Email Guide Semester Subject Student Name Urvi Matkar Architectural Design VI Ar. Shekoba Sanap urvim18@aoamumbai.in Studio Conductors Ar. Mahesh Nilakh, Ar. Swapna Hankare, Ar. Shekoba Sanap, Ar. Mahesh Khanolkar, Ar. Rupa Sheth, Ar. Rajan Kulkarni : : : : : : : : : : : The seafront site located in an isolated industrial location held tremendous potential for the development of a dynamic institute booming with living spaces opening to exciting vistas. The program integrates a Maritime Museum, which is the heart of the design and binds the institute as one. Previous Next Maritime Institute/ Veterinary Institute 3

Email Guide Semester Subject Student Name Atharva Rotkar, Abhishek Rudrakar Architectural Design IX Ar. Ashley Fialho atharvar17@aoamumbai.in , abhishekr17@aoamumbai.in Studio Conductors Ar. Rajratna Jadhav, Ar. Rishi Vora, Ar. Hardik Dedhia, Ar. Ashley Fialho, Ar. Esha Tipnis, Ar. Mythili Kowshik-Shetty, Ar. Yagnik Bathija : : : : : : : : : : : The guiding principle of the upcycle factory design is to use structure as the primary generator of space. The idea of structural honesty is born where the interior space is formed by actual, visible structure. This approach leads to a form of structural expressionism as an attempt to attain transparency in function till literal structural transparency is proudly announced on the façade. In contrast, the crematorium being a private, sombre function demands solitude. This is achieved sectionally by carving a subterranean space for the pyres and ritual spaces. A haiku effect is created to emphasize the nothingness of space to empathize with the idea of loss. The project explores binaries throughout its course. Land & water, day & night, substructure & superstructure, minimalism & expressionism. However, conceptually the upcycle factory takes in waste and physically gives it a new life and the crematorium works with the deceased being given new life in the metaphysical form through collective memory. The program itself here is a metaphor for expiry & rebirth. With this everlasting transformation, the cycle of life is forever in continuum. Previous Next Continuum

Email Guide Semester Subject Student Name Tarun Panjabi Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre tarun19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The Taxonomy Of Grids Is A Exercise To Get The Understanding Of Grids Made By Different Artists And Then Creating A Hybrid Of Them. The Angles, Colours, Geometry Used In Grids Were Well Understood And Then The Hybrid Was Created. Later The Hybrid Grid Along With 3 Other Drawings Were Used Created An Intresting Illustration. In Grid The Main Element Of Rotation And Sense Of Changing Scale Were Enhanced. In The 2nd Drawing Of Occupation Event Smaller Basic Shapes And Creating A Kind Of Loop Giving A Sense Of Nonending Motion Were Used. In 3rd Drawing Which Was Landscape Field, The Maon Elements Picked Were The Thicker Walls Creating A Visual Sense Of Viewing Different Things And The Last Drawing Of Figure Building Was Having Elemnets In A Non-Linear Way Creating A Sense Of Different Scales, Connection Between Them Generating Interest. Previous Next Taxonomy Of Grids 3

Email Guide Semester Subject Student Name Aishwarya Balsekar Architectural Representation and Detailing IX Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar aishwaryab17@aoamumbai.in Studio Conductors Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar : : : : : : : : : : : This thesis looks into the understanding of what creates a sacred space and analyzes the elements that facilitate Transcendence in the minds of the users. The process of the design of the poster began with the understanding of what the topic entails. This led to several explorations and helped with the following elements being categorized and shown through the work. Light: The play of light on materials and surfaces inside a space hugely impacts how the spaces are perceived. Numinosity: The element of spirituality is heightened by the feeling of numinosity. This emotion is triggered by several elements of design. Through the poster the aim was to integrate the key elements in a manner to convey the idea of the thesis. Previous Next The Spiritual Transcendence of Sacred Architecture

Email Guide Semester Subject Student Name Vaibhavi Khedkar Architectural Design IV Ar. Richa Raut vaibhavi@aoamumbai.in Studio Conductors Ar. Ravi Hazra, Ar. Porus Master, Ar. Ashley Fialho, Ar. Richa Raut, Ar. Saurabh Jain, Ar. Rohit Karekar, Ar. Shekoba Sanap : : : : : : : : : : : Ready? A question to ask yourself while looking at nature. Nature always educates us to grow and evolve, this project also attempted to achieve the same by redefining recreation. A recreation of thrill, energy, wilderness, and in turn a recreation for life. As the keywords उठा, बघा,खेळा,शिका imply celebrating the life while learning and relearning, the realm of the practical world teaches the exact opposite. Thus the form is developed seizing this inspiration forward. By using concrete as a sustainable material, active and passive effects on the built form are experienced. The bicycle paths along the built generate electricity and make it self-sufficient. The red structure at the end tries to make an impact by positive sportiness as it adequately binds with nature. Previous Next Nisarga- Farm House 4

Inside Out - Contextual Design (Top 16) Previous Next Email Guide Semester Competition Name Student Name Abhishek Suryavanshi ACARA Rookies 2021-22 IV Ar. Porus Master abhisheks19@aoamumbai.in : : : : : : : : : Competition Brief: The theme for the competition is Contextual Design: Creating Space, Re-interpreting Tradition Narrative: Project Inside out aims at offering a multifold staying experience with nature at its core. INSIDE OUT- an idea through which the connection between user, nature and its resources is followed. Responding to the site was key for contextual design which shaped the project. The response has been explored through various frames like climate, environmental management strategies, present and past traditional values from around and much more. The design was planned around the existing natural resources and also aimed at keeping them intact. Through this design project the user gains an understanding of the past practices of self sufficiency, local traditional values and simple ways of living in a modern context. The typical architectural style of building of the nearby villages gave rise to creation of various open, semi open and private spaces, giving a holistic spatial experience. Growing the food you eat, various recycling strategies, community living, is encouraged as part of developing a culture on site and helping visitors grow a connection with the built and unbuilt environment Creating comfortable and habitable spaces via large overhangs with small outdoor courtyard spaces getting formed, share a dual purpose of blocking the south sun and cater to the concept of inside out to the very core of the project.

Previous Next Academy's Unwind Email Semester Competition Name Student Name Nidhi Khot Shivanjay Bhagat DAC - Academy's Recess - Rethinking Amphitheatre Area IV nidhik19@aoamumbai.in bhagat19@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: The amphitheatre is the most beloved spot for all the students to congregate on, be it whilst sipping on a steaming hot cup of coffee during mid lecture breaks or during the morning rush. The proposition includes a seating platform springing from the central banyan tree, which is also the symbol of our college. It revolves around it, and further develops to form a pergola style roof and later a solid roof over the stationary shop. This depicts the journey of our college from a small college to one of the topmost institutions in the city.This pergola serves as a roof for the photobooth and creates a dramatic effect of light and shadow throughout the day. The amphitheatre seating is enlarged inorder to accommodate a larger crowd since this place serves as a huge photo kiosk, during college festivals. It further extends to an open seating on one side and a secluded seating on the other. The amphitheatre is frequently filled with meandering cats in a quest for a shaded space. The wall adjacent to the niche is dedicated as a play and rest area for the same.

Previous Next Jalsandharan: Revival of Traditional Water Infrastructure in Karmala Email Guide Semester Subject Student Name Niharika Shah Thesis X Ar. Richa Raut & Ar. Swapna Hankare niharikas16@aoamumbai.in Issuu Link https://issuu.com/aoa_confluence_2022/docs/niharikas_36_final_thesis_presentation : : : : : : : : : : : Ar. Milind Amle, Ar. Swati Chokshi, Ar. Rajratna Jadhav, Ar. Snehal Gaikwad, Ar. Swapna Hankare, Ar. Richa Raut, Ar. Yagnik Bathija, Ar. Neha Panchal, Ar. Porus Master, Ar. Rahul Manohar, Ar. Sanjay Mehta : Studio Conductors : : : Video Links : Life started in water and developed around it. The daily need of water for drinking, irrigation, cleaning, etc triggered the development of clusters around its source. In the Indian setting, people associated water with god. It is observed that almost every temple and religious structure is located near water, even the water infrastructure had Idols so that people would consider them auspicious and will give significance to the asset. The development and inventions permitted people to control and twist the assets according to their need. Water was no exception, people began to gather, transport, extract water as per their demands. In an attempt to fulfill their needs, society neglected the indigenous systems leading to the water crisis. The dissertation attempts to understand traditional water systems and how they used to be a part of the community and ecology simultaneously. To understand how the ecology of the place can be restored with the revival of traditional water infrastructures, the program is designed to explain the community about the significance of water conservation and harvesting, and inspire them to take a step towards ecological conservation. This dissertation is an endeavor at the rebuilding of the ecological imbalance using traditional water management techniques for the upliftment of the society and an attempt to prevent the loss of the unique identity of the place.

Previous Next The motion frame Email Semester Competition Name Student Name Janhavi Jadhav Tarun Panjabi Vaibhavi Tolamatti DAC Redefining Platitudes II, V janhavij20@aoamumbai.in , tarun19@aoamumbai.in vaibhavi19@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: I DON'T DIVIDE ARCHITECTURE, LANDSCAPE, AND FUNCTIONS, TO ME THEY ARE ONE. – LUIS BARRAGAN Emotions, Experience, and Elements cohere together to form up a space. This illustration depicts the assembling of the 3 E's which form up the character of the project. Every space here provokes emotions through colour and the multiple activities inside the frame. To show the true sense of togetherness in this community hall design, there is use of warli art and it’s warm colour evokes optimism and excitement. The whole experience of the illustration is portrayed through multiple vantage points as we believe that space could be perceived by every individual through a different perspective and angle. The vital part that forms up the space is all the basic elements and the ideology with which a whole structure comes into place as portrayed. Every unit, every element that comes together to form this structure is broken up to its smallest scale. One can see bricks, tiles, columns, roof, building masses all converging together to form up the space. The greens are also juxtaposed along the contours lines which stitch up the illustration together. The ideology here is that every space revolves around the landscape, terrain, and context created by the space. The graphic thus portrays the idea of function, landscape, and architecture existing as a single entity as each of the following comes from different paths, converges, and interlocks together.

Email Guide Semester Subject Student Name Salonee Shetty Architectural Representation and Detailing IX Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar salonees17@aoamumbai.in Studio Conductors Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar : : : : : : : : : : : The topic of my thesis is - ‘ Light , a felt stimulus ‘ which informed the production of the ensuing graphic which dwells on the methods of both thinking about the design of the framework of tackling the use of light in architecture and also representing the very same . The graphic developed overtime and is an ongoing process - the factor/parameters that went into its making are - The directionality of light with informs the form of the building / structure The internal aesthetic / mood of the space The design of the 2D and 3D effect of light The creation of volumetric space from light itself THis resulted in the production of graphic that both represents and inquired into the design dissertation . Previous Next Light , a felt stimulus

Previous Next Email Studio Conductors Semester Subject Student Name Pranav Chaubal Environmental Studies IX Ar. Snehal Gaikwad, Ar. Swati Choksi, Ar. Richa Raut pranavc17@aoamumbai.in : : : : : : : : : The site chosen for the project was the city of jaisalmer. Jaisalmer falls under the hot and dry climatic region. This makes the passive cooling in the day and heating during the night the major challenges to be tackled. The spatial arrangement of the house was so designed that there is a path for a regulated wind flow. This is an attempt to locate the built mass on the periphery and create a diagonal passage for wind. This passage consists of openings at certain levels which allows for heating up and cooling down of spaces as required through certain design elements. To complement this massing a combination of traditional and contemporary design elements was devised. The courtyard, chajjas, jaalis were used with a combination of a water body, wooden louvers. Additionally, taking inspiration from the coolness of narrow passages formed between houses a similar method was used to maintain lower temperatures. Esquee- Application Of Passive Design 1

Previous Next Euphoria Email Semester Competition Name Student Name Eshita Taggarsi Manan Raut Simran Khaitan DAC Redefining Platitudes III, V eshitat20@aoamumbai.in mananr18@aoamumbai.in simrank20@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: A person's decisions determine whether they are good or bad. We begin in a world devoid of color, with our main character, RP09, travelling down a bleak route. Suddenly, a massive boom and a distortion occurs, transporting our character to a dystopian world called Euphoria. RP09's first glimpse is full of hues, and he is both awestruck and scared at the new environment he has entered. The people there were completely different from the black and white world he came from. There were creatures from all over the universe living different lives but somehow the same, overlapping with each other. After some time in the new realm, RP09 realizes what he is up against: he is trapped in a virtual world. He has four lives to complete the game, he has to collect certain coins and in case he fails, there will be serious consequences like him being trapped in the game forever. Our main character ends up doing horrible things to achieve his goal and as a result of the route he chooses, he becomes a wicked guy. He leaves a trail of ruin and death in his wake, continuing to lose his life in the process of the games. As he reaches the final stages of the game; all his tasks have been completed, and just one mission remains. He has almost beaten the game but then the wheels turn around and he is defeated. As a result, RP09 loses all his lives and becomes one of the martians living in the game, a part of the dysphoric Euphoria and forgets about his life at home, wandering aimlessly till the end of time.