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- Representation_Architectural Design_Taxonomy Of Grids 3 | AOA Confluence '22
Email Guide Semester Subject Student Name Tarun Panjabi Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre tarun19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The Taxonomy Of Grids Is A Exercise To Get The Understanding Of Grids Made By Different Artists And Then Creating A Hybrid Of Them. The Angles, Colours, Geometry Used In Grids Were Well Understood And Then The Hybrid Was Created. Later The Hybrid Grid Along With 3 Other Drawings Were Used Created An Intresting Illustration. In Grid The Main Element Of Rotation And Sense Of Changing Scale Were Enhanced. In The 2nd Drawing Of Occupation Event Smaller Basic Shapes And Creating A Kind Of Loop Giving A Sense Of Nonending Motion Were Used. In 3rd Drawing Which Was Landscape Field, The Maon Elements Picked Were The Thicker Walls Creating A Visual Sense Of Viewing Different Things And The Last Drawing Of Figure Building Was Having Elemnets In A Non-Linear Way Creating A Sense Of Different Scales, Connection Between Them Generating Interest. Previous Next Taxonomy Of Grids 3
- Representation_Architectural Design_The Spiritual Transcendence of Sacred Architecture | AOA Confluence '22
Email Guide Semester Subject Student Name Aishwarya Balsekar Architectural Representation and Detailing IX Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar aishwaryab17@aoamumbai.in Studio Conductors Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar : : : : : : : : : : : This thesis looks into the understanding of what creates a sacred space and analyzes the elements that facilitate Transcendence in the minds of the users. The process of the design of the poster began with the understanding of what the topic entails. This led to several explorations and helped with the following elements being categorized and shown through the work. Light: The play of light on materials and surfaces inside a space hugely impacts how the spaces are perceived. Numinosity: The element of spirituality is heightened by the feeling of numinosity. This emotion is triggered by several elements of design. Through the poster the aim was to integrate the key elements in a manner to convey the idea of the thesis. Previous Next The Spiritual Transcendence of Sacred Architecture
- Technical_Building Construction_Beyond the roof | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Ananya Nayak, Urja Arte Architectural Building Construction and Materials III Ar. Swapna Hankare ananyan20@aoamumbai.in urjaa20@aoamumbai.in Studio Conductors Ar.K.V Parmeshwar Ar. Kanak Kashyap Ar. Rohit Karekar Ar. Swapna Hankare : : : : : : : : : : : The design of the gazebo aims at making use of beams with varied end conditions to reach a structurally sound design that gives the user a distinctive spatial experience. The split roof is the highlight of the structure, enabling part of the structure to act as a viewing deck. The other half allows the users to gaze at the stars through the skylight as they comfortably lay on the floor. A cantilever beam supports the viewing deck projecting from the roof, to ensure the safety of the users. Strategic placement of columns has resulted in creation of larger multifunctional spaces surrounded by smaller pockets of semi open areas. The planters in the structure give a sublime look to the space, while also establishing a visual accessibility across the ground floor and the dog legged staircase. Beyond the roof
- Research_Design Dissertation_REV[IV]AL : An Attempt to Re-think of an Ideal Village | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Pradyumna Vikharankar Design Dissertation IX Ar. Yashwant Pitkar prayumnav17@aoamumbai.in Issuu Link Ar. Rohit Shinkre, Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Sulakshana Bhanushali, Ar. Nachiket Kalle, Ar. Shruti Barve, Ar. Akbar Biviji, Ar. Harshada Bapat Shintre : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/1740_pradyumna_v_dd_book_2021-22 : Studio Conductors : : : “India lives not in a handful of its cities, but in her 7,00,000 villages.” - Mohandas Karamchand Gandhi India emerged as an economic hub since the early 1990s post the economic liberalization. It opened the doors for free trade through the government policies in the name of development. Over the years these reforms have led to a centralized economy in the nation, recently leading the private organizations to influence the drafting of government policies. The effects of the centralized system is evidently seen through the “development” of the urban centres, solely. The development pattern depends on these urban centres which somehow have ill effects on the rural parts of the nation. This leads to an unhealthy connection between the rural & urban parts of India, usually in the form of Brain Drain, through the medium of migration. M.K.Gandhi through his writings & speeches always preached about the importance of a decentralized economy wherein the villages forms the foundation of nation building in all aspects. The Gandhian Philosophy of Decentralization aims to envision all the distinct authorization bodies at different levels to be on one equal platform, with equal delegation of authority, unlike the centralized system that follows a hierarchic pattern leading to discrepancies in terms of monetary as well as authorization factors. The enhancement of a decentralized system is a path ahead towards a sustainable habitat of the nation, not just economically, but also to attain a lovable living condition. REV[IV]AL : An Attempt to Re-think of an Ideal Village
- Design Innovation In Architecture
Previous Next Design Innovation In Architecture
- Research_Allied Design_Priyadarshni Park | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Jui Mhatre. Zayan Gulzar, Heet Shah Jinay Jain, Parth Bhutalia, Shrideep Kshirsagar Allied Design - Urban design VI Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia juim17@aoamumbai.in , zayang18@aoamumbai.in , heets18@aoamumbai.in , jinay18@aoamumbai.in , parthb18@aoamumbai.in , shrideepk18@aoamumbai.in Studio Conductors Ar. Amey Ghosalkar, Ar. Nitesh Avhad, Ar. Harshad Bhatia : : : : : : : : : : : - Priyadarshni Park
- College Project_STREET STORIES | AOA Confluence '22
Previous Next Semester Ar. Harshada Bapat Shintre VII, IX Studio Conductors : : : Mumbai is a large city made of a variety of neighborhood fabrics. The college project will be about analyzing these neighborhoods through their street participation and engagement with the built fabric of the people passing by. Students were tasked with mapping their localities and understanding the characteristics and language of the road networks inclusive of their neighborhood. STREET STORIES
- Research_Design Dissertation_Reinforcing Nagpur’s identity as ‘Orange city’, thereby creating a layer of citizen association. | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Ojaswi Chauthaiwale Design Dissertation IX Ar. Prof. Sanjay Mehta ojaswic17@aoamumbai.in Issuu Link Ar. Milind Amle, Ar. Swati Chokshi, Ar. Rajratna Jadhav, Ar. Snehal Gaikwad, Ar. Swapna Hankare, Ar. Richa Raut,Ar, Yagnik Bathija, Ar. Neha Panchal, Ar. Porus Master, Ar. Rahul Manohar, Ar. Sanjay Mehta : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/ojaswi_08_ddbook : Studio Conductors : : : Nagpur is one of the largest producers of oranges in India and also exports to the rest of the world. The city is known as the ‘Orange city’ of the country. This unique identity is due to the peculiar variety of oranges cultivated in this region. Owing to the characteristics of the variety with origin in the city, Nagpur received the geographical Indication(GI) status for the same in 2014. Mandarin orange, also known as Nagpur santra now, is the common type of orange widely cultivated in the region. It was brought to Nagpur by the then ruler, towards the end of the 18th century. The fruit soon became very popular and Nagpur got known for its orange cultivation gaining a certain reputation in the Indian market. However, the identity is not exploited in a public realm. There is no identified platform between the farmers/producers and the citizens where they can market and share their experience of the entire process. It is only spoken about and can be heard in news articles. There is no place in and around the city through which the sense of identity can be perceived. Thus, there is a need to reinforce this identity and exploit it beyond the tag. The study revolves around understanding the farming scenario worldwide to further narrow it down at the city level. The process will also generate a dialogue with the farmers being the primary producers and understanding the obstacles faced by them in their occupation as a farmer. This will also aid to understand the scope of the fruit in the processing industry. The objective is to reduce the gap between farmer and consumer and allow direct benefits to the primary producer. The larger aim is to create an association for the people thereby strengthening the identity for the city holistically. The idea revolves around the farming and the allied programs that can be derived, considering orange as the key produce along with other crops depending on their coexistence. Developing various programs based on the scope of the fruit to engage the people in an interactive way, also building a farmer- consumer relationship. Such an intervention will not only motivate the farmers but also create tourism opportunities for the people through agriculture, consequently boosting the agricultural economy of the region. Such a series of developments will add a new layer to the city thus contributing towards its economy and identity for the future. Reinforcing Nagpur’s identity as ‘Orange city’, thereby creating a layer of citizen association.
- Research_Design Dissertation_The Spiritual Transcendence of Sacred Architecture | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Aishwarya Balsekar Design Dissertation IX Ar. Akbar Biviji aishwaryab17@aoamumbai.in Issuu Link Ar. Rohit Shinkre, Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Sulakshana Bhanushali, Ar. Nachiket Kalle, Ar. Shruti Barve, Ar. Akbar Biviji, Ar. Harshada Bapat Shintre : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/aishwarya_balsekar_1702_blackbook : Studio Conductors : : : “At its highest, Architecture has the ability to turn geometric proportions into shivers, stone into tears, rituals into revelations, light into grace, space into contemplation and time into divine presence”- Julio Bermudez. Sacred Architecture has the ability to help its users transcend physicality. But what is this character of Sacred Architecture that Transcends the sense of Physicality and immerses itself in the realm of the intangible? Spirituality is often not about the divine, it is about perceiving the process of life at its fullest potential. Spirituality is to see something for exactly what it is and not a version envisioned in your mind. Transcendence is the ability to go beyond the range of limits of a field (of act or conceptual sphere). The ability to transcend is to elevate yourself beyond the physicality of this realm. Sacred Architecture allows you to feel this Spirituality and hence allows you to Transcend the physical Realm. The true character of Transcending Architecture is its ability to change your emotion to that of a pleasant one. This mood or emotion you feel is what allows you to imbibe your surroundings, allowing you to perceive what truly exists and hence facilitates the notion of Spirituality and Transcendence. This form of Architecture is the tangible means to see, feel and experience Sacredness and Transcendence. The Spiritual Transcendence of Sacred Architecture
- Representation_Humanities_Practicing Humanity (Style: Surrelaism) | AOA Confluence '22
Email Semester Subject Student Name Dhanashree Jadhav Humanities V dhanashree19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next Practicing Humanity (Style: Surrelaism)
- Vrindavan Soceity
Previous Next Email Studio Conductors Semester Subject Student Name Kaankshi Shah Architectural Theory V Ar. Harshada Shintre, Ar. Nachiket Kalle kaankshi19@aoamumbai.in : : : : : : : : : : Space syntax is an attempt to constitute a configurational theory in architecture by generating a theoretical understanding of the way people make and use spatial configurations. This is to identify spatial configurations to express a social and cultural meaning. The analysis of the house and the building in terms of circulation and the sequence of spaces is achieved through the space-syntax. Vrindavan Soceity
- Representation_Architectural Design_Taxonomy Of Grids 6 | AOA Confluence '22
Email Guide Semester Subject Student Name Dhanashree Jadhav Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre dhanashree19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The hybrid grid in the drawing is the base plan of the building, and the three-dimensional drawing is represented with the use of the Florey building drawing. I assumed it to be an art center, where various events are conducted, and these events are represented with the help of the visual comic illustrations of titin. Previous Next Taxonomy Of Grids 6