The Healthcare Factory (Winner) Previous Next Email Guide Semester Competition Name Student Name Aditya Rege Heet Shah Jinay Jain Yash Umekar INSDAG Architecture awards 2020 V-VI Ar. Amey Ghosalkar Er. Amodh Luman Ar. Nachiket Kalle adityar14@aoamumbai.in heets18@aoamumbai.in jinay18@aoamumbai.in yashu18@aoamumbai.in : : : : : : : : : Competition Brief: The aim of the competition was to design a 200 bed Covid hospital which is to be built in 100 days. Narrative: The vision of creating a machine like system which works like a factory to heal the patients is the idea of the project. Rethinking about the healthcare infrastructure is of the utmost need of the time, because of the collapse which India especially Mumbai has seen due to the outbreak of the coronavirus is unimaginable. The idea of creating control over movement and sequences of patients in cooperation with infrastructure development is the need of healthcare architecture. There has to be some initiative which ponders upon the idea of sustaining any kind of pandemic catering to huge amount of patients which can only be achieved through the system of proper control and expansions with a strong backup. Sticking to the basics of factories' process of manufacturing, packaging and delivering; one with this monotonous routine can have a clear idea of connections with no loopholes for any sabotage or out-break. The tree like planning governs an upper hand over the existing rhizomatic planning for better connections and proper safety of care takers. We strongly believe that steel as a material would act as a catalyst in this process of creating fast, simple and a basic design.

Email Guide Semester Subject Student Name Shanaya Wadia Architectural Representation and Detailing II Ar.Nikita Sharma shanaya20@aoamumbai.in Studio Conductors Ar. Rohit Karekar, Ar. Shivani Mehta, Ar. Anisha Mehta, Ar. Ronak Savla, Ar. Nikita Sharma : : : : : : : : : : : ‘Teamwork’ being the core intention of this space, and functions like ‘Organising data’ and ‘Performing tasks’ led to the intent of providing leisure amenities by means of pushing, sliding and shifting dynamic solids within a grid network to reach a common goal. A recreational and leisure space within the labour camps can be accessed by the labourers during their working hours. The labourers, who would still be in the shell of their workplace, would have the opportunity to be creative using the solid - cubes. The user has to then climb through the levels sliding only the number of movable blocks placed on that level. They can configure and organise the blocks to reach the top of this grid network to enjoy the surrounding view or even eat lunch there. Through the graphic, the representation of human interaction with the solids is shown, which is a very important part of this space. Previous Next Cubes

Previous Next Email Guide Semester Subject Student Name Bhavya Mewada, Mahir Amit Mody, Kaankshi Shah Allied Design - Landscape V Ar. Juhi Prasad, Ar. Shruti Barve bhavyam19@aoamumbai.in , mahir19@aoamumbai.in , kaankshi19@mumbai.in Studio Conductors Ar. Juhi Prasad, Ar. Shruti Barve : : : : : : : : : : : As part of an international competition, 1982-83, to revitalize the abandoned and undeveloped land from the French national wholesale meat market and slaughterhouse in Paris, France, Bernard Tschumi was chosen from over 470 entries including that of OMA/Rem Koolhaas, Zaha Hadid, and Jean Nouvel. For Tschumi, Parc de la Villette was not meant to be a picturesque park reminiscent of centuries past; it was more of an open expanse that was meant to be explored and discovered by those that visited the site. Tschumi wanted the park to be a space for activity and interaction that would evoke a sense of freedom within a superimposed organization that would give the visitors points of reference. Parc de la Villette is designed with three principles of organization which Tschumi classifies as points, lines, and surfaces. The 135 acre site is organized spatially through a grid of 35 points, or what Tschumi calls follies. The series of follies give a dimensional and organizational quality to the park serving as points of reference. The repetitive nature of each folly, even though each one is unique and different, allow for the visitors to retain a sense of place through the large park. Parc De La Villette

Previous Next Origami - Beyond models

Email Guide Semester Subject Student Name Tasneem Vali Architectural Representation and Detailing II Ar.Nikita Sharma tasneem20@aoamumbai.in Studio Conductors Ar. Rohit Karekar, Ar. Shivani Mehta, Ar. Anisha Mehta, Ar. Ronak Savla, Ar. Nikita Sharma : : : : : : : : : : : Splitwise -a mobile application that allows one to easily split expenses, among a group of friends or acquaintances. The designed structure is a physical manifestation of the same with a unique user interface representing the various features of the app. The two striking features of the app are - how it allows one to make groups and balance debts. These have been portrayed in the form of three non-uniform cylinders, each representing a group of different sizes. Each cylinder consists of a platform and a ring that has a seesaw mechanism signifying the balancing and simplifying of debts which come across as the physical mass of the participants. The focus of the graphic was to show the functioning of each group and how people interact with it. The choice of an exploded lets one to view the inner working of the group with an overview of how each group has different heights and sizes. Humans have been represented in different colours to signify different interactions with the groups. A combination of leader lines and pop-outs have been used to further explain the minute attributes. Everything comes together to form a unified graphic. Previous Next Splitwise

Previous Next Email Studio Conductors Semester Subject Student Name Adwait Ambekar, Adnan Motiwala, Riya Khinvasara, Pragati Shingade, Shanaya Wadia, Tasneem Vali Environmental Studies III Ar. Richa Raut adwait20@aoamumbai.in , adnan20@aoamumbai.in , riya20@aoamumbai.in , pragati20@aoamumbai.in , shanaya20@aoamumbai.in , tasneem20@aoamumbai.in : : : : : : : : : Vernacular architecture refers to a local or regional construction practiced by the natives usually as a response to the vivid climatic conditions of the region. Pueblo Architecture is the traditional architecture practiced by the people of Albuquerque, New Mexico. The climate of this region can be classified as arid with low precipitation and abundant sunshine, low relative humidity, and a relatively large annual and diurnal temperature range. Characteristics of Pueblo architecture include large multi-level buildings, numerous contiguous rooms (rooms that touch one another or share a boundary wall), terraced design, and open-air plazas. Traditional Pueblo architectural design did not include doors, and in traditional buildings, each level was accessible by exterior and interior rooftop ladders. Contemporary Pueblo villages incorporate modern architectural elements and infrastructure (such as electricity, plumbing, glass windows, and exterior doors). There are many striking features which make it habitable in extreme climates. High thermal mass, the choice of material, south facing windows, high air vents, flat roofs, rooftop plantation, staggered form and good ventilation allowed the structure to remain cool in the high temperatures. The houses are truly ingenious with an exemplary understanding of climate and technology. Pueblo Architecture

Moodabidri documentation (Runner Up) Previous Next Email Guide Semester Competition Name Student Name Harsh Tank Karishma Hooda Krishna Khurusane Krissh Chavan Palak Bhattad Prajakta Pai Puneet Maru Rashmita Dake Rasika Salgaonkar Saloni Pawar Vardhan Arora Viresh Desai COA's Excellence in documentation of architectural heritage IV Ar. Yagnik Bhatija Ar. Ronak Savla Ar. Neha Panchal Ar. Anisha Mehta harsht19@aoamumbai.in karishma@aoamumbai.in krishnak19@aoamumbai.in krissh19@aoamumbai.in palak19@aoamumbai.in prajaktap19@aoamumbai.in puneetm19@aoamumbai.in rashmita19@aoamumbai.in rasikas19@aoamumbai.in salonip19@aoamumbai.in vardhana19@aoamumbai.in viresh@aoamumbai.in : : : : : : : : : Competition Brief: The Council of Architectecture (COA) has instituted an annual awards programme for excellence in documentation of architectural heritage in India. The COA Heritage Award aims to encourage interest and talent of students for understanding,Documenting of Heritage buildings. Narrative: The heritage destination of Moodabidri has been documented as a part of first year study tour intending to explore architecture as a derived concept of religion, commerce, identity, and ownership. Pondering upon the local lives and factual religious protocols, the study concludes in unsolved mysteries and conflicting statements developing the idea of COMPLEXITY and CONTRADICTION. Architectural visual continuity is experienced where houses offer a resemblance to that of the basadis. This was due to the fabric of the houses that created a similar ambiance, not only in the interiors but also from the exterior. Each structure flourished a self choreographed tale that unfolds all layers of the settlement that remain interconnected via people and the aura of spiritual esteem in its architectural shadow. A stitched glory of basadis and dwellings, the Celebrated Jain Kashi of Southern India is an amalgamation of rich culture, religion, and architecture. Amidst the rusty red laterite marvels, we experienced strong spiritual gestures not only in the aura of the place but also from the recital of every sculpted pillar, every areca nut cracking, the cast silhouette of the majestic Manasthamba, and rushing school buses in the narrow alleys of Basadis.

Previous Next Email Studio Conductors Semester Subject Student Name Bhavya Mewada Architectural Theory V Ar. Harshada Shintre, Ar. Nachiket Kalle bhavya19@aoamumbai.in : : : : : : : : : : The Ambaji Mata Temple is located in Gujarat between the breathtaking Gabbar Hills which is an open land and rugged terrain providing a powerful context to the temple. The Temple Complex is divided into 3 main zones : Entrance Gate , Open Transition Path and Temple. The Temple shines bright due to its marble laden material with a golden Shikhara at top , attracting like a sacred force. The Central Open Space and Sky cover enables worshippers to direct towards the main Temple Form. 1- The Gradation of voids and Transparency of Entrance Gate allows people to comprehend the importance of space , making it legible and safe. 2- The Central Arch Form corresponds with the sleek staircase to create the right amount of grasping quality. The Facade character formed with stone intricacy and simplistic monotony of color generates complexity to be able to read the elevation. 3- The Scale of Setting along with Marble as main material creates visual Balance and central open space , parallel shops , seating spaces provokes a comfortable spatial environment for worshippers to form a mental map for sequence. Ambaji Mata Temple, Gujarat

Email Guide Semester Subject Student Name Jayraj Mistry Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre jayraj19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The taxonomy of grids aims to understand the geometry and the logic that goes into the development of the grid structure. Then, combine the two logics and geometry for the outcome of the juxtaposed geometries. The basic grids consisted of a pattern by visual artist Tauba Auerbach, translation rotation by Julio Le Parc, artwork by Luiz Sacilotto, a four-fold pattern in Humayun's tomb, and musical serial composition by Lidy Prati. These artworks formed the basis for the creation of hybrid grids. The final gridscape drawing consists of one of the hybrid grids generated, the plan of the existing structure, and the field plan of ice hockey. By combining and layering all these grids, the internal divisions and the hybrid grid acts as an internal arrangement of the objects on the base plan, while the ice hockey player position marks the overall movement patterns in the entire space. So this exercise aims at understanding and then reimagining the basic logic to create an interesting illustration. Previous Next Taxonomy Of Grids 2

Email Semester Subject Student Name Himanshi Mittal Humanities V himanshi19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next The Incident Chaos (Style: Expressionism)

Email Guide Semester Subject Student Name Pragati Shingade Architectural Representation and Detailing II Ar.Nikita Sharma pragati20@aoamumbai.in Studio Conductors Ar. Rohit Karekar, Ar. Shivani Mehta, Ar. Anisha Mehta, Ar. Ronak Savla, Ar. Nikita Sharma : : : : : : : : : : : The semester involved the understanding and exploration of 3 dimensional drawings. Exercise helped understanding the various representational styles. It started with simple isometric, axonometric views and further extended towards one-point and two-point perspectives. The process of each representation style first covered basics through small geometric forms followed by exercises including large rooms and localities. Further exploration was done by exploding methods to learn to represent the design in detail. Exercise focused on line weights, scale, dimension i.e. overall neatness of the drawing and understanding of the concepts of behind every representational drawing type Previous Next ARD Portfolio 2

Previous Next Email Studio Conductors Semester Subject Student Name Nikita Jagzap Krishnendu Nair Swamini Gawad Hitashi Ambwani Anushri Patil Madhavi Kadam Architectural Building Services III Ar. Richa Raut, Ar. Kanak Kashyap, Ar. Minal Gujjar nikita20@aoamumbai.in , krishnendun20@aoamumbai.in , swamini20@aoamumbai.in , hitashi20@aoamumbai.in , anushri20@aoamumbai.in , madhavi20@aoamumbai.in : : : : : : : : : Let’s try and calculate it-for an I-phone -Starting right from scratch i.e., making of the mobile phone that includes selection of materials, making a prototype, testing phase, software installation, mass production of mobile phones, packaging followed by shipmen but what goes inside the mobile phone? The mobile phone contains few individual parts namely an antenna, LCD, keyboard, microphone, speaker, battery and most important circuit board. Hearing all this sounds very fancy but there is also a darker side to this. To find the material required for the parts the mobile phone companies involve a malpractice of child labor at various mines, one of them being the cobalt mines in Congo and only give the labourers subsistence wages for their work. The material required for the phone is sourced from all over the world. After the use of phone for a certain year the phone is recycled to a certain extent. The companies sent the metal part to the Melter melts the metals; precious metals are recovered while the other metals are burnt which led to carbon emission. So, the mobile phone actually costs a lot apart from its price What Is The Actual Cost Of Mobile Phone?