Email Guide Semester Subject Student Name Palak Panchal Architectural Representation and Detailing III Ar. Saurabh Mhatre, Ar. Juhi Prasad palak20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad : : : : : : : : : : : This project involved understanding the drawing methods of architects. The design, which is the Artist Studio, was transformed into a drawing of the style of Architect Peter Eisenman’s one drawings. We learned a new composition style of orthographic drawings on a single sheet. The color theme used in this drawing is the same, which is that used by the architect. The medium used is poster colors to best define the style. Previous Next Drawing In Conversation 5

Previous Next Email Guide Semester Subject Student Name Tarun Panjabi Architectural Building Services V Ar. Nitesh Avhad ruchi1@aoamumbai.in Studio Conductors Ar. Sulakshana Bhanushali, Ar. Nitesh Avhad : : : : : : : : : : : The following project leads to designing a lecture hall for students with respect to the acoustical quality it provides. The hall is designed for 40 users. The design is made such that the reverberation time of the key speaker is approx 0.9 sec till the students. The students’ seating arrangement is placed on concrete tiers in a rising manner with rubber lining and wooden flooring to contain the sound created. Some other materials used are gypsum boards, plywood panelling, Teak Wood parquet flooring, acoustic suspended boards, glazed concrete, timber doors, etc. The materials are used by calculating their surface areas and absorption sabines. Rhyme

Email Guide Semester Subject Student Name Sukriti Sharma Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre sukriti19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The exercise motivated on studying interesting grid patterns, and articulating Hybridized grids while getting inspired from the principles of the source grids as an initial step. The exercise culminated by deriving the final grid from one of the Hybrid grids and three other listed grids. The process commenced with identifying elements or shapes (line, dots, circle, semi-circle, square) operations and characteristic features of each of the three selected grids including rotation (clockwise or anti-clockwise, bisection, intersection, rhythmic spacing between elements, union, continuity, repetition). This was further processed as reciprocation of varied combinations to come up with three unique grid systems referred to as Hybrid Grids. One of the hybrid grids were selected and paired with three sets of grids- Figure Building, Landscape field, Occupation Event. While segregating the components of all three sets, final drawing of grid was composed as an amalgamation of all four grids. Previous Next Taxonomy Of Grids 5

Previous Next Steps for Awakening Email Semester Competition Name Student Name Sarvesh Kambli Soham Tulaskar DAC Redefining Platitudes II, V sarveshk20@aoamumbai.in sohamt17@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: In the harsh mental environment one tries to find Nirvana within himself. Self awakening, or self enlightenment is a one of the phases of reaching Nirvana. The graphic represents the path to awakening while showcasing the abstractions of the 7 factors needed to achieve awakening. ● Mindfulness- As Buddha said "Transient are all component things. Work out your deliverance with heedfulness!" Mindfulness is needed to maintain the awareness of reality. ● Investigation of the nature of reality- Through keen investigations, a spiritually evolved person, whose clarity of vision penetrates into the deepest recesses of life and cognizes the true nature that underlies all appearance. No more can he be confused by highs and lows of life. ● Energy- The effort to redirect misdirections that already have and will be arisening in the mind. It is that force which becomes the light to the mirage of endless working. ● Joy or rapture- Real happiness or rapture comes not through grasping or clinging to things animate or inanimate but by giving up (nekkhamma). It is this detached attitude towards the world that brings about true happiness. ● Tranquility- The factor is needed to achieve conscious calmness and serenity throughout the journey in body and mind. ● Concentration/calm- Concentration is the intensified steadiness of the mind as an unflickering flame of a lamp in heavy breezes. ● Equanimity- It is mental equipoise and not hedonic indifference. pain and happiness — he never wavers.

Previous Next A Celebration like no other Email Semester Competition Name Student Name Abhishek Suryavanshi Ganesh Beniwal Sandesh Jadhav DAC Redefining Platitudes V, II, IX abhisheks19@aoamumbai.in ganeshb17@aoamumbai.in sandeshj20@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: “The flowers are blooming because the bipeds no longer snatch them away, they now have a future to look forward to, when the roses rise and everything begins again!” The Tank is the only oasis in the midst of all this destruction, being a source of sustenance in itself. All the things they made, none of them are safe now. And why are all these other wonderful creatures here you ask? Well, they are here to take what was already meant for them from the beginning. You see, these multiple visions we have for the future, the stress we give to human existence and experiences and neglect all the other ones just creates a greater divide between the whole world and us. So, representations should be as elusive as the projects they represent. Letting go of false ideas, focusing less on the exclusionary functions and definitions that we give to spaces we make, we should move forward to a world where we show the impact that the project actually has on this planet, not the fancy attractive visions that give illusions of hope and wellness, where there is none!

Previous Next The Big Bang Epiphany Email Semester Competition Name Student Name Aayush kapse Arch 8 Revision V aayush19@aoamumbai.in : : : : : : : : Competition Brief: The competition focuses on identitying metal objects that have been forgotten and repurpose them into a functional typology of a residence. Narrative: The Big Bang Theory apartment was Re-Visioned, taking the users and their primary requirements as per functionality and personality. The chief decisions were based on the facts that our users are tenants, Scientists, pragmatism favourites and amicably adorable Sci-fi fanatics. The spaces are envisioned for them as well as their small circle of friends. The existing social and intimate zones have been given a personalized character through introduction of newer appliances, lighting strategies, furniture, floating ceilings, action figurines and new-old possessions. The one thing that has guided all the design decisions is the need for Logic and Reason. Issues between Sheldon and Leonard over tinier things are here, tried to be resolved using “Practically Personalized” design calls.

Email Guide Semester Subject Student Name Urvi Matkar Architectural Design VI Ar. Shekoba Sanap urvim18@aoamumbai.in Studio Conductors Ar. Mahesh Nilakh, Ar. Swapna Hankare, Ar. Shekoba Sanap, Ar. Mahesh Khanolkar, Ar. Rupa Sheth, Ar. Rajan Kulkarni : : : : : : : : : : : The seafront site located in an isolated industrial location held tremendous potential for the development of a dynamic institute booming with living spaces opening to exciting vistas. The program integrates a Maritime Museum, which is the heart of the design and binds the institute as one. Previous Next Maritime Institute/ Veterinary Institute 3

Email Guide Semester Subject Student Name Atharva Rotkar, Abhishek Rudrakar Architectural Design IX Ar. Ashley Fialho atharvar17@aoamumbai.in , abhishekr17@aoamumbai.in Studio Conductors Ar. Rajratna Jadhav, Ar. Rishi Vora, Ar. Hardik Dedhia, Ar. Ashley Fialho, Ar. Esha Tipnis, Ar. Mythili Kowshik-Shetty, Ar. Yagnik Bathija : : : : : : : : : : : The guiding principle of the upcycle factory design is to use structure as the primary generator of space. The idea of structural honesty is born where the interior space is formed by actual, visible structure. This approach leads to a form of structural expressionism as an attempt to attain transparency in function till literal structural transparency is proudly announced on the façade. In contrast, the crematorium being a private, sombre function demands solitude. This is achieved sectionally by carving a subterranean space for the pyres and ritual spaces. A haiku effect is created to emphasize the nothingness of space to empathize with the idea of loss. The project explores binaries throughout its course. Land & water, day & night, substructure & superstructure, minimalism & expressionism. However, conceptually the upcycle factory takes in waste and physically gives it a new life and the crematorium works with the deceased being given new life in the metaphysical form through collective memory. The program itself here is a metaphor for expiry & rebirth. With this everlasting transformation, the cycle of life is forever in continuum. Previous Next Continuum

Email Guide Semester Subject Student Name Tarun Panjabi Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre tarun19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The Taxonomy Of Grids Is A Exercise To Get The Understanding Of Grids Made By Different Artists And Then Creating A Hybrid Of Them. The Angles, Colours, Geometry Used In Grids Were Well Understood And Then The Hybrid Was Created. Later The Hybrid Grid Along With 3 Other Drawings Were Used Created An Intresting Illustration. In Grid The Main Element Of Rotation And Sense Of Changing Scale Were Enhanced. In The 2nd Drawing Of Occupation Event Smaller Basic Shapes And Creating A Kind Of Loop Giving A Sense Of Nonending Motion Were Used. In 3rd Drawing Which Was Landscape Field, The Maon Elements Picked Were The Thicker Walls Creating A Visual Sense Of Viewing Different Things And The Last Drawing Of Figure Building Was Having Elemnets In A Non-Linear Way Creating A Sense Of Different Scales, Connection Between Them Generating Interest. Previous Next Taxonomy Of Grids 3

Email Guide Semester Subject Student Name Aishwarya Balsekar Architectural Representation and Detailing IX Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar aishwaryab17@aoamumbai.in Studio Conductors Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar : : : : : : : : : : : This thesis looks into the understanding of what creates a sacred space and analyzes the elements that facilitate Transcendence in the minds of the users. The process of the design of the poster began with the understanding of what the topic entails. This led to several explorations and helped with the following elements being categorized and shown through the work. Light: The play of light on materials and surfaces inside a space hugely impacts how the spaces are perceived. Numinosity: The element of spirituality is heightened by the feeling of numinosity. This emotion is triggered by several elements of design. Through the poster the aim was to integrate the key elements in a manner to convey the idea of the thesis. Previous Next The Spiritual Transcendence of Sacred Architecture

Email Guide Semester Subject Student Name Vaibhavi Khedkar Architectural Design IV Ar. Richa Raut vaibhavi@aoamumbai.in Studio Conductors Ar. Ravi Hazra, Ar. Porus Master, Ar. Ashley Fialho, Ar. Richa Raut, Ar. Saurabh Jain, Ar. Rohit Karekar, Ar. Shekoba Sanap : : : : : : : : : : : Ready? A question to ask yourself while looking at nature. Nature always educates us to grow and evolve, this project also attempted to achieve the same by redefining recreation. A recreation of thrill, energy, wilderness, and in turn a recreation for life. As the keywords उठा, बघा,खेळा,शिका imply celebrating the life while learning and relearning, the realm of the practical world teaches the exact opposite. Thus the form is developed seizing this inspiration forward. By using concrete as a sustainable material, active and passive effects on the built form are experienced. The bicycle paths along the built generate electricity and make it self-sufficient. The red structure at the end tries to make an impact by positive sportiness as it adequately binds with nature. Previous Next Nisarga- Farm House 4

Inside Out - Contextual Design (Top 16) Previous Next Email Guide Semester Competition Name Student Name Abhishek Suryavanshi ACARA Rookies 2021-22 IV Ar. Porus Master abhisheks19@aoamumbai.in : : : : : : : : : Competition Brief: The theme for the competition is Contextual Design: Creating Space, Re-interpreting Tradition Narrative: Project Inside out aims at offering a multifold staying experience with nature at its core. INSIDE OUT- an idea through which the connection between user, nature and its resources is followed. Responding to the site was key for contextual design which shaped the project. The response has been explored through various frames like climate, environmental management strategies, present and past traditional values from around and much more. The design was planned around the existing natural resources and also aimed at keeping them intact. Through this design project the user gains an understanding of the past practices of self sufficiency, local traditional values and simple ways of living in a modern context. The typical architectural style of building of the nearby villages gave rise to creation of various open, semi open and private spaces, giving a holistic spatial experience. Growing the food you eat, various recycling strategies, community living, is encouraged as part of developing a culture on site and helping visitors grow a connection with the built and unbuilt environment Creating comfortable and habitable spaces via large overhangs with small outdoor courtyard spaces getting formed, share a dual purpose of blocking the south sun and cater to the concept of inside out to the very core of the project.