Out - Contextual Design (Top 16) Previous Next Email Guide Semester Competition Name Student Name Abhishek Suryavanshi ACARA Rookies 2021-22 IV Ar. Porus Master abhisheks19@aoamumbai.in : : : : : : : : : Competition Brief: The theme for the competition is Contextual Design: Creating Space, Re-interpreting Tradition Narrative: Project Inside out aims at offering a multifold staying experience with nature at its core. INSIDE OUT- an idea through which the connection between user, nature and its resources is followed. Responding to the site was key for contextual design which shaped the project. The response has been explored through various frames like climate, environmental management strategies, present and past traditional values from around and much more. The design was planned around the existing natural resources and also aimed at keeping them intact. Through this design project the user gains an understanding of the past practices of self sufficiency, local traditional values and simple ways of living in a modern context. The typical architectural style of building of the nearby villages gave rise to creation of various open, semi open and private spaces, giving a holistic spatial experience. Growing the food you eat, various recycling strategies, community living, is encouraged as part of developing a culture on site and helping visitors grow a connection with the built and unbuilt environment Creating comfortable and habitable spaces via large overhangs with small outdoor courtyard spaces getting formed, share a dual purpose of blocking the south sun and cater to the concept of inside out to the very core of the project.

  • DAC_DAC Competitions_Academy's Unwind | AOA Confluence '22

    Previous Next Academy's Unwind Email Semester Competition Name Student Name Nidhi Khot Shivanjay Bhagat DAC - Academy's Recess - Rethinking Amphitheatre Area IV nidhik19@aoamumbai.in bhagat19@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: The amphitheatre is the most beloved spot for all the students to congregate on, be it whilst sipping on a steaming hot cup of coffee during mid lecture breaks or during the morning rush. The proposition includes a seating platform springing from the central banyan tree, which is also the symbol of our college. It revolves around it, and further develops to form a pergola style roof and later a solid roof over the stationary shop. This depicts the journey of our college from a small college to one of the topmost institutions in the city.This pergola serves as a roof for the photobooth and creates a dramatic effect of light and shadow throughout the day. The amphitheatre seating is enlarged inorder to accommodate a larger crowd since this place serves as a huge photo kiosk, during college festivals. It further extends to an open seating on one side and a secluded seating on the other. The amphitheatre is frequently filled with meandering cats in a quest for a shaded space. The wall adjacent to the niche is dedicated as a play and rest area for the same.

  • DAC_DAC Competitions_Amphitheatre : Productivity + | AOA Confluence '22

    Previous Next Amphitheatre : Productivity + Email Semester Competition Name Student Name Chandraneil Kumbhare Dhaval Mistry DAC - Academy's Recess - Rethinking Amphitheatre Area VIII chandraneilk17@aoamumbai.in dhavalm17@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: Creating an Identity of the Amphitheater Area An Amphitheater is generally used for a function to take place. Considering the size of ours, an amphitheater can be used for a medium-size gathering, small events, and as the amphitheater is shady and windy enough it can also be used for relaxation during the break and works as a good place for discussions or some Electives /College Projects to display. But currently, it has been used as just an open space of the campus. The reason for that is the space Amphitheater in itself doesn’t have an identity of its own. Thus, we now need to make such “identities” in the Amphitheater which will make the people create the vision of that space from just its name. Those identities are simple objects which everybody knows and also helps in the functioning of the Amphitheater space but they have a distinct character to itself which make them unique. The name for them is as simple as one would call them while just looking at it without knowing the terminology, like :- 1. The Yellow Steps. 2. The Green Shade. 3. The Mushroom Stands. 4. The Frame of AOA.

  • Representation_Architectural Design_Body And Movement In Space 3 | AOA Confluence '22

    Email Guide Semester Subject Student Name Durwakshi Bhoir Architectural Design Studio I Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar.Joel Roy, Miss. Teja Gavankar durwakshi20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar.Joel Roy, Miss. Teja Gavankar : : : : : : : : : : : The exercise involved analysis of the human body and its movement in space. It helped to understand how the human body is related to the surrounding environment and how space has been formed accordingly. The Renaissance painting, School Of Athens, was analyzed to study human body anthropometry in a space created in a painting through a few technical drawings. Further, these human body proportions and postures were related to the cityscape and activities similar to that posture. Scenarios like a person reading a book in a room, the delivery person asking for an address, people doing window shopping, people asking for a ball, the person falling while cleaning a room were some examples. This helped to understand space and its interaction with the human body. The drawings of Philip Steadman were used as a reference to create these drawings. Previous Next Body And Movement In Space 3

  • College Project_TRANSFORMATION OF VERNACULAR ARCHITECTURE | AOA Confluence '22

    Previous Next Semester Ar. Rajratna Jadhav V, VII, IX Studio Conductors : : : This college project is proposed for Understanding History, Digital Culture and its implication Architectural design methodology. Understanding the Digital tools and their evolution through computational possibilities, parametric thinking etc. and learning about 3 generations of Digital Architects who have been the influencers with their unique and disruptive ideas. This CP has a research-based approach with students producing one short paper, one long paper and a Graphical poster on Theories and Architects of the digital era, their neighborhood. TRANSFORMATION OF VERNACULAR ARCHITECTURE

  • DAC_DAC Competitions_Rethinking the Amphitheatre Area | AOA Confluence '22

    Previous Next Rethinking the Amphitheatre Area Email Semester Competition Name Student Name Abhishek Suryavanshi DAC - Academy's Recess - Rethinking Amphitheatre Area IV abhisheks19@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: The amphitheater is one of the most activated public spaces on the campus of AOA. It’s an inclusive space in the presence of diversity. Here, students collect their shared memories during academics and it also represents the culture of the academy. Mapping of different activities within the amphitheater helped me to develop the primary idea of enhancing the built space. Considering all the activities in the amphitheater , the proposal put forward is to maintain and enhance the active ,cultural, inclusive and interactive qualities of space. The attempt was to thus develop a context which facilitates interaction. The space near the stationary is taken because of its active nature , where the small multipurpose space is created with some wood cubes made of existing timber of fallen trees. These cubes don't have any specific function and are placed to create ambulatory, imperfect and impermanent context for interaction. The 2nd intervention is to change the entire context of the dead corner space and make it more functional and interactive. The intention was to create more space for campus to use, by just modifying the existing plains.

  • DAC_DAC Competitions_An Intermission | AOA Confluence '22

    Previous Next An Intermission Email Semester Competition Name Student Name Nehal Manshani Vedashree Mhadgut DAC - Academy's Recess - Rethinking Amphitheatre Area VIII nehalm17@aoamumbai.in vedashreem17@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: Previously, the Banyan tree created an identity of the old era, a new abstract form has been introduced in its place to mark the start of a new era. Stepped seating has been created beneath and around this abstract form. A deck created as an extension of the amphitheater connects it to the first floor as well as the staircase at the mid landing level. It also allows a connection to the art gallery on the first floor , acting as a binding feature to the activities being conducted there mainly during exhibitions or any installation or art displays, it also allows for shaded resting spaces. The open courtyard in the center, facing the stage, has been created to provide an outdoor seminar or performing arts space for informal discussions in addition to the auditorium. The wall connecting to the outer footpath has been treated as a blank wall in order to keep it as a wall of remembrance and a canvas for the leaving batches to convey their experiences and messages. This forms an interface between the inside and the outside so small windows have been created for the outsiders to get a glimpse of the college.

  • Technical_Building Construction_Folded Plates 1 | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Tanaya Nadkarni Architectural Building Construction and Materials IX Ar. Hardik Dedhia Ar. K.V. Pameshwar Ar. Dhara Parekh tanayan17@aoamumbai.in Studio Conductors Ar. Hardik Dedhia Ar. K.V. Pameshwar Ar. Dhara Parekh : : : : : : : : : : : Part 1: The aim was to understand the structural integrity of folded plate structures by testing them under different loads. Part 2: To Create a folded plate origami by taking inspiration from nature. The motive was also to understand that within nature there are many folded structural forms that are stable and can withstand loading under different conditions. Furthermore, to place the created origami structure in a speculative architectural manifestation. Folded Plates 1

  • DAC_Public Typologies_New Horizon (Women’s House) | AOA Confluence '22

    Previous Next New Horizon (Women’s House) Email Semester Competition Name Student Name Khushi Patel, Manan Seth, Riya Godambe, Aastha Sinha, Ishant Arora Kaira Looro VI khuship18@aoamumbai.in , manans18@aoamumbai.in , riyag18@aoamumbai.in , aasthas18@aoamumbai.in , ishanta18@aoamumbai.in : : : : : : : Competition Brief: Kaira Looro aims to discover new talents and to discover sustainable architecture models for humanitarian purpose to improve life conditions in developing countries. Narrative: The project aims at giving women leadership opportunities that encourage them to participate in village politics and administration which the location currently lacks, through highly ranking leadership coaching, literacy training, business training, organizational mobilization and market access, enabling women entrepreneurs to sell their goods in the global community. The architecture is a reflection of the region’s socio-cultural practices. The design uses local materials and sustainable technologies to promote self construction and community participation emphasizing why these women must be celebrated every single day. The light Senegalese fabric roof in contrast to the other materials, symbolizes breaking the rigidity of social structure in the context and welcomes women into a safe and secure space where they feel empowered.The value of this fabric not only lies in its weaving technique but also in its ceremonial marking the main rites in a women’s life like using it as fertility aid. Flattened oyster shells found on site are used to cover the window frames letting in diffused light into the structure ,adding character to the facade and the shellwork can be done by the women,thus adding to their marketing skills. The structure responds to the climatic conditions through its material usage and by adopting passive cooling techniques. The rainwater coming down from the roof is collected in a water tank and can further be used for various purposes. The spaces follow a hierarchy which then leads you to the more introverted spaces housing workshops and can also function as a maternity home. The workshops are designed to be flexible so as to be in use throughout the day and hold activities like seminars ranging from marketing and income generating skills to menstrual health awareness.The courtyard acts like the life of the community, a gathering space for all activities which also enhances the microclimate of the structure. It serves as a space for self defense workshops, performance area and a space where women can come together and chat along with their children. Thus, the structure standing adjacent to the main road creates an active exterior to provide them with economic opportunities and at the same time maintains privacy in the interior to create a safe space for them even during their everyday life

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