Previous Next Email Studio Conductors Semester Subject Student Name Tasneem Vali Adwait Ambekar Devyani Parale Hetika Vani Isha Keni Pranay Kutal Pratima Wagh Riddhi Deshmukh Anushri Patil Megha Bhosale Architectural Building Services III Ar. Richa Raut, Ar. Kanak Kashyap, Ar. Minal Gujjar tasneem20@aoamumbai.in , adwait20@aoamumbai.in , devyani20@aoamumbai.in , riddhi20@aoamumbai.in , isha20@aoamumbai.in , hetika20@aoamumbai.in , pranay20@aoamumbai.in , pratimaw20@aoamumbai.in , anushri20@aoamumbai.in , meghab20@aoamumbai.in : : : : : : : : : The exercise was to understand the traditional toilet system of a particular climatic zone. Our group was assigned to study the traditional toilet system of Uttar Pradesh, which comes under a composite climate zone. To achieve this, we analyzed the typical house layout of Varanasi. Its prominent feature is that the toilets, made of lakhori bricks and surkhi lime, are placed in the courtyard to provide a space for ventilation. The modern drainage method, Evapotranspiration toilets, was briefly addressed in our study. In this method, no human intervention is required to clean the tank. The poster further highlights the problems faced by the locals and the solutions they devised. Study Of Traditional Toilets In The Region Of Uttar Pradesh

Previous Next Email Studio Conductors Semester Subject Student Name Ved Joshi, Anushree Harmalkar, Rucha Pagare, Hetika Vani, Ganesh Rathi, Sameep Kamble Environmental Studies III Ar. Richa Raut ved20@aoamumbai.in , anushreeh20@aoamumbai.in , ruchap20@aoamumbai.in , hetika20@aoamumbai.in , ganesh20@aoamumbai.in , sameep20@aoamumbai.in : : : : : : : : : Vernacular Architecture in simpler terms is the local construction which uses materials and resources from the area where the building is located. Kath kuni is a local and ancient building practice which has survived in the foothills of Himalayas for Centuries. The main materials used are locally available stone and wood. The word kath kuni is derived from Sanskrit Kasht and Kuni which implies wood in the corners. It is characterized by interlocking wood and stone which is topped with slate roof which helps to hold the roof in place. Many of the structures along the foothills of himalayas are built using this technique and are centuries old surviving all types of seismic and climatic forces. A typical Kathkuni house is two to three storey but can reach up to 7 storey high. Walls are doubled skinned and made of alternate layers of stone and wood. The thick walls help in maintaining the temperature and thus making it suitable for living. The Yurt

Email Guide Semester Subject Student Name Cherie D'Souza Architectural Design Studio I Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar.Joel Roy, Miss. Teja Gavankar cheried20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar.Joel Roy, Miss. Teja Gavankar : : : : : : : : : : : The exercise involved studying the relationship between the human body and its movement in space. That is understanding how space shapes our movement and how movement, in turn, affects space. The Renaissance painting here is of St. Augustine, which was recreated to record the movement of the body in space. This was further analyzed through a set of technical drawings, which helped understand the anthropometry of the human body. The angle of vision at which the person in the painting is viewing, the required distance of the body from the table, and standard measurements of the furniture around it with respect to the movement of the body were studied and recorded. Further, these body postures were perceived as an interaction with the cityscape in the modern-day era. Scenarios like a doctor in his cabin, a watchman seated by the gate, a commuter waiting for the train, a person by the balcony enjoying a cup of tea, a student working on the laptop, or a person taking shelter from the rain were some examples. The drawings of Philip Steadman were used as a reference to create these drawings. Previous Next Body And Movement In Space 1

Previous Next Kattan Email Semester Competition Name Student Name Manasa Ravikumar, Krishna Khurusane, Harsh Tank, Viresh Desai Kaira Looro IV manasar19@aoamumbai.in ; krishnak19@aoamumbai.in ; harsht19@aoamumbai.in ; viresh@aoamumbai.in : : : : : : : Competition Brief: Kaira Looro aims to discover new talents and to discover sustainable architecture models for humanitarian purpose to improve life conditions in developing countries. Narrative: The objective of the competition was the creation of a “Women’s House” within a symbolic and environmentally friendly structure that would be inspired by local traditions. A space in which women will be able to discuss the topics of equality and human rights, guaranteeing involvement and emancipation of the female community in favor of the region’s social, economic, and political development. Opportunities build strength. Opportunities for all imbibe equality. KATTAN meaning ‘strength’, aspires to be a space that becomes a transparent, seamless, and flexible platform for women to participate and strengthen. And strives to imbibe a sense of freedom and safety in the Women of Senegal and inculcate their political identity in the village. The house is an expression that becomes a platform that creates an image of the power the women hold, through the work they do at the “Women’s house”. The open plan and play of levels and spaces will encourage interactive and collaborative thinking. Built with completely regional and sustainable materials, the space can be constructed by the women themselves, an edifice that they constructed would become a vibrant fort marking their political identity in the region, where they would educate, collaborate, and strengthen!

Email Guide Semester Subject Student Name Urvi Matkar Architectural Design VI Ar. Shekoba Sanap urvim18@aoamumbai.in Studio Conductors Ar. Mahesh Nilakh, Ar. Swapna Hankare, Ar. Shekoba Sanap, Ar. Mahesh Khanolkar, Ar. Rupa Sheth, Ar. Rajan Kulkarni : : : : : : : : : : : The seafront site located in an isolated industrial location held tremendous potential for the development of a dynamic institute booming with living spaces opening to exciting vistas. The program integrates a Maritime Museum, which is the heart of the design and binds the institute as one. Previous Next Maritime Institute/ Veterinary Institute 3

Email Guide Semester Subject Student Name Atharva Rotkar, Abhishek Rudrakar Architectural Design IX Ar. Ashley Fialho atharvar17@aoamumbai.in , abhishekr17@aoamumbai.in Studio Conductors Ar. Rajratna Jadhav, Ar. Rishi Vora, Ar. Hardik Dedhia, Ar. Ashley Fialho, Ar. Esha Tipnis, Ar. Mythili Kowshik-Shetty, Ar. Yagnik Bathija : : : : : : : : : : : The guiding principle of the upcycle factory design is to use structure as the primary generator of space. The idea of structural honesty is born where the interior space is formed by actual, visible structure. This approach leads to a form of structural expressionism as an attempt to attain transparency in function till literal structural transparency is proudly announced on the façade. In contrast, the crematorium being a private, sombre function demands solitude. This is achieved sectionally by carving a subterranean space for the pyres and ritual spaces. A haiku effect is created to emphasize the nothingness of space to empathize with the idea of loss. The project explores binaries throughout its course. Land & water, day & night, substructure & superstructure, minimalism & expressionism. However, conceptually the upcycle factory takes in waste and physically gives it a new life and the crematorium works with the deceased being given new life in the metaphysical form through collective memory. The program itself here is a metaphor for expiry & rebirth. With this everlasting transformation, the cycle of life is forever in continuum. Previous Next Continuum

Email Guide Semester Subject Student Name Tarun Panjabi Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre tarun19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The Taxonomy Of Grids Is A Exercise To Get The Understanding Of Grids Made By Different Artists And Then Creating A Hybrid Of Them. The Angles, Colours, Geometry Used In Grids Were Well Understood And Then The Hybrid Was Created. Later The Hybrid Grid Along With 3 Other Drawings Were Used Created An Intresting Illustration. In Grid The Main Element Of Rotation And Sense Of Changing Scale Were Enhanced. In The 2nd Drawing Of Occupation Event Smaller Basic Shapes And Creating A Kind Of Loop Giving A Sense Of Nonending Motion Were Used. In 3rd Drawing Which Was Landscape Field, The Maon Elements Picked Were The Thicker Walls Creating A Visual Sense Of Viewing Different Things And The Last Drawing Of Figure Building Was Having Elemnets In A Non-Linear Way Creating A Sense Of Different Scales, Connection Between Them Generating Interest. Previous Next Taxonomy Of Grids 3

Previous Next Email Studio Conductors Semester Subject Student Name Aishwarya Raikar Architectural Building Services IV Ar. Richa Raut, Ar. Rohit Karekar aishwaryar19@aoamumbai.in : : : : : : : : : Most of the women in India are unaware of the fact that the sanitary pads which we use contain about 90% of the plastic and are very difficult to recycle and it takes 400 - 500 yrs to decompose. Also, there is a difficulty while disposing of like we have different colored garbage bins for different types of waste but there is no such proper disposal system for sanitary pads in India. Most of the women dispose of their pad by wrapping it in the plastic provided with it and then throwing it in the dustbin nearby. Later this becomes inconvenient and affects the health of the person who is segregating the garbage. If I become the CM, first I would make a rule to use biodegradable pads which are made out of natural materials like bamboo, cotton, straw bale and are processed to make leak proof and soft, and also convenient to use and dispose of. Also, I will make sure that there is a proper disposing area or a bin for the sanitary pads. Menstrual cups are the best alternative for sanitary pads as they can be sterilized and reused resulting in less waste. This initiative will make the country a clean and beautiful place to live in. Zero Waste ‘Period’

The navel of Latin American Civilization (Top 20) Previous Next Email Semester Competition Name Student Name Laxaree Sawant ,Nidhi knot Archiol History Of Architecture V nidhik19@aoamumbai.in , laxaree19@aoamumbai.in : : : : : : : Competition Brief: Archiol history of architecture is a competition looking for presentation board and essay submission on any periods from the history of architecture evolved with civilization. Narrative: We aimed at studying a civilization that wasn't a part of our academic curriculum. We discovered the Inca and its various cultural beliefs and how it influenced the architecture of that era and eventually the people’s lifestyle. The well-known historical sites like the Machu Picchu to the humble golden temple of "Qorikancha" are a part of this civilization. We tried to narrate the story of a civilization glorious in its unblemished form, suppressed to the shackles of colonialism.

Previous Next Adomania

Email Guide Semester Subject Student Name Jayraj Mistry Architectural Design IV Ar. Amit Jain jayraj19@aoamumbai.in Studio Conductors Ar. Nachiket Kalle, Ar. Amey Ghosalkar , Ar. Amit Jain, Ar. Rishi Vora, Ar. Mehul Sanghvi : : : : : : : : : : : The rising star project aims at creating the bonds and connections between the people , which is lost and can be reflected in the town planning. The central open space thus connects the different classes of the society under one roof to increase the interaction and create new experiences for the upcoming new actors by reviewing their daily life experiences . Thus this space informally becomes a huge canvas for the upcoming actors to see , to think , to improve themselves and become a person of experience in an informal way . Along the way , it also creates a series of interactive landscape elements and various gathering points on the entire site and the most important the play of shadows creating the timeline of different activities being captured into the space which shows the ever changing nature of the activities . Previous Next Bridging the gap

Previous Next Email Studio Conductors Semester Subject Student Name Priyal Vasaiwala Environmental Studies IX Ar. Snehal Gaikwad, Ar. Swati Choksi, Ar. Richa Raut priyalv17@aoamumbai.in : : : : : : : : : The assignment was aimed at understanding Passive Design Solutions for various climatic conditions across India. The selection of the location, climate zone, topography and other features was left open for students to be done individually. An independent house typology was given to the class which was to be altered providing passive design strategies based on the selected criterias. The following aspects were considered for a site in New Delhi with composite climate - - Climate (Temp, Humidity, Radiation, etc.) - Design (orientation, Window openings - sizes, types, placement, walls, roof, etc.) - Building Use & Functions (Daytime nighttime, heat gains/loss, air exchanges, etc.) - Materials (Local/Sourced, Specifications - density, conductivity, etc.) The above listed considerations were then reflected schematically through sketches of the altered plan and sections of the house. Esquee- Application Of Passive Design 2