Previous Next Timeless Mesh (Editor's Choice Award) Email Semester Competition Name Student Name Vaishnavi Siddhapara, Siddhi Shinde Uni Terra Terra V vaishnavis19@aoamumbai.in siddhi19@aoamumbai.in : : : : : : : Competition Brief: The aim of the Competition is to design a pavillion with the help of the compuatational design softwares. Narrative: The project intends to create a pavilion that is used as a breakout and an informal meeting space that acts as a forum for social interaction. The design started with keeping 3 factors in mind - sustainability, easy installation, and interactive space. A SPACE BECOMES A PLACE WHEN IT'S NOT ONLY MEANT FOR SPENDING TIME BUT TO RECOLLECT THE TIME SPENT IN IT. To allow the public to experience this pavilion we thought of using simple elements like structure, form and its sensitivity, light, and shadow, material and its lightness, and an element of surprise. A place that encourages healthy exchange could be done by incorporating functions like small gathering spaces that also act as an event, informal workspace, a space for recreation, lounging, and mini food stations. So we developed an assembly that requires a minimum of materials and can be tailor-made by anyone. This pavilion is meant to be agile and deployed in various sites all across the globe thus requiring a module system will require easy installation. Thus our design creates a timeless mesh. The play of light and shadow with the movement of the user creates a juxtaposition, permitting the users to reshape their own physical and architectural place through their movements inside the work.

Previous Next Halla Bol : The Void’s Voice (2nd Place) Email Semester Competition Name Student Name Avani Mandpe Jigisha Soni DAC - Academy's Recess - Rethinking Amphitheatre Area IV, VI avanim18@aoamumbai.in jigishas19@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: The tree no longer survives in its original glory, but it’s essence surely will. Taking the phrase “Life comes a full circle” a bit literally, our aim was to give an ode to the space that the tree occupied and upheld for all these years by leaving it entirely empty, for its prestige and permanence are irreplaceable. The intervention includes a circular void in place of the current plinth with the amphitheater redesigned, staying true to its name, by providing levels which sprawl along the magnanimous area while ensuring that it caters to both large groups of people coming together to celebrate different occasions and also individuals or small groups looking for their own peace and seclusion.

Previous Next Email Studio Conductors Semester Subject Student Name Bhavika Jakhotiya, Pranay Kutal, Urvi Patil, Samruddhi Shinde, Tejas Shinde, Pratima Wagh Environmental Studies III Ar. Richa Raut bhavika20@aoamumbai.in , pranay20@aoamumbai.in , urvi20@aoamumbai.in , samruddhi20@aoamumbai.in , tejass20@aoamumbai.in , pratimaw20@aoamumbai.in : : : : : : : : : Frank Lloyd Wright described vernacular architecture as “Folk building growing in response to actual needs, fitted into the environment by people who knew no better than to fit them with native feeling”. The architecture of torajan houses is indegenious to the region and is influenced by the different environmental and cultural factors that can be observed in the indonesian islands. The orientation and the planning of the interior spaces is highly influenced by the direction of the sunlight and the beliefs of the tribe people themselves. Even the materiality and the method used by them to adjust to the local climate has made this structure way more efficient in terms of circulation and articulation within the restricted space. Adding to this, the uniqueness of the way in which they have tackled the problems of modulating the sunlight by covering the structure in a hyperbolic roof form to providing a stilt area for the cattle and also for keeping the house at a elevated height during floods is what makes this truly an great example of vernacular architecture. Toraja

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Previous Next Email Guide Semester Subject Student Name Aishwarya Joshi Allied Design - Interior Design III Ar. Shilpa Daga aishwarya20@aoamumbai.in Studio Conductors Ar. Richa Raut, Ar. Esha Tipnis, Ar. Rishit Jain, Ar. Rohit Karekar, Ar. Shilpa Daga, Ar. Jay Mali : : : : : : : : : : : The proposal is a 1BHK sea view apartment located in Goa. The client, Rohit, is a food enthusiast who turned into a home chef in the 2020 pandemic. He lives with his wife and household, who helps him in his business. The objective was to make a traditional but minimalist design. The kitchen is at the heart of the house and opens into the dining area and living room without any visual barrier. The house is designed to make the kitchen the preeminent social space. The living room could be outstretched into a terrace to accommodate friends and guests on weekends and special occasions. A foldable bed at one end of the kitchen creates a temporary setting for home helpers without any encroachment on their privacy. The bedroom has minimalist furniture which steps up to the terrace for a calmer view. The materials are used repetitively with variations in textures and colours, which aid to the minimalistic, traditional ‘wada’ theme. The FUSION

Email Guide Semester Subject Student Name Vinay Ekkaldevi Architectural Design VI Ar. Mahesh Nilakh vinaye18@aoamumbai.in Studio Conductors Ar. Mahesh Nilakh, Ar. Swapna Hankare, Ar. Shekoba Sanap, Ar. Mahesh Khanolkar, Ar. Rupa Sheth, Ar. Rajan Kulkarni : : : : : : : : : : : Owing to the proximity of the Arabian sea, the site had an immense potential to exploit the opportunities of developing distinct land-water edges. Creating sensorial experiences played an important role in training cadets for their future endeavors. As users are from a marine background, the proportions of the ship were likely to be reflected in built structures. Spaces flow into each other in an organic yet controlled manner. Previous Next Maritime Institute/ Veterinary Institute 1

Previous Next Email Guide Semester Subject Student Name Abhishek Suryawanshi Technical Design IV Ar. Pranay Bhavsar abhisheks19@aoamumbai.in Studio Conductors Ar. Richa Raut, Ar. Geetesh Varte, Ar. Rohit Karekar, Ar. Pranay Bhavsar, Ar. K.V.Parmeshwar : : : : : : : : : : : The Project Was To Do Structural Design Of Semester Three Ad School Project. For Structural Design A Part Of The Design Was Taken Which Is Main Classroom Block And Entry Foyer With Amphitheater. This Project Was All About Steel Structures And Its Connection Details With Steel- Beams, Stanchions, Gusset Plates, Angles, Etc. The Challenging Part Of The Design Was The Upper Floor Beam Design Above Staircase And Staircase Design Which Is Entirely In Steel. As Design Feature The Steel Arch With Timber Design Elements Is Also Detailed Out. Structural drawings in steel 5

Email Guide Semester Subject Student Name Miriam Thomas Architectural Design I Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy miriamt20@aoamumbai.in Studio Conductors Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy : : : : : : : : : : : Through the course of this exercise, the aim was to recognize the various visual boundaries that exist as we navigated through the built and natural environment that surrounds us. These visual boundaries are perceived for their nature, character, construct, materiality, and function. They enclose Space. Studying the various aspects of these visual boundaries and their organization has led us to begin to perceive the basic constructs of space and the relationship it possesses to the movement of various bodies in space. In the due course of observing and recognizing we stumble upon various organizational constructs of field, space, and movement documented through photographs and drawings. We perceived and analyzed the organization and construct of field and space and the resulting movement of the body in the particular field of space through the construction of diagrams, maps, and models. To begin to understand the subject of cartography and its value in constructing visual narratives. Previous Next Unembodied Spaces

Previous Next MERAKI - My Relaxing Palace (Top 30) Email Semester Competition Name Student Name Harshil Jain; Priyanshi Hiran Archresource Farm - a -cation IX harshilj17@aoamumbai.in priyanshih17@aoamumbai.in : : : : : : : : Competition Brief: The competition aims to develop a strategy that not only serves for materialistic development but also looks into science and nature. Narrative: ‘Meraki’, this term is often used for something which belongs to the Soul. As famously quoted, ‘Home is where the heart is’, houses have always been the peaceful place for the human soul. However, due to the hustle of city life, the interaction of the human soul and the house has gone for a toss. The intent of the design proposal of the The farmhouse is to rejuvenate this interaction of the human soul and the house. As a breakaway from the city life, the farmhouse has been proposed on the outskirts of the town of Malapurram in the state of Kerala. The design proposal intends to create a play of Active and Passive spaces to allow Public interaction and also give Privacy to the users to have an interaction with the soul. Timelessness has been considered as the key intention of the design and the same has been tried to be achieved with the use of Light, Spaces and Volumes. Along with connecting spaces to nature, the design also intends to allow the users to pursue their hobbies and also develop new hobbies and interests. Kerala being famous for its vernacular architecture style, the design utilises Brick and Concrete for the Farmhouse and Wattle and Daub technique for the Barns and Temporary structures. Lastly, the entire moment and journey within the farmhouse has been proposed such that it leads to interaction with the soul.

Email Guide Semester Subject Student Name Palak Panchal Architectural Design III Ar. Anshu Choudhri palak20@aoamumbai.in Studio Conductors Ar. Nachiket Kale, Ar. Amey Matre, Ar. Mehul Sanghavi, Ar. Anshu Choudhari, Ar. Amit Jain : : : : : : : : : : : The project given to us was to design a House for our own Family on the site of Vihar Lake, Powai, Mumbai. This designed house, ‘THE HOUSE OF CURVES’, is a structural framework of curves amalgamating into one another. The compositional approach chosen is 'Tight Cluster Units'. The transition into the house is choreographed to be in a curved fashion and is open to the sky so that the user can experience the landscape around. This curved path also instigates intrigue within the setup. Such intrigue is also seen through the helical staircase which is closed from one side and open on the other. On the first floor, the user has to walk through a ramp to reach rooms that have glass roofs. The user can see the landscape through that roof while walking and hence is allowed to experience nature. Previous Next House for My Family

Previous Next JoBongo Email Semester Competition Name Student Name Adnan Motiwala, Tasneem Vali Arch 8 Revision II adnan20@aoamumbai.in , tasneem20@aoamumbai.in : : : : : : : : Competition Brief: The competition focuses on identitying metal objects that have been forgotten and repurpose them into a functional typology of a residence. Narrative: The space is a contemporary blend of funky and neutral, clubbing Joey's playful personality and a taste for Kitsch art, with Chandler’s practical and witty self. The color scheme is a set of cool colors with gray undertones giving a modular look to the place. The red couch which provides a proper seating is made to shape like a lifebuoy bodying their love for Baywatch. The casual seating area is equipped with a home theater unit and the bean bags provide the necessary comfort. The foosball table has been deconstructed to serve as a party element which rests in a leisure area. Joey’s room is filled with bizarre elements and a self portrait of all his headshots as an actor. Chandler’s room is equipped with a murphy bed which doubles as a desk to accommodate his work. All in all a casual place apt for FRIENDS to hangout at, defines the JoBongo.

Email Guide Semester Subject Student Name Simran Khaitan Architectural Design I Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy simrank20@aoamumbai.in Studio Conductors Ar.Saurabh Mhatre, Ar. Juhi Prasad, Ar. Harshada Shintre, Ar. Amey Mhatre, Ar. Joel Roy : : : : : : : : : : : Through the course of these two exercises, we began to recognize the various visual boundaries that exist as we navigate through the built and natural environment that surrounds us. The visual boundaries that we observed were perceived for their nature, character, construct, materiality and function. We learnt how to perceive various visual boundaries and how bodies move in the space formed. We stumbled upon various organizational constructs of field, space and movement that we began to document through photographs and drawings. We started to understand these ideas along with cartography and its value in constructing visual narratives. Below are 5 of the 10 final drawings that were required from this exercise where I have tried to explore various types of drawings which will best communicate the nature of the space formed by the boundaries and how movement occurs in it. Previous Next Boundaries In common spaces