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  • DAC_Public Typologies_Langvoyage (People's choice award) | AOA Confluence '22

    Previous Next Langvoyage (People's choice award) Email Semester Competition Name Student Name Tarika Deshpande , Vaibhavi Khedkar, Kartika Pinjarkar, Pooja Tambe Uni Linguatheque IV tarika19@aoamumbai.in , vaibhavi@aoamumbai.in kartikap19@aoamumbai.in , poojat19@aoamumbai.in : : : : : : : Competition Brief: The aim of the competition is to design a Language Centre in Newfoundland,Canada. Narrative: The proposed intervention is located in the city of St John, Newfoundland sits on a high contour in proximity to the famous cultural hub “The Rooms” and overviews a panoramic view of the lake to the south. Languages such as Beothuk, Mi’kmaq, Irish, Scottish Gaelic have developed and designed this city in various aspects. Experiences through languages permanently creates connotations. It directly connects your mind to the place. The proposal helps experience the journey of languages internally as well as externally by playing with the volumes and levels respectively. The design follows a geometric complexity, which integrates with the cityscapes, and itself creates a unique style. The design respects the natural slope of the site, thus resulting in minimal intervention with the contours. The design includes multiple glass facades which help establish relationships with the interior and exterior. The transparency between the outer and inner is helping to experience the cityscape. The glass facade towards the backside delivers a vantage for the inclusive city. Spaces such as workshop rooms would allow tourists to learn the languages or about the history of the languages. We conclude that the project is taking one through the languages and letting them experience its impact at its time thus “Langvoyage “

  • Technical_Building Services_Decimination | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Kaankshi Shah Architectural Building Services V Ar. Sulakshana Bhanushali & Nitesh Avadh kaankshi19@Aoamumbai.In Studio Conductors Ar. Sulakshana Bhanushali & Ar. Nitesh Avadh : : : : : : : : : : : The exercise aims to understand the electrical service system & its components via a photo study of a residential building. The cycle of understanding the chain from a larger scale of the substation and transformers to the path of electrical lines followed from meter room to various systems installed to make the building habitable. Decimination

  • Research_Environmental Studies_Shading Patterns | AOA Confluence '22

    Previous Next Email Studio Conductors Semester Subject Student Name Simran Khaitan Environmental Studies III Ar. Prerna Thakar simrank20@aoamumbai.in : : : : : : : : : The light and shadow for the models show the city of Kolkata in a hypothetical setting to show it will work. Most of the structures here are oriented in the E-W direction. The models are made in a 1:100 scale. It shows, how different times of the day, change the nature of light coming in through the openings. Shading Patterns

  • College Project_ARCHITECTONICS OF BRIDGES | AOA Confluence '22

    Previous Next Semester Ar. Rohit Karekar IV, VI Studio Conductors : : : The Golden Gate Bridge in San Francisco, the Bandra-Worli Sea Link in Mumbai, the Howrah Bridge in Kolkata, or the Tower Bridge in London; all have become a civic spectacle, a landmark to the city. The design of bridges is not only an engineers' area of expertise, but the functionality, the seamlessly effective urban integration, and the aesthetic quality of these public work spectacles fall definitively in the architects’ domain. This studio intends to study and analyze different bridges in the world built by architects through various mediums of research. ARCHITECTONICS OF BRIDGES

  • Representation_Architectural Design_The Big Bang Theory | AOA Confluence '22

    Email Guide Semester Subject Student Name Yug Dudhara Architectural Representation and Detailing I Ar.Nikita Sharma, Ar.Ronal Savla, Ar. Anisha Mehta, Ar. Rohit Karekar, Ar.Shivani Mehta yugd20@aoamumbai.in Studio Conductors Ar. Nikita Sharma, Ar. Ronak Savla, Ar. Anisha Mehta, Ar. Rohit Karekar, Ar. Shivani Mehta : : : : : : : : : : : The exercise helped develop composition skills. It ranged from content & text selection to composing the graphics and font, in a manner that would generate flow for the reader. It aimed at improving composition skills which are valuable for architectural sheet compositions. The main focus of the exercise was representation and detailing, done through an encyclopedia spread made on an A3 sheet. Header, negative spaces, graphic placement & size, and rule of thirds were some of the factors considered for composing. Previous Next The Big Bang Theory

  • Research_Design Dissertation_Waste: As Material of Construction | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Prajwal Satvidkar Design Dissertation IX Ar. Harshada Bapat Shintre prajwals16@aoamumbai.in Issuu Link Ar. Rohit Shinkre, Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Sulakshana Bhanushali, Ar. Nachiket Kalle, Ar. Shruti Barve, Ar. Akbar Biviji, Ar. Harshada Bapat Shintre : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/1635_prajwals_ddbook : Studio Conductors : : : Building Materials are considered a very important part of the construction sector in today’s time. There is a major concern about resource consumption and the ever-growing environmental impacts of the built structure. The world at this moment is consuming resources for building construction more than it can produce for which eventually will result in a total depletion of these resources and one would have to continue looking for alternative building materials in order to continue constructing. Urban materials of construction have dominated the construction industry. These materials are much more powerful in terms of systematic, mass and vertical construction. But now as the concern for alternative sources of material has raised and as technology has evolved over the time. It is essential to explore alternative sources of materials, which will provide solution to the construction industries. On the other hand world faces an issue of waste generation over the years. India being 18% of world’s human population account for nearly 27% of world’s municipal solid waste generated every year. The curiosity arises if this waste can be used as an alternative building material. In addition, it is necessary to study if these newly generated materials can be adopted in terms of strength, compression and stability and if these materials can cope up with the existing building materials in terms of usage, cost and work efficiency. Hence, the necessity to back up the data and study arrives. The research talks about the viability impact of these materials in comparison to different material. Waste: As Material of Construction

  • Representation_Architectural Design_Taxonomy Of Grids 8 | AOA Confluence '22

    Email Guide Semester Subject Student Name Dhruvi Jain Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre dhruvi19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The Taxonomy of grids is exercise to appreciate the grids made by different artists, to the make your vision of a hybrid of them. This project certainly was about understanding the elements of the chosen drawing and to amalgamate them. We had to select the three illustrations that each focus on the technical, spatial and social. I had Juxtaposed the elements of drawing in such a manner which helped to notice a naturally from a narrative for my drawing. Previous Next Taxonomy Of Grids 8

  • Design Innovation In Architecture

    Previous Next Design Innovation In Architecture

  • Research_Allied Design_Priyadarshni Park | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Jui Mhatre. Zayan Gulzar, Heet Shah Jinay Jain, Parth Bhutalia, Shrideep Kshirsagar Allied Design - Urban design VI Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia juim17@aoamumbai.in , zayang18@aoamumbai.in , heets18@aoamumbai.in , jinay18@aoamumbai.in , parthb18@aoamumbai.in , shrideepk18@aoamumbai.in Studio Conductors Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia : : : : : : : : : : : - Priyadarshni Park

  • College Project_STREET STORIES | AOA Confluence '22

    Previous Next Semester Ar. Harshada Bapat Shintre VII, IX Studio Conductors : : : Mumbai is a large city made of a variety of neighborhood fabrics. The college project will be about analyzing these neighborhoods through their street participation and engagement with the built fabric of the people passing by. Students were tasked with mapping their localities and understanding the characteristics and language of the road networks inclusive of their neighborhood. STREET STORIES

  • Research_Design Dissertation_Reinforcing Nagpur’s identity as ‘Orange city’, thereby creating a layer of citizen association. | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Ojaswi Chauthaiwale Design Dissertation IX Ar. Prof. Sanjay Mehta ojaswic17@aoamumbai.in Issuu Link Ar. Milind Amle, Ar. Swati Chokshi, Ar. Rajratna Jadhav, Ar. Snehal Gaikwad, Ar. Swapna Hankare, Ar. Richa Raut,Ar, Yagnik Bathija, Ar. Neha Panchal, Ar. Porus Master, Ar. Rahul Manohar, Ar. Sanjay Mehta : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/ojaswi_08_ddbook : Studio Conductors : : : Nagpur is one of the largest producers of oranges in India and also exports to the rest of the world. The city is known as the ‘Orange city’ of the country. This unique identity is due to the peculiar variety of oranges cultivated in this region. Owing to the characteristics of the variety with origin in the city, Nagpur received the geographical Indication(GI) status for the same in 2014. Mandarin orange, also known as Nagpur santra now, is the common type of orange widely cultivated in the region. It was brought to Nagpur by the then ruler, towards the end of the 18th century. The fruit soon became very popular and Nagpur got known for its orange cultivation gaining a certain reputation in the Indian market. However, the identity is not exploited in a public realm. There is no identified platform between the farmers/producers and the citizens where they can market and share their experience of the entire process. It is only spoken about and can be heard in news articles. There is no place in and around the city through which the sense of identity can be perceived. Thus, there is a need to reinforce this identity and exploit it beyond the tag. The study revolves around understanding the farming scenario worldwide to further narrow it down at the city level. The process will also generate a dialogue with the farmers being the primary producers and understanding the obstacles faced by them in their occupation as a farmer. This will also aid to understand the scope of the fruit in the processing industry. The objective is to reduce the gap between farmer and consumer and allow direct benefits to the primary producer. The larger aim is to create an association for the people thereby strengthening the identity for the city holistically. The idea revolves around the farming and the allied programs that can be derived, considering orange as the key produce along with other crops depending on their coexistence. Developing various programs based on the scope of the fruit to engage the people in an interactive way, also building a farmer- consumer relationship. Such an intervention will not only motivate the farmers but also create tourism opportunities for the people through agriculture, consequently boosting the agricultural economy of the region. Such a series of developments will add a new layer to the city thus contributing towards its economy and identity for the future. Reinforcing Nagpur’s identity as ‘Orange city’, thereby creating a layer of citizen association.

  • Research_Design Dissertation_The Spiritual Transcendence of Sacred Architecture | AOA Confluence '22

    Previous Next Email Guide Semester Subject Student Name Aishwarya Balsekar Design Dissertation IX Ar. Akbar Biviji aishwaryab17@aoamumbai.in Issuu Link Ar. Rohit Shinkre, Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Sulakshana Bhanushali, Ar. Nachiket Kalle, Ar. Shruti Barve, Ar. Akbar Biviji, Ar. Harshada Bapat Shintre : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/aishwarya_balsekar_1702_blackbook : Studio Conductors : : : “At its highest, Architecture has the ability to turn geometric proportions into shivers, stone into tears, rituals into revelations, light into grace, space into contemplation and time into divine presence”- Julio Bermudez. Sacred Architecture has the ability to help its users transcend physicality. But what is this character of Sacred Architecture that Transcends the sense of Physicality and immerses itself in the realm of the intangible? Spirituality is often not about the divine, it is about perceiving the process of life at its fullest potential. Spirituality is to see something for exactly what it is and not a version envisioned in your mind. Transcendence is the ability to go beyond the range of limits of a field (of act or conceptual sphere). The ability to transcend is to elevate yourself beyond the physicality of this realm. Sacred Architecture allows you to feel this Spirituality and hence allows you to Transcend the physical Realm. The true character of Transcending Architecture is its ability to change your emotion to that of a pleasant one. This mood or emotion you feel is what allows you to imbibe your surroundings, allowing you to perceive what truly exists and hence facilitates the notion of Spirituality and Transcendence. This form of Architecture is the tangible means to see, feel and experience Sacredness and Transcendence. The Spiritual Transcendence of Sacred Architecture

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