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  • Design_Architectural Design_The Intangibilities | AOA Confluence '22

    Email Guide Semester Subject Student Name Durwakshi Bhoir Architectural Design I Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy durwakshi20@aoamumbai.in Studio Conductors Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy : : : : : : : : : : : Human perception has always made a difference in looking at a particular thing in many different ways. The given exercise aims at studying various aspects of physical and visual boundaries and their organisation. These features are mapped in drawings that portray the limits of permeance, strength, volume, height, direction, safety, and orientation. The perspective view indicated the depth and the distance in space. Various methods, like hatching and stippling, were used to differentiate the areas through textures. The nature of the drawings was more line work and monochrome as a reference from the work of David Lemm. These visual boundaries were tangible and intangible and were perceived for their character, construct, materiality and function. This resulted in an understanding of the basic constructs of space and its relationship with user choreography. Previous Next The Intangibilities

  • Merge & Redefine

    Previous Next Email Guide Semester Subject Student Name Aashi Jain Allied Design - Landscape V Ar. Juhi Prasad aashi19@aoamumbai.in Studio Conductors Ar. Juhi Prasad, Ar. Shruti Barve : : : : : : : : : : : The intent of the project was to revamp an already existing public space and to question what exactly defines a public space? Is it the porosity, is it the accessibility or is it the sense of security that successfully defines a public space? By forming our own lenses and by studying the context thoroughly well, the design was formulated. Public spaces are a break in the city, they are congregational points within the city that enhance communication and interaction within the community. Ranibaug is one such public space in the city that has a monumental value, a history attached to it, and is of educational and recreational relevance but there were some issues that didn’t make it as accessible as a public space should be and so an attempt has been made to provide an alternative to the already existing site. Designing a space majorly using the softscape and thus creating a very accessible public space were some of the principle aspects considered at the early stages of design. Merge & Redefine

  • Design_Architectural Design_The Pitcher | AOA Confluence '22

    Email Guide Semester Subject Student Name Harsh Shah, Darsh Sheth Architectural Design IX Ar. Mythili Kowshik-Shetty darshs17@aoamumbai.in harshs17@aoamumbai.in Studio Conductors Ar. Rajratna Jadhav, Ar. Rishi Vora, Ar. Hardik Dedhia, Ar. Ashley Fialho, Ar. Esha Tipnis, Ar. Mythili Kowshik-Shetty, Ar. Yagnik Bathija : : : : : : : : : : : The human has been developing his characters through his maritime journey, he discovered instruments to navigate, crafted vessels to travel, battle and colonize, and at last the addiction to commerce and trade which has seen catastrophic consequences because of industrialization. This representation of the journey of humans from the past has been detrimental to himself because of his deeds. Today in this moment of realization he stands and witnesses the horizon and has the choice to decide whether he wants to sustain through clean methods or take the current course and dive to extinction. Architecture of today is a bridge and facilitator for the human to absorb the reaction which the land is suffering, we will need to be very conscious of our ecological contours and include them as a defense and appreciative help towards reversing the change. Previous Next The Pitcher

  • Design_Architectural Design_Nisarga- Farm House 3 | AOA Confluence '22

    Email Guide Semester Subject Student Name Siddhi Shinde Architectural Design IV Ar. Richa Raut siddhi19@aoamumbai.in Studio Conductors Ar. Ravi Hazra, Ar. Porus Master, Ar. Ashley Fialho, Ar. Richa Raut, Ar. Saurabh Jain, Ar. Rohit Karekar, Ar. Shekoba Sanap : : : : : : : : : : : The brief and the site both were very nature-centric, hence it became necessary to create a link between humans and nature through a built form that will benefit both, rather than cause harm to one another. So digging deeper into this came an understanding that nothing in nature comes directly into existence rather it grows and evolves through time. A similar process is observed in humans as well. Thus the project aimed at creating a platform for the symbiotic development or GROWTH of both humans and nature. Furthermore, various categories of growth were listed down including – physical growth, spiritual, regenerative, supplementary, communal, and environmental growth. While zoning of activities, the communal growth with the community included spaces such as amphitheater and workshop area and spiritual growth where the focus is on oneself with activities like yoga, meditation and camping form the main link while others root out of this. The build includes a sleeping area, rainwater harvesting, and solar energy where natural sources are replenished. The form designed aids in the aim of sustainability, so the roof is designed to respond to factors such as sun shading, ventilation, rainwater harvesting, etc. All the materials are locally sourced making them economically viable. The structural layers have brick walls with bamboo columns connected to the wall or supporting the rafters with the bamboo network that hold the shingles in places. Previous Next Nisarga- Farm House 3

  • Research_Environmental Studies_The Lit Space | AOA Confluence '22

    Previous Next Email Studio Conductors Semester Subject Student Name Palak Panchal Environmental Studies III Ar. Prerna Thakar palak20@aoamumbai.in : : : : : : : : : This project helped to explore various mediums to create light effects in a space. By using the concept of reflection, mirrors are used to direct light in different directions while creating some patterns. The patterns created are based on geometry and physics. If mirrors are placed on concave walls then the light reflecting will converge and diverge if it is convex. If mirrors are placed on circular columns, the reflection is in a radial manner, and in the case of the square column, the reflection will only be of two sides at a time. With this knowledge, different explorations were done. The Lit Space

  • Design_Architectural Design_Phulera Me Ja Aur Khel | AOA Confluence '22

    Email Guide Semester Subject Student Name Rucha P. Joshi, Pranay Kutal Architectural Design II Ar.Chintan Shah, Ar.Shivani Mehta rucha20@aoamumbai.in Studio Conductors Ar. Anisha Mehta, Ar. Chintan Shah, Ar. Devyani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija : : : : : : : : : : : The intervention includes a Janta Darbar and an Akhada near the Gram Panchayat of Phulera. Janta Darbar is an extension of a Panchayat, where people meet to share their problems with a political leader. Someone will have to wait in the waiting area then comes the administrative office, where someone can fill forms or gather information, ahead of which is the public hall, on the left of which is private room 1, for officials to discuss internal matters and toilets ahead of it. To go on the first floor, someone has to take the staircase from the waiting area on the first floor. On the left side is private room 2, for discussing family issues, and on the right of which is the first floor sitting area of the public hall. One can also access the roof and use it to rest and relax by taking a light walk on stairs or sitting on the grass. Previous Next Phulera Me Ja Aur Khel

  • DAC_DAC Competitions_Amalgamated Outcomes (3rd Place) | AOA Confluence '22

    Previous Next Amalgamated Outcomes (3rd Place) Email Semester Competition Name Student Name Aditya Shanbhag Anushka Kalekar Shrideep Kshirsagar DAC Redefining Platitudes V, VII aditya19@aoamumbai.in anushka19@aoamumbai.in shrideepk18@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: We studied the relationship that an Architect has to follow as a cumulative of the entire design process and how we as Architects connect a plethora of people in hopes of establishing a universal reading language. Be it a structural advisor,the client themselves, contractors or craftsmen, we have forever strived to help generate “outcomes” that communicate to everyone’s needs, hold potential for responding to feedback and yet possess a certain level of design complexity accompanied by our own personalised touches to it! As a means to “Celebrate” our role in the entire process we aimed at bridging all the aforementioned fields by understanding what our interpretations translate to in their learned context. To help visualise, the following factors were discussed : •Experience of designing rather than final ideology •Decoding a purpose to functionally thought spaces •Expressing the transition from a graphic to a tangible and material format The Goal is to go beyond Architectural graphics! It is this representation and workflow that makes every individual involved intensively curious about the makings of their projects but under a universal yet flexible visual language!

  • Repurposing Beirut

    Previous Next Email Guide Semester Subject Student Name Adish Rathod, Prajwal Satvidkar, Ibrar Sheikh, Soham Tulaskar Allied Design - Interior Design IX Ar. Hemal Biscuitwala adishr16@aoamumbai.in prajwals16@aoamumbai.in ibrars16@aoamumbani.in sohamt17@aoamumbai.in Studio Conductors Ar. Harshad Bhatia, Ar. Tushar Shetty, Ar. Amey Ghosalkar : : : : : : : : : : : The idea of deriving economic boost comes from the ideas of repurposing and producing new containers for the shipping industry as well as the housing and infrastructure industry of Beirut, this will decrease their development costs while new containers are produced, the old ones could be repaired, repurposed or recycled and the Beirut port can act as a hub for these activities. If this containers can be used as Building Material. The project will aim at providing creative spaces for workshops, production spaces and vocational and agricultural schools, among others, to fight unemployment, which was exacerbated after the explosion, and create future jobs for of Lebanese people. Reuse what remains at the site, recycling materials such as steel, wood and glass that were scattered throughout. memorial - is a public space, for traditional and cultural activities, and tourist attractions for the performances. The broader vision for the port is derived from the fact that the Economic status of Lebanon has been falling even before the 4th August incident, while the people Of Beirut still wait for Justice, authorities have started with thinking about the future of the port, with various Ideas and humanitarian efforts pooling into Beirut. The pooling of efforts though a good starting point to normalize situations in Beirut, have a potential of destroying the local character and craft. Repurposing Beirut

  • Design_Architectural Design_Living on the edge | AOA Confluence '22

    Email Guide Semester Subject Student Name Hiloni Sheth, Priyal Vasaiwala Architectural Design IX Ar. Rajratna Jadhav hilonis17@aoamumbai.in priyalvasaiwala17@aoamumbai.in Studio Conductors Ar. Rajratna Jadhav, Ar. Rishi Vora, Ar. Hardik Dedhia, Ar. Ashley Fialho, Ar. Esha Tipnis, Ar. Mythili Kowshik-Shetty, Ar. Yagnik Bathija : : : : : : : : : : : ‘No man ever steps in the same river twice, for its not the same river and he’s not the same man.’ Mankind has experienced change along the water edge across time and topography. The constant change in contextual pragmatics through natural and human stimuli, leads to the arising need for development and resilience. We are also a witness to the evolving physical manifestations of objective and subjective human perspectives across timelines. Hence, we can affirmatively say that we do not have the option of a stop button, because we as a society are ever evolving and always adapting. When we speak of needs and aspirations, it is essential to understand that each group of stakeholders have certain ambitions for themselves. Exploring the architectural potential at the water edge defines the social quotient that these concerned stakeholders (namely – Mumbaikars, Kohli’s, Tourists and the Biodiversity) would share among themselves. The aim is to look at the land-water architecture as the grey edge to allow the intervention to be a means of resilience rather than pose resistance to the ecology and the society. Just as ecological resilience demands sensitivity, awareness and policy reinforcements, societal resilience involves tapping into social justice and heritage protection. Undertaking a holistic approach towards heritage – be it monumental heritage or cultural heritage, there is a need to protect and cherish the very identity that it gives to the city and also respect the sentiments of the natives that are attached to it. The land-water edge is not entitled to anybody. Thus, it becomes critical to make this space socially justifiable. Indiscriminate physical and sensory accessibility to the architectural intervention can help achieve that niche in the city that holds people of all age, gender, caste, culture, interests and abilities. Going beyond the physical form of architecture, let us look at architecture as means to enjoy sensory contentment that the waters have to offer. Imagine, walking barefoot on the sand or the sound of the waves crashing or the cool breeze with the orange sunset against the blue expanse of the waters. Through these experiences, we realise that the water edge caters to all our five senses, enabling us to truly experience aesthetics. This symbiotic edge between architecture and water can be explored and enhanced to create a space of social justice and therapeutic sensorial experiences. Previous Next Living on the edge

  • Design_Thesis_Pause From Permanance | AOA Confluence '22

    Previous Next Pause From Permanance Email Guide Semester Subject Student Name Devansh Goshar Thesis X Ar. Rohit Shinkre, Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Sulakshana Bhanushali, Ar. Nachiket Kalle Ar. Shruti Barve, Ar. Akbar Biviji, Ar. Harshada Bapat Shintre devanshg16@aoamumbai.in Issuu Link https://issuu.com/aoa_confluence_2022/docs/devanshg_thesis : : : : : : : : : : : Ar. Rohit Shinkre, Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Sulakshana Bhanushali, Ar. Nachiket Kalle Ar. Shruti Barve, Ar. Akbar Biviji, Ar. Harshada Bapat Shintre : Studio Conductors : : : Video Links : https://www.youtube.com/watch?v=H9LLiHi1cgo https://youtu.be/3aYvX_bZmk0 https://youtu.be/bZ6ma7lMRck Buildings today need to be designed while keeping the future in mind. Changing needs of society, scarcity of material and environmental impact of producing and demolishing buildings are significant considerations for the designers throughout the world. Buildings today need to be perceived as impermanent and as material banks for the future. By adopting the outlook of impermanence, a building can be designed to reduce waste and use materials efficiently at all stages (construction, operation and end of life) as it addresses possible changes in circumstances. An impermanent outlook to architecture compels us to think of resource minimization, optimization and management. Obsolescence is inevitable, but its effects can be softened by designing buildings that are flexible and that consider the end of life. Such buildings are not only beneficial to the environment and future generations but also the purse of the present user. The dissertation states that sustainability lies in considering the embodied energy and operational energy of the building and its components. The building uses lesser resources throughout its lifespan by designing an efficient structure, climate efficient design, flexible planning to address change, detachable and reusable components, and reducing maintenance by separating different functional spaces and components of the building. After reduce, a building should be designed with the objectives of reuse and recycle in mind. Here material selection and joining become of paramount importance. The design focuses on using and detailing materials that can easily be reused or recycled at the end of the building's or components life to ensure a reduction in waste and optimization of resources for future generations. For this aspect vast research of various materials and their life cycle impact was studied and applied.

  • DAC_Housing and Futuristic Typologies_Windernest | AOA Confluence '22

    Previous Next Windernest Email Semester Competition Name Student Name Prajakta Pai, Vaishnavi Gurnalkar Volume Zero Tree House V prajaktap19@aoamumbai.in vaishnavi@aoamumbai.in : : : : : : : : Competition Brief: Volume Zero Tree House looks at redefining a home as an active part of Mother Nature, with all the necessary amenities. Narrative: To live life other than in a concrete building is what everyone wishes to enjoy due to hectic life which is now restricted within laptop or mobile screen. Tree House is one of the best places to live which helps not only to connect with nature but also helps to provide peace, privacy and most importantly, it is connected to our childhood. Wildernest is a treehouse which gives you freedom to assemble a freehouse according to the user's comfort space by providing feasible timber panels. It makes the space more playful. Wildernest gives us the opportunity to bring our childhood memories back to refresh our mind.

  • Design of a residential landscape 2

    Previous Next Email Guide Semester Subject Student Name Karishma Kaur Hooda, Dhruvanshi Sanghavi, Ameya Thanawala Allied Design - Landscape V Ar. Swapna Hankare, Ar. Devayani Deshmukh Upasani, Ar. Swati Desai, Ar. Shweta Sharma karishma@aoamumbai.com Studio Conductors Ar. Swapna Hankare, Ar. Devayani Deshmukh Upasani, Ar. Swati Desai, Ar. Shweta Sharma : : : : : : : : : : : The brief revolves around 4 members of a family. Analyzing the site, the existing trees would naturally help to create expansive and secluded spaces, stream and the rivulets can be utilized for their auditory qualities with the textural quality of water edge, naturally creating a multi-sensorial stimulation. The design further develops into a converging-diverging connection, then towards the planting scheme accentuating the effect and finally to achieve the graphical quality by joining the lines. The driveway is managed at a slope of 1:12-20, (as the driveway can be used for walking also) leading to the bridge. Various small paths at slope 1:18 converge at the entry point. The driveway spills into a plaza at +9 m which encircles the multipurpose lawn which is placed at + 6.5m, the lawn itself has a mound rising to +8m that defines the boundaries for the multipurpose space. The cycling paths of 2m and trail paths of 1.2 m are carved out at slopes of 1:15-1:18 with plazas marking the junctions and pause points. Trail paths use steps at steeper slopes. Bridges are provided over the valley lines to maintain the natural site drainage. Explorative and discovery zones are connected by a foot-over bridge which leads to various plazas at 4 m level which terminates to reading niches at multiple levels. The master plan pictures the play of textures and colors throughout the site. A strong to a subtle transcending graphical composition from the south towards north interspersed with encircling pathways that revolve around a flower bed, water edge, dense bamboo groves, low height trees, vegetable gardens give a varied volumetric experience through the site. Finally, our overall takeaways help us understand plantation clustering and arrangements creating a rhythm of hardscape and softscape. Bamboo groves make engagement visually transcending from horizontal to vertical plane and permeability in addition to the vegetation with colors and textures, skyline, light and shadow effects. Design of a residential landscape 2

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