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- Technical_Technical Design_Structural drawings in steel 5 | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Abhishek Suryawanshi Technical Design IV Ar. Pranay Bhavsar abhisheks19@aoamumbai.in Studio Conductors Ar. Richa Raut, Ar. Geetesh Varte, Ar. Rohit Karekar, Ar. Pranay Bhavsar, Ar. K.V.Parmeshwar : : : : : : : : : : : The Project Was To Do Structural Design Of Semester Three Ad School Project. For Structural Design A Part Of The Design Was Taken Which Is Main Classroom Block And Entry Foyer With Amphitheater. This Project Was All About Steel Structures And Its Connection Details With Steel- Beams, Stanchions, Gusset Plates, Angles, Etc. The Challenging Part Of The Design Was The Upper Floor Beam Design Above Staircase And Staircase Design Which Is Entirely In Steel. As Design Feature The Steel Arch With Timber Design Elements Is Also Detailed Out. Structural drawings in steel 5
- Design_Architectural Design_Unembodied Spaces | AOA Confluence '22
Email Guide Semester Subject Student Name Miriam Thomas Architectural Design I Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy miriamt20@aoamumbai.in Studio Conductors Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy : : : : : : : : : : : Through the course of this exercise, the aim was to recognize the various visual boundaries that exist as we navigated through the built and natural environment that surrounds us. These visual boundaries are perceived for their nature, character, construct, materiality, and function. They enclose Space. Studying the various aspects of these visual boundaries and their organization has led us to begin to perceive the basic constructs of space and the relationship it possesses to the movement of various bodies in space. In the due course of observing and recognizing we stumble upon various organizational constructs of field, space, and movement documented through photographs and drawings. We perceived and analyzed the organization and construct of field and space and the resulting movement of the body in the particular field of space through the construction of diagrams, maps, and models. To begin to understand the subject of cartography and its value in constructing visual narratives. Previous Next Unembodied Spaces
- DAC_Housing and Futuristic Typologies_MERAKI - My Relaxing Palace (Top 30) | AOA Confluence '22
Previous Next MERAKI - My Relaxing Palace (Top 30) Email Semester Competition Name Student Name Harshil Jain; Priyanshi Hiran Archresource Farm - a -cation IX harshilj17@aoamumbai.in priyanshih17@aoamumbai.in : : : : : : : : Competition Brief: The competition aims to develop a strategy that not only serves for materialistic development but also looks into science and nature. Narrative: ‘Meraki’, this term is often used for something which belongs to the Soul. As famously quoted, ‘Home is where the heart is’, houses have always been the peaceful place for the human soul. However, due to the hustle of city life, the interaction of the human soul and the house has gone for a toss. The intent of the design proposal of the The farmhouse is to rejuvenate this interaction of the human soul and the house. As a breakaway from the city life, the farmhouse has been proposed on the outskirts of the town of Malapurram in the state of Kerala. The design proposal intends to create a play of Active and Passive spaces to allow Public interaction and also give Privacy to the users to have an interaction with the soul. Timelessness has been considered as the key intention of the design and the same has been tried to be achieved with the use of Light, Spaces and Volumes. Along with connecting spaces to nature, the design also intends to allow the users to pursue their hobbies and also develop new hobbies and interests. Kerala being famous for its vernacular architecture style, the design utilises Brick and Concrete for the Farmhouse and Wattle and Daub technique for the Barns and Temporary structures. Lastly, the entire moment and journey within the farmhouse has been proposed such that it leads to interaction with the soul.
- Design_Architectural Design_House for My Family | AOA Confluence '22
Email Guide Semester Subject Student Name Palak Panchal Architectural Design III Ar. Anshu Choudhri palak20@aoamumbai.in Studio Conductors Ar. Nachiket Kale, Ar. Amey Matre, Ar. Mehul Sanghavi, Ar. Anshu Choudhari, Ar. Amit Jain : : : : : : : : : : : The project given to us was to design a House for our own Family on the site of Vihar Lake, Powai, Mumbai. This designed house, ‘THE HOUSE OF CURVES’, is a structural framework of curves amalgamating into one another. The compositional approach chosen is 'Tight Cluster Units'. The transition into the house is choreographed to be in a curved fashion and is open to the sky so that the user can experience the landscape around. This curved path also instigates intrigue within the setup. Such intrigue is also seen through the helical staircase which is closed from one side and open on the other. On the first floor, the user has to walk through a ramp to reach rooms that have glass roofs. The user can see the landscape through that roof while walking and hence is allowed to experience nature. Previous Next House for My Family
- DAC_Housing and Futuristic Typologies_JoBongo | AOA Confluence '22
Previous Next JoBongo Email Semester Competition Name Student Name Adnan Motiwala, Tasneem Vali Arch 8 Revision II adnan20@aoamumbai.in , tasneem20@aoamumbai.in : : : : : : : : Competition Brief: The competition focuses on identitying metal objects that have been forgotten and repurpose them into a functional typology of a residence. Narrative: The space is a contemporary blend of funky and neutral, clubbing Joey's playful personality and a taste for Kitsch art, with Chandler’s practical and witty self. The color scheme is a set of cool colors with gray undertones giving a modular look to the place. The red couch which provides a proper seating is made to shape like a lifebuoy bodying their love for Baywatch. The casual seating area is equipped with a home theater unit and the bean bags provide the necessary comfort. The foosball table has been deconstructed to serve as a party element which rests in a leisure area. Joey’s room is filled with bizarre elements and a self portrait of all his headshots as an actor. Chandler’s room is equipped with a murphy bed which doubles as a desk to accommodate his work. All in all a casual place apt for FRIENDS to hangout at, defines the JoBongo.
- Design_Architectural Design_The Art of Cartography | AOA Confluence '22
Email Guide Semester Subject Student Name Cherie D'Souza Architectural Design I Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy cheried20@aoamumbai.in Studio Conductors Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy : : : : : : : : : : : Various physical and visual boundaries are perceived in our day-to-day life. These boundaries are mapped using the art of cartography. Identification of light and shadow during different times of the day, depth of a body or object in the space, movement of vehicles, activities of various people, difference in levels and textures were some of the aspects that were perceived and recognized during this exercise. These boundaries are both tangible and intangible and help understand the space and movement of the body in it. Referring to the works of Denis Wood, various symbologies were adopted as a way to portray these boundaries. In the first sketch, shadows from the Chaitya Bhoomi were created, with the effect of light and shadow during different times of the day. Stippling is used to show differences in texture, while the height of the umbrellas used by the vegetable vendors is also altered as it changes over time. The depth of a building was shown with the help of shading and hatching. Different line intensities were carefully used to depict the slope of the road. Intangible aspects like variation of temperature and sound were also observed and mapped. Previous Next The Art of Cartography
- Design_Architectural Design_Rebuilding Beirut Port 2 | AOA Confluence '22
Email Guide Semester Subject Student Name Harshil Jain, Ronak Gala, Prajwal Pembarti Architectural Design IX Ar. Hemal Buiscitwala harshilj17@aoamumbai.in ronakg17@aoamumbai.in prajwalp17@aoamumbai.in Studio Conductors Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Nitesh Avhad, Ar. Hemal Biscuitwala, Ar. Dhaval Jain : : : : : : : : : : : The project aims to create a networking connection between the visitors, the citizens and the city of Beirut their by providing placemaking activities which will develop the sociability of the space and will result in a productive port. This networking sprawl will help the port for its better functioning thereby boosting the economy of the City of Beirut. The proposal aims to bring back the glory of Beirut port and redefine the port with respect to the urban context and make it the economical centre along with addition of cultural and social aspects as a remembrance to the event. Our proposal will offer iconic and user-friendly public spaces that are highly accessible and distinctive. The port will become a desirable place to experience and a flexible space to carry out the port activities and cater to the public realm at the same time. The public realm will offer high quality routes and spaces that will support connectivity and place making of the overall development and will highlight principles of sustainability and values of seamless connectivity from the ferry and cruise terminals to city centre. The public realm bridges the infrastructural routes in order to create a continuous and uninterrupted high line route for the users. The proposed architectural interventions are, the Passenger Terminal and the Container Housing. These interventions will help the city to gain back its economy and accommodation facilities. Previous Next Rebuilding Beirut Port 2
- Design_Architectural Design_Habitat Minimal | AOA Confluence '22
Email Guide Semester Subject Student Name Cherie Dsouza Architectural Design II Ar. Anisha Mehta, Ar. Chintan Shah, Ar. Devyani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija cheried20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshad Shintre, Ar. Joel Roy, Ar. Amey Mhatre : : : : : : : : : : : The project asked us to design a studio for the client, Sajeev Visweswaran, a visual artist and printmaker whose work was inspired by his life experiences. He has also focused on minimalist lines and drew on the tension between everyday activities. The design process involved getting to know the client by analyzing his artworks and taking note of his background and lifestyle. These observations were manifested through a small set of diagrams and sketches, which aided the overall design process. A few explorative models helped to arrive at a particular form. These resulted in the final design. The studio brings about fluidity through dominant geometry, which can also be perceived among the various drawings by the artist. It also reflects a minimalistic approach and a sense of openness. Previous Next Habitat Minimal
- Design_Architectural Design_Balwadi - Creche | AOA Confluence '22
Email Guide Semester Subject Student Name Mohit Pandharkame Architectural Design II Ar. Devyani Deshmukh Upasani mohit20@aoamumbai.in Studio Conductors Ar. Anisha Mehta, Ar. Chintan Shah, Ar. Devyani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija : : : : : : : : : : : The design aimed to arouse a sense of familiarity and interactivity. The design process includes integration of operational words, SPLIT, RECORD, and SURPRISE, which modulates the form providing timelessness to the design process. The roof flows seamlessly into spaces transforming itself from a gable roof to a sloped roof and then turning into a butterfly roof over the dining and the palnaghar. The form splits, twists, and turns into the space, such that one will have a view of the central atrium. The zoning is based on the idea of splitting by segregating the functional spaces, as per the accessibility and utility. The Palana Ghar is placed on the first level in close proximity to staff to increase usability and reduce circulation. The words surprise and record adds up to the experiential value of the spaces. One can have a glimpse of the play area when using the walkway, thus creating a sense of curiosity as one perceives the space. Previous Next Balwadi - Creche
- DAC_Public Typologies_The Resurrection Scraper- New age prison design.(Top 25) | AOA Confluence '22
Previous Next The Resurrection Scraper- New age prison design.(Top 25) Email Semester Competition Name Student Name Aayush Kapse Arch 8 : Lock Unlock V aayush19@aoamumbai.in : : : : : : : Competition Brief: The goal is to design a medium security prison which would be addressing recidivism, life of inmates and society overall. Narrative: This city is a place where many come to chase their dreams, but on the contrary it is also a witness to some of the most criminal and illegal activities in India. The design aims to bring offenders of the law in a state-of-the-art facility and equip them with vocational learnings and the act of being self sufficient and skillful enough to leave all thoughts of turning back into a life of crime by ending this vicious cycle once and for all. The inmates will have access to all basic and advanced needs of a person. The luxury and myriad of professional upkeeps are there to help them, in their tenure, resurrect themselves back into a newer and more capable version of themselves.
- Design_Architectural Design_Radialis | AOA Confluence '22
Email Guide Semester Subject Student Name Cherie Dsouza Architectural Design III Ar. Nachiket Kale, Ar. Amey Matre, Ar. Mehul Sanghavi, Ar. Anshu Choudhari, Ar. Amit Jain cheried20@aoamumbai.in Studio Conductors Ar. Nachiket Kale, Ar. Amey Matre, Ar. Mehul Sanghavi, Ar. Anshu Choudhari, Ar. Amit Jain : : : : : : : : : : : The house reflects the qualities of the family as a whole. The family stands together through thick and thin, where each member has an equally important role to play. The house has a sensitive blend of modern style and a slight vintage feel. The immediate context around the architecture connects with the family and brings the calmness of the woods. With the use of pastel themes, simple décor and a courtyard , this house attempts to integrate subtleness across every corner. As the users walk through the house, they would experience the spaciousness of the volumes and the scenic views of the lake from the rooms. After a long day at work, these textures would bring about the warmth of the spaces. The spaces seem to connect but retain their identities. The house also includes elements that symbolise beautiful memories from the past, which the family shall cherish at every chapter of their life. Moreover, the design is based on the idea that humans and cats will live in harmony, in the same house and share the same space instead of demarcating a different one for a cat and their playfulness. Previous Next Radialis
- Technical_Foundation Studio_Arms in the air | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Ananya Nayak Foundation Studio I Ar.Yagnik Bhatija, Ar. Devyani Deshmukh, Ar. Parnavi Karandikar, Ar. Mythili Kowshik, Ar.Rishi Vora, Ar.Neha Panchal, Ar. Ronak Savla, Ar. Anisha Mehta ananyan20@aoamumbai.in Studio Conductors Ar.Yagnik Bhatija, Ar. Devyani Deshmukh, Ar. Parnavi Karandikar, Ar. Mythili Kowshik, Ar.Rishi Vora, Ar.Neha Panchal, Ar. Ronak Savla, Ar. Anisha Mehta : : : : : : : : : : : Different day to day human postures were analyzed to develop a better understanding of anthropometry. After documenting oneself in the given posture, numerous measurements were determined to reach an appropriate context in which such an action must be staged. The sketches explore the possibilities of activities performed with arms stretched above the head. In the first image a book from the top shelf of a library is being accessed. In the second one, the overhead compartment in an airplane is being accessed. Arms in the air