527 items found for ""
- Design_Architectural Design_The Art of Cartography | AOA Confluence '22
Email Guide Semester Subject Student Name Cherie D'Souza Architectural Design I Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy cheried20@aoamumbai.in Studio Conductors Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy : : : : : : : : : : : Various physical and visual boundaries are perceived in our day-to-day life. These boundaries are mapped using the art of cartography. Identification of light and shadow during different times of the day, depth of a body or object in the space, movement of vehicles, activities of various people, difference in levels and textures were some of the aspects that were perceived and recognized during this exercise. These boundaries are both tangible and intangible and help understand the space and movement of the body in it. Referring to the works of Denis Wood, various symbologies were adopted as a way to portray these boundaries. In the first sketch, shadows from the Chaitya Bhoomi were created, with the effect of light and shadow during different times of the day. Stippling is used to show differences in texture, while the height of the umbrellas used by the vegetable vendors is also altered as it changes over time. The depth of a building was shown with the help of shading and hatching. Different line intensities were carefully used to depict the slope of the road. Intangible aspects like variation of temperature and sound were also observed and mapped. Previous Next The Art of Cartography
- College Project_WRITING ARCHITECTURE- INSIGHT INTO ARCHITECTURAL RESEARCH | AOA Confluence '22
Previous Next Semester Ar. Swati Chokshi, Ar. Snehal Gaikwad VII, IX Studio Conductors : : : The field of architecture involves a plethora of knowledge that needs to be documented and developed upon with extensive research and documentation. The study hence initiated the critical and analytical thinking required to identify and eventually explore areas of research. With this intent, the college project also focused on converting the understanding of varied areas into research proposals that then culminated into a research project. WRITING ARCHITECTURE- INSIGHT INTO ARCHITECTURAL RESEARCH
- DAC_Public Typologies_Solace in the Incomplete | AOA Confluence '22
Previous Next Solace in the Incomplete Email Semester Competition Name Student Name Harshwardhan Shivpurkar; Shakti Jadhav; Sharvil More; Shrutee Patil Reuse Italy IV harshwardhan19@aoamumbai.in ; shakti19@aoamumbai.in ; sharvilm19@aoamumbai.in ; shruteep19@aoamumbai.in : : : : : : : Competition Brief: ReUse Italy has the long term goal of focusing the public attention on its issue, promoting cultural activities to bring back life into those ruins and activating reuse process. Narrative: The proposal puts forth a holistic program to introduce Grottole in an indigenous manner, making the ruined church a prime tourist destination while retaining its cultural identity. The design aims at glorifying the broken crown- Chiesa Diruta, a lost symbol of the town and reviving the past sentiments of the people while reconnecting them back to the church. Chiesa Diruta, acts as a focal point of the town offering a vantage point through which the entire village of Grottole is seen. Building on the cultural roots of the town with performing arts, ceramics and wine acting as aids, the proposal works towards reincarnating the town and its life. The use of wire mesh as a material is what works to capture the essence of the church. The wire mesh helps in completing the church without actually completing the building. This intervention allows the user to experience the space as a single entity without stealing away from the essence of the ruins. The church appears to be completed from far, but as the users approach closer to the church, they seem to connect with the ruins and experience them better.
- Design_Architectural Design_Radialis | AOA Confluence '22
Email Guide Semester Subject Student Name Cherie Dsouza Architectural Design III Ar. Nachiket Kale, Ar. Amey Matre, Ar. Mehul Sanghavi, Ar. Anshu Choudhari, Ar. Amit Jain cheried20@aoamumbai.in Studio Conductors Ar. Nachiket Kale, Ar. Amey Matre, Ar. Mehul Sanghavi, Ar. Anshu Choudhari, Ar. Amit Jain : : : : : : : : : : : The house reflects the qualities of the family as a whole. The family stands together through thick and thin, where each member has an equally important role to play. The house has a sensitive blend of modern style and a slight vintage feel. The immediate context around the architecture connects with the family and brings the calmness of the woods. With the use of pastel themes, simple décor and a courtyard , this house attempts to integrate subtleness across every corner. As the users walk through the house, they would experience the spaciousness of the volumes and the scenic views of the lake from the rooms. After a long day at work, these textures would bring about the warmth of the spaces. The spaces seem to connect but retain their identities. The house also includes elements that symbolise beautiful memories from the past, which the family shall cherish at every chapter of their life. Moreover, the design is based on the idea that humans and cats will live in harmony, in the same house and share the same space instead of demarcating a different one for a cat and their playfulness. Previous Next Radialis
- Story of Meghdoot
Email Semester Subject Student Name Rashi Bhansali Mithila Gadag Nidhi Khot Isha Patil Laxaree Sawant Simran Ajgaonkar Allied Design - Landscape Design V rashi19@aoamumbai.in , mithila19@aoamumbai.in , nidhik19@aoamumbai.in , ishap19@aoamumbai.in , laxaree19@aoamumbai.in , simrana19@aoamumbai.in Studio Conductors Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia : : : : : : : : : The Meghdoot is a lyric love poem composed by Kalidasa in the 5th-century CE. “Megh'' translates to “cloud” and “doot” translates to “messenger”, thus this poem is about a cloud who must take the message of a Yaksha, a semi-divine being, to his wife in the Himalayas. Half of the Indian subcontinent keeps the two lovers separate from each other. This compilation is about the Purvamegha, a description of the journey Meghdoot must undertake to reach Alaka, the abode of the Yakshas. The description of the landscape settings has personified certain geographical features, like the mountains and the river, giving them human attributes adding the depth of a personal touch. The journey of Meghdoot starts near the Ramagiri Hills in central India. The path of Meghdoot passes through the varied landscapes of India, from the green hilly terrains of Amrakut hills covered with mango trees to the snow-capped hills and deep valleys of the Himalayas. It passes through various water bodies like river Rewa, river Gambhir and the Mansarovar lake and some populous cities of Ujjain and Vidisha. Previous Next Story of Meghdoot
- DAC_Public Typologies_New Horizon (Women’s House) | AOA Confluence '22
Previous Next New Horizon (Women’s House) Email Semester Competition Name Student Name Khushi Patel, Manan Seth, Riya Godambe, Aastha Sinha, Ishant Arora Kaira Looro VI khuship18@aoamumbai.in , manans18@aoamumbai.in , riyag18@aoamumbai.in , aasthas18@aoamumbai.in , ishanta18@aoamumbai.in : : : : : : : Competition Brief: Kaira Looro aims to discover new talents and to discover sustainable architecture models for humanitarian purpose to improve life conditions in developing countries. Narrative: The project aims at giving women leadership opportunities that encourage them to participate in village politics and administration which the location currently lacks, through highly ranking leadership coaching, literacy training, business training, organizational mobilization and market access, enabling women entrepreneurs to sell their goods in the global community. The architecture is a reflection of the region’s socio-cultural practices. The design uses local materials and sustainable technologies to promote self construction and community participation emphasizing why these women must be celebrated every single day. The light Senegalese fabric roof in contrast to the other materials, symbolizes breaking the rigidity of social structure in the context and welcomes women into a safe and secure space where they feel empowered.The value of this fabric not only lies in its weaving technique but also in its ceremonial marking the main rites in a women’s life like using it as fertility aid. Flattened oyster shells found on site are used to cover the window frames letting in diffused light into the structure ,adding character to the facade and the shellwork can be done by the women,thus adding to their marketing skills. The structure responds to the climatic conditions through its material usage and by adopting passive cooling techniques. The rainwater coming down from the roof is collected in a water tank and can further be used for various purposes. The spaces follow a hierarchy which then leads you to the more introverted spaces housing workshops and can also function as a maternity home. The workshops are designed to be flexible so as to be in use throughout the day and hold activities like seminars ranging from marketing and income generating skills to menstrual health awareness.The courtyard acts like the life of the community, a gathering space for all activities which also enhances the microclimate of the structure. It serves as a space for self defense workshops, performance area and a space where women can come together and chat along with their children. Thus, the structure standing adjacent to the main road creates an active exterior to provide them with economic opportunities and at the same time maintains privacy in the interior to create a safe space for them even during their everyday life
- Project Management Consultancy
Previous Next Project Management Consultancy
- Dinshaw Vaccha Road Documentation
Email Semester Subject Student Name Mahir Mody Allied Design - Landscape Design IV mahir19@aoamumbai.in Studio Conductors Ar. Juhi Prasad, Ar. Shruti Barve : : : : : : : : : Landscape in an urban environment is quickly depleting, especially in the city of Mumbai. There are very patches, where one would encounter them, and even rarer are those where the built and unbuilt coexist to create a beautiful ecosystem. On these lines, a street showcasing these characteristics was chosen in South Bombay. This is an important street which connects the Marine Drive to Oval Maidan, and Cricket Club of India (CCI) as well. The vegetation has not been disturbed and allowed to grow in its natural way. This project focuses on understanding the relationship between these 2 ecosystems, their advantages and drawbacks. I have made a few observations of how vegetation helps in affecting the quality of space, light, living, textures ,etc. Previous Next Dinshaw Vaccha Road Documentation
- Representation_Architectural Design_Cubes | AOA Confluence '22
Email Guide Semester Subject Student Name Shanaya Wadia Architectural Representation and Detailing II Ar.Nikita Sharma shanaya20@aoamumbai.in Studio Conductors Ar. Rohit Karekar, Ar. Shivani Mehta, Ar. Anisha Mehta, Ar. Ronak Savla, Ar. Nikita Sharma : : : : : : : : : : : ‘Teamwork’ being the core intention of this space, and functions like ‘Organising data’ and ‘Performing tasks’ led to the intent of providing leisure amenities by means of pushing, sliding and shifting dynamic solids within a grid network to reach a common goal. A recreational and leisure space within the labour camps can be accessed by the labourers during their working hours. The labourers, who would still be in the shell of their workplace, would have the opportunity to be creative using the solid - cubes. The user has to then climb through the levels sliding only the number of movable blocks placed on that level. They can configure and organise the blocks to reach the top of this grid network to enjoy the surrounding view or even eat lunch there. Through the graphic, the representation of human interaction with the solids is shown, which is a very important part of this space. Previous Next Cubes
- DAC_Public Typologies_The Resurrection Scraper- New age prison design.(Top 25) | AOA Confluence '22
Previous Next The Resurrection Scraper- New age prison design.(Top 25) Email Semester Competition Name Student Name Aayush Kapse Arch 8 : Lock Unlock V aayush19@aoamumbai.in : : : : : : : Competition Brief: The goal is to design a medium security prison which would be addressing recidivism, life of inmates and society overall. Narrative: This city is a place where many come to chase their dreams, but on the contrary it is also a witness to some of the most criminal and illegal activities in India. The design aims to bring offenders of the law in a state-of-the-art facility and equip them with vocational learnings and the act of being self sufficient and skillful enough to leave all thoughts of turning back into a life of crime by ending this vicious cycle once and for all. The inmates will have access to all basic and advanced needs of a person. The luxury and myriad of professional upkeeps are there to help them, in their tenure, resurrect themselves back into a newer and more capable version of themselves.
- Technical_Building Services_Decimination | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Kaankshi Shah Architectural Building Services V Ar. Sulakshana Bhanushali & Nitesh Avadh kaankshi19@Aoamumbai.In Studio Conductors Ar. Sulakshana Bhanushali & Ar. Nitesh Avadh : : : : : : : : : : : The exercise aims to understand the electrical service system & its components via a photo study of a residential building. The cycle of understanding the chain from a larger scale of the substation and transformers to the path of electrical lines followed from meter room to various systems installed to make the building habitable. Decimination
- Research_Allied Design_Case Study Satish Khanna Associates and MVVA | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Saloni Pawar, Kimaya Churi, Atharva Girme, Sejal Umare, Bhoomika Chaudhari, Sanchita Tandel Allied Design - Landscape V Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia salonip19@aoamumbai.in , kimaya19@aoamumbai.in , atharvag19@aoamumbai.in , sejalu19@aoamumbai.in , bhoomika@aoamumbai.in , sanchitat19@aoamumbai.in Studio Conductors Ar. Swapna Hankare, Ar. Devayani Upasani, Ar. Swati Desai, Ar. Shweta Sonakia : : : : : : : : : : : The case studies investigate the two companies and their design philosophies. Both companies believe in research and the development of new, innovative ideas, proposals not only for projects but also for self-research and recommendations to government and private organizations. When we compare international and Indian firms, we can see that both have a more stratified hierarchy and authority, with specific tasks assigned to each member, whereas in a smaller firm, multitasking is common, and such specific boundaries are blurred. There is a disparity in the number of workers. MVVA primarily works on public and government projects, utilizing its large size and superior technologies to design the entire project in a shorter period. Satish Khanna Associates, on the other hand, works on a greater number of private-public projects and employs less technology, necessitating a prolonged design phase. Context and community play a bigger role in MVVA. Satish Khanna is an associate on the landscape that supports the architecture, and they work on autonomous land key initiatives such as parks. Finally, even though the two firms are based in different countries and contexts, we can see similarities in the way they operate. Case Study Satish Khanna Associates and MVVA