Previous Next Email Guide Semester Subject Student Name Riddhi Deshmukh, Bhavika Jakhotiya, Ganesh Rathi Foundation Studio I Ar. Mythili Shetty, Ar. Ronak Savla riddhi20@aoamumbai.in , bhavika20@aoamumbai.in , ganesh20@aoamumbai.in Studio Conductors Ar. Anisha Mehta, Ar. Ronak Savla, Ar. Devayani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar, Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija : : : : : : : : : : : This exercise aimed to imagine and abstract the digital applications into a physical interface for human interactions. These spaces are less focused on productivity all-in-all they are different physical components coming together to facilitate the implementation of abstracted functions of a particular mobile application. Amazon app is a part of the e-commerce industry and one of the largest online retailers with the vision of Earth's most customer-centric company and to build a place where people come to find and discover anything they might want to buy online. The space developed is for the Amazon app, where Filter and Discount are the core functions employed in the design. The concepts showcasing the feature of 'filter' were to show variation, Radiation, Similarity, narrowing down, Common region, Accuracy, swift, and that of 'Discount' was Ease and Inbuilt. The space features different slits of filters, each with a different mechanism and human interaction. Discount, as a function, has been developed using two distinct pathways - one being an ordinary way while the other slightly elevated, making the child travel a greater distance and apply greater strength to reach near the main screen. This design is suitable in a kindergarten, where the children can use it to play. SET GO

Previous Next Semester Ar. Esha Tipnis V, VII, IX Studio Conductors : : : In developing nations, this informal sector could be called the Grassroot economy (GE) because of its contribution to much of the mainstream economy. It looked into the historic and theoretical insights to understand the informal economy and its urbanity. VISUAL ARSENAL

Authentic Representation - Gender, sex and Sexual Orientation and Inclusivity (Winner) Previous Next Email Semester Competition Name Student Name Tanaya Nadkarni Cieda Huluku Design Competition X tanayan17@aoamumbai.in : : : : : : : Competition Brief: The huluku competition is all about inspiring creative inclusion in the digital art and design world and promoting the development of inclusive digital art which reflects the world. Narrative: The theme of Sexual orientation under the umbrella theme of inclusivity arose from a slinky. It is a spiraled spring toy that creates beautiful flexible patterns of blending colors when it is played with. This is one perspective to look at Sexual orientation- not always permanent with beautiful fluid blending. Furthermore, when it comes to the roles we take up in society, these need to highlight not our labels but our contributions towards the growth of it all. Today, many humans have gone beyond educational stereotypes purely based on their prowesses. This needs to be acknowledged and encouraged.

Previous Next Semester Ar. Richa Raut, Ar. Rohit Karekar V, VII Studio Conductors : : : Islamic art is expressed from everyday objects to architecture. Consisting of varied geometries, the study aimed to decode the patterns through the commonly used girih method. The intent was to understand the geometry in design through which the pattern is reckoned to emerge organically. Through digital exploration, the study focused on understanding and decoding the complex geometries of decagonal patterns in Mughal architecture and understanding the evolution of the Islamic geometry, its history and cosmology. MUGHAL DECAGONAL GEOMETRIC PATTERN

Previous Next Email Guide Semester Subject Student Name Krish Mewawala, Vedhika Shirapure, Iqra Shaikh, Prathamesh Nimbalkar, Madhura Karad, Khushi Jajoo Allied Design - Urban design VI Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia krishm18@aoamumbai.in , vedika18@aoamumbai.in , iqras18@aoamumbai.in , prathameshn18@aoamumbai.in , madhurak17@aoamumbai.in , khushi18@aoamumbai.in Studio Conductors Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia : : : : : : : : : : : - Shivaji Park

Previous Next Email Guide Semester Subject Student Name Varada Avachat, Hrithika Chandramouli, Karishma Hathiram, Yash Joshi, Kedar Parmal, Anushka Satpalkar, Shreya Tengle Allied Design - Urban design VI Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia varada18@aoamumbai.in , hrithikac18@aoamumbai.in , karishma18@aoamumbai.in , yash18@aoamumbai.in , anushkas18@aoamumbai.in , shreyat18@aoamumbai.in Studio Conductors Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia : : : : : : : : : : : - Gateway Of India

Previous Next Email Studio Conductors Semester Subject Student Name Neha Jayasanker, Siddhi Shinde, Viresh A Desai, Isha Patil Architectural Theory IV Ar. Neha Panchal, Ar. Yagnik Bhatija neha19@aoamumbai.in , siddhi19@aoamumbai.in , viresh@aoamumbai.in ishap19@aoamumbai.in : : : : : : : : : : In this task, We were exposed to manifestos written by pioneering architects which set the ground on how one conceives and stimulates their ideals and introduces a new order. We chose the manifesto, “Five points of new architecture” by Le Corbusier to understand how a manifesto is written and shared with the public. Post various discussions and combine our critique as a group on the above we reflected, and stated our aspirations by penning down our own beliefs for a resilient future! The manifesto was to be presented as a written document stating the demands and declaration supported by a visual in any medium. Our manifesto, Provocative architecture highlights and discusses the futuristic idea of how architecture itself can become an expression to provoke its surroundings. We questioned why a building is only identified by its aesthetics and use, why not more? The video forms a visual representation of our manifesto and attempts to trigger the idea to provoke the designers to use the opportunity bestowed to them to focus on the true value for the society through their designs. Provocative Architecture

Ashray: The Molecular Haven (Top 16) Previous Next Email Guide Semester Competition Name Student Name Krish Mewawala Sanyukta Raul Ritika Mehta Varada Avachat INSDAG Architecture awards 2020 V-VI, VII-VIII Ar. Venkat Ashok Ar. Sulakshana Bhanushali Ar. Harshada Shintre Ar. Juhi Prasad Dr. Bachi Hathiram (external) krishm18@aoamumbai.in sanyuktar18@aoamumbai.in ritikam17@aoamumbai.in varadaa18@aoamumbai.in : : : : : : : : : Competition Brief: The aim of the competition was to design a 200 bed Covid hospital which is to be built in 100 days. Narrative: 'Ashray', a haven of modular molecules, is a Covid-19 hospital that has been planned by identifying the different user groups and segregating them into categories so as to provide maximum efficiency of functioning and comfort and safety to the users. The hospital has been designed such that it is flexible and the wards can be interconvertible so as to suit the influx of patients. The Covid ICU block, the General Covid block and the Non - Covid General block have been separated so as to balance the circulation and movement of various types of users and patients. The hospital has been also planned so as to provide scope for expansion in the future, and to also permit the conversion into a regular hospital. Steel has been used to permit modularity so as to ease the manufacturing and construction process, and enable the hospital to be constructed within 100 days, which is extremely essential in these times of dire need.

Email Semester Subject Student Name Tarun Punjabi Tech Design V tarun19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : The first illustration was chosen to be represented in the style of John Hejduk because of evident inner divisions created inside the form. The colour textures while enhancing the internal partitions. This style uses colours highlighting partitions and furniture while focusing on the spaces and detailing appropriately. The second illustration in the style of Arata Isozaki highlights the form along with curves. This language helps to play with sciography. Here, the fenestrations are evident from the viewing direction of the drawing. The play of volumes is perceptible in the way it is represented. The variations of mass and void are something that dominates it. Previous Next Arithmetic Modes Representation 8

Email Guide Semester Subject Student Name Yusra Zahoor Architectural Design Studio I Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar.Joel Roy, Miss. Teja Gavankar yusraz20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar.Joel Roy, Miss. Teja Gavankar : : : : : : : : : : : This studio involved an understanding of the relationship between body movements and space. We understood how space adapts to the movement of the human body and responds to it. Various medieval & renaissance paintings were analyzed and then attempted to recreate the same. All this helped to understand the human body, its proportions, movements, and space. This methodology helped us to focus on both the qualitative and quantitative data. Then we made anthropometric drawings to further our understanding. We then found scenarios where these particular postures could be utilized in today’s world. Previous Next Body And Movement In Space 5

Email Guide Semester Subject Student Name Mohit Pandharkame Architectural Representation and Detailing I Ar.Nikita Sharma, Ar.Ronal Savla, Ar. Anisha Mehta, Ar. Rohit Karekar, Ar.Shivani Mehta mohit20@aoamumbai.in Studio Conductors Ar. Nikita Sharma, Ar. Ronak Savla, Ar. Anisha Mehta, Ar. Rohit Karekar, Ar. Shivani Mehta : : : : : : : : : : : This exercise helped develop composition skills by referring to examples from encyclopedia spreads. These spreads are a combination of pictures and text. The exercise focused on representation and detailing, in order to improve the composition skills. It helped us to visualize various texts in a graphical format on an A3 sheet to be viewed as an encyclopedia spread. Alignment, text sizes, fonts, color schemes, margins and gutters were taken into consideration while designing the spread. Previous Next Sizzling Brownie

Previous Next Email Guide Semester Subject Student Name Kartika Pinjarkar, Manasa Ravikumar, Vaishnavi Siddhapara, Jigisha Soni, Siddhi Shinde Allied Design - Landscape IV Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia kartikap19@aoamumbai.in , manasar19@aoamumbai.in , vaishnavis19@aoamumbai.in , jigishas19@aoamumbai.in , siddhi19@aoamumbai.in Studio Conductors Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia : : : : : : : : : : : Cuadra San Cristobal, located in Mexico, was designed by landscape and minimalist architect Luis Barragan for his fellow rider friend Egerstom in the year 1966. The entire area of the structure is classified into different zones based on the flooring type and zoned out as the water body, the sand (main arena), the lawn, and the abandoned land used for the training of horses. The majority of the site area has been provided with different activities for the horses. The main feature of the structure is the water body and the pink wall. The silence of the huge arena is enhanced by the sound of the fountain – a thick stream of water spouted in an arch drawing inspiration from the Mexican ranches. The pink wall emphasizes the division between the residential area and the stable area as the public and private spaces. The vegetation beyond the pink wall subtle outs the dramatic effect by giving it a more earthy look. The pink wall gives the vision of the landscape beyond it. The overall colors create a dramatic effect. The colors, bold and intentional, allowing the sun to cast different stories each hour of the day on the wide arenas. Cuadra San Cristobal By Luis Barragan