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- Technical_Technical Design_Tropical Bricks | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Pratiksha Chalke, Sanchi Dattu Kharat, Shruti Sandeep Rathod Technical Design III Ar. Prerna Thacker, Ar. Harshada Shintre pratikshac20@aoamumbai.in , sanchi20@aoamumbai.in , shrutis20@aoamumbai.in Studio Conductors Ar. Prerna Thacker, Ar. Harshada Shintre : : : : : : : : : : : Through this exercise, the process of fenestration design for a building based on its location was understood. Each facade was designed keeping in mind the weather conditions, comfort, and requirements of the users. This exercise highlighted how passive architecture adapts to its surroundings as well as the material, form, and fenestrations, to eliminate the need for mechanical heating and ventilation. Tropical Bricks
- Reverb hall
Previous Next Email Guide Semester Subject Student Name Ruchi Pathak Architectural Building Services V Ar. Sulakshana Bhanushali tarun19@aoamumbai.in Studio Conductors Ar. Sulakshana Bhanushali, Ar. Nitesh Avhad : : : : : : : : : : : The aim of the project was to design a classroom of size 15M by 10M with a clear height of 4M having perfect acoustic detailing. The reverberation time for the classroom is around that of 1 second so accordingly the materials were selected which are fibreboard panels and gypsum boards. Even the lighting elements were a factor which was considered while designing. The acoustic ceiling is made up of moulded gypsum panels and suspended acoustic tiles which were designed keeping in mind the seating of the 40 students inside the classroom . The calculation of absorption sabines according to the conditions were also done in relation to the materials and furniture. Reverb hall
- DAC_DAC Competitions_Academy's Alcove (Winner) | AOA Confluence '22
Previous Next Academy's Alcove (Winner) Email Semester Competition Name Student Name Prajakta Pai Vardhan Arora DAC - Amphikshetra- Rethinking Amphitheatre Area IV prajaktap19@aoamumbai.in vardhana19@aoamumbai.in : : : : : : : Competition Brief: Academy's Recess proposes the generation of architectural ideas for outdoor activities for the institution's amphitheatre area while retaining the original functionality of the space. Interaction and Activity in a natural environment is the key focus of the competition. Narrative: The proposed design intervention at the Academy’s Amphitheatre aims to enhance the quality of space, student-faculty interaction, and at the same time provide a soothing space for all. The current issues existing in the amphitheater are the lack of seating spaces and the deterioration of the overall quality due to lack of maintenance and some spaces being used for dumping or storage of unwanted materials/objects. The initial thought was to redesign the seating around the tree which has been an integral part of the institution’s history. The new proposed seating is expanded a bit radially and notches have been made to accommodate more people to sit. The plinth is designed as free flowing space which is symbolic to liberal and free minds of the students. This space will allow for more interaction between the students and faculty at the time of lectures or discussions.The proposed canopy over the plinth is to provide a shade so that it can be used throughout the day.The canopy is to be made from paper tubes coated with wax which are supported by a steel frame.
- Research_Building Services_Self Sufficient Selves | AOA Confluence '22
Previous Next Email Studio Conductors Semester Subject Student Name Ameya Thanawala Architectural Building Services IV Ar. Richa Raut, Ar. Rohit Karekar ameyat19@aoamumbai.in : : : : : : : : : We often complain about the waste around us But, do we put in efforts to make a change? The narrative starts with the government making a rule of not collecting decomposable waste from the societies. This automatically forces the societies to develop their waste management mechanism and curate byproducts functional and self-sufficient to them. This would reduce the tremendous load on the existing system. The proposal further discusses tripartite and quadra-partite dustbins, toilets open to the public managed by individual societies, biogas domes, etc. it attempts to bring a shift in the attitude of the privileged and the ignorance of the unprivileged. Monthly fests, markets, and subsidies by the government would play a key element in putting this proposal in place. Self Sufficient Selves
- Orientation_A_Group 04 | AOA Confluence '22
Teaching Assistants Group Members Aaryan Doshi, Neha Toshniwal, Harshita Bawalekar, Kunaal Joshi Sherin James, Shreyash Chavan, Yash Bangera, Prerna Badgujar, Suvidha Gurnule, Chaturthi Dhakare, Abha Mahajan Ruchira Rathod , Vedang Naik, Tanaya Nadkarni Studio Conductors Ar. Neha Panchal, Ar. Nikita Sharma, Ar. Chintan Shah, Ar. Yagnik Bathija, Ar. Mythili Kowshik Shetty, Ar. Rishi Vora, Ar. Esha Tipnis : : : : : : DYSFUNCTIONAL DELUSION A quaint old village with strange berries It feels like butterflies fluttering in my veins Her cheeks so red like the mysterious berries, She's trapped my heart in smouldering flames Jill begins her day happy yet typical, Soon notices a shadow; Is someone following her? Encounters jack around the berry farm; strangely unusual, Conspiring to catch that familiar stalker. "Let's climb up the hill", muttered Jill Knowing they would be followed by one who sought her; And so Jack and Jill went up the hill To fetch a pail of water. Waiting for the stalker to be found, Abruptly, a man gushes; followed by a disaster, Jack falls down and breaks his crown, Jill comes tumbling after. Waking up feeling dizzy as ever, Finding the strange berries around Gaining his senses however, "I wonder why are my hands red and brown?" Previous Next Implicating Industrialist
- Research_Humanities_National Institute Of Faith And Leadership (NIFT) | AOA Confluence '22
Previous Next Email Guide Semester Subject Student Name Aditya Shanbhag, Prathmesh Panchal Humanities V Ar. Harshada Shinte, Ar. Amey Ghosalkar aditya19@aoamumbai.in , prathamesh19@aoamumbai.in Studio Conductors Ar. Harshada Shinte, Ar. Amey Ghosalkar : : : : : : : : : : : The National Institute of Faith Leadership (NIFL) is an Islamic institution of education, research, dialogue and introspection, with a bold vision of questioning today’s interpretation of Architecture and how it addresses faith! The campus is envisaged as an ecosystem to evolve and modernize Islam, to reiterate traditional values that are relevant in contemporary times and reposition them in a secular, plural and national context. The basic form of this object on site is mass with a hole. A courtyard that allows light into the building as it celebrates the introverted magnificence of an Islamic institution. The breaking of the arch is synonymous with the opening of the mind from myths and traditions. The iconic entrance is celebrating just that; an arch in concrete removes the ‘key stone’ to liberate the form, allowing in light and space. The building consists of basic geometrical forms but their sheer volumes create a bold architectural impression. The labor force for the construction of the building comprised the followers of the client Mahmood Madani's preaching from the neighboring village. National Institute Of Faith And Leadership (NIFT)
- Manifesto of Supplementary Futurism
Previous Next Email Studio Conductors Semester Subject Student Name Ameya Thanawala, Krishna Khurusane, Manasa Ravikumar, Vaishnavi Gurnalkar, Pranali Thool Architectural Theory IV Ar. Neha Panchal, Ar. Yagnik Bhatija ameyt19@aoamumbai.in vaishnavis19@aoamumbai.in krishnak19@aoamumbai.in manasar19@aoamumbai.in pranali19@aoamumbai.in : : : : : : : : : : The critical analysis of the manifesto of Futurist Architecture, made us realize architecture is not just about the present, It is about past, present and future as well as the people and their diverse needs. What Antonio wished to bring about as well as the needs of Marinetti were very Youth centred. What they didn’t realize is that multiple Generations exist at the given time frame. If architecture evolves with the needs of the people, then all the generations should be considered. We Believe that “ One must Design for the Present, Acknowledging the Past and Being Responsible for the Future”. Also, Architecture needs to have a connection with the people and not just merely exist. They can be living creatures. Dynamism can not only be achieved through form but also by the way the building is interacting with the people at multiple levels. Every individual develops an emotional bond with a building and hence the buildings should also respond in that way. This led us developing the manifesto of Supplementary futurism which talks about “Supplements' ' which can enhance the existing built and unbuilt spaces and can be of a better value to the society. Manifesto of Supplementary Futurism
- Orientation_A_Group 03 | AOA Confluence '22
Teaching Assistants Group Members Prachi Mane, Padmawati Thakre, Nupoor Save, Mrunmayee Sarang, Sanskar Khatri, Soumil Bobade, Anushka Kamble, Ravisha Vanjari, Om Patil, Ayush Pallathery Jeel Patel, Anjali Mangale, Poonam Mohape, Vanshika Arora Studio Conductors Ar. Neha Panchal, Ar. Nikita Sharma, Ar. Chintan Shah, Ar. Yagnik Bathija, Ar. Mythili Kowshik Shetty, Ar. Rishi Vora, Ar. Esha Tipnis : : : : : : MIRROR She and I are alike, Both young and keen archaeologists. She and I are oh! so different, She a menace and me a pacifist. We woke up to a cheerful summer morning, And walked up the hill to cure our urge to wander. There we saw Jack and Jill going up the hill To fetch a pail of water. We saw Jack mistreat Jill, I waited and looked into the matter. But when Jill let out disturbing shrill, In Jack, all we saw was our barbaric father. I was poised but she lost control And what came after was slaughter. 'She wanted his scrambled brain' claimed the abused daughter. Next morning with a clean slate, all I could say- "Jack fell down and broke his crown And Jill came tumbling after." I looked into mirror at my bruises, she grinned at me. I was her and she was me. Previous Next Implicating Archaeologist
- Workolive (2nd Place)
Previous Next Workolive (2nd Place) Email Semester Competition Name Student Name Saloni Pawar , Kimaya Churi, Abhishek Suryavanshi Hivekraft Coworking Coliving IV salonip19@aoamumbai.in kimaya19@aoamumbai.in abhisheks19@aoamumbai.in : : : : : : : Competition Brief: The main aim of the competition is to design a shared space for a vibrant community of young professionals that support their dynamic lifestyles. Narrative: The city of Jaipur is known for its architecture, which is dominated by the Indian Vastu ideologies. In response to the brief, we designed a coworking and co-living space that provides guests with both a modern and traditional Jaipur stay. The construction is designed in such a way that the exterior will fascinate the Jaipuri sandstone jali look, while the interior will offer the individual a nice, warm, homely feeling through the use of modern interior design and homely internal décor of the dorms, 2 bhks, and loft apartments. We designed the structure with passive cooling measures in mind, and we included a wind tower as a natural venting agent. All of the spaces were designed with the Vastu and Jaipur regulations in mind. The outward appearance is simple yet Jaipuri; the use of graffiti on the outer facade symbolizes a free-spirited lifestyle with no restrictions, resulting in joyous behavior. Simple but enthralling!!
- Design_Architectural Design_Chef - El Jefe | AOA Confluence '22
Email Guide Semester Subject Student Name Anmol Thakur Architectural Design V Ar. Venkat Ashok anmol19@aoamumbai.in Studio Conductors Ar. Shruti Barve , Ar. Karan Danda , Ar. Anuradha Shah , Ar. Venkat Ashok, Ar. Pradeep Pavithran : : : : : : : : : : : Inspired by the movie Chef , El jefe is a space designed to incorporate ancillary spaces that complement the overall design through landscape and spatial hierarchy.The site is 5000sq m spread that has 4 specific zones : Restaurant , Cafe and Workshop area , Residential unit and Food truck area. The space allows users to explore and experience spaces for learning & cooking , dining & bar , landscape for plantation and fresh ingredients. Experience through taste , smell , touch and sight of food from farms to plate is evoked through sensorial elements. Designing an interactive and inviting space for people to indulge and interact with, where they can spend time and enjoy food as they dive into the experiential journey through the architecture that takes them into wide arenas as open spaces to breathe , explore and circulate. Form encompasses architectural expressions such as symmetry ,fluidity , verticality and visual scale as the spaces unfold. Previous Next Chef - El Jefe
- Gridworks
Previous Next Email Guide Semester Subject Student Name Shubham Pawar Allied Design - Landscape V Ar. Juhi Prasad Ar. Shruti Barve shubhamp18@aoamumbai.in Studio Conductors Ar. Juhi Prasad, Ar. Shruti Barve : : : : : : : : : : : The main objective behind this particular design was to have something which will have some sort of openness to it showing the expressive nature of the different types of users around it as well as the design should fundamentally cover all the basics regarding the surrounding interactions and also the shading and circulation,etc. There were a lot of varieties of grids to work with regarding the initial concept. Breaking down the narrative furthermore helped me to understand the relations of the grids with the developed narrative. Formal grids and multiform grids were the ones with which I decided to move ahead. The basic aspect to express my narrative was to have open access and seatings on most of the sides so that there's no crowded spots in the design and also to have a minimal but effective approach in terms of the design. The tree plantation and the overall landscaping was an important aspect to look at because of the existing college. The windows facing on the front side were to be noted because the overall plantation moved around it. Here the thought was to place trees which will work out as a canopy providing shade to the users. Gridworks
- Experiencing Centre
Previous Next Email Guide Semester Subject Student Name Krish Mewawala, Karishma Hatiram Allied Design - Interior Design VII Ar. Aniruddha Nafrey krishm18@aoamumbai.in , karishmah18@aoamumbai.in Studio Conductors Ar. Harshada Shintre, Ar. Sulakshana Bhanushali, Ar. Girish Nalawade, Ar. Aniruddha Nafrey : : : : : : : : : : : The experience centre is planned to be extremely legible and wall – free, such that every space can be clearly understood and accessible from every point in the space, making it more convenient for functioning. However, it is essential to divide spaces as well for carrying out various activities and functions. Small, eye – level partitions are used to divide spaces, and columns are used as demarcators of spaces. White is highly welcoming to visitors, and gives a very sleek and modern look to an office space. As a result, alucabond is intensively used to clad the interiors. Artifical greenery is used to make the space more peaceful and welcoming, and it blends well with the natural light from the atrium. The planning of the space is also done by understanding the way a user would use the space, providing maximum legibility, efficiency and ease of movement, a better experience as well as maximum privacy to the office users. On the other hand, the 2BHK is designed with an organic theme. The shelves and storages are designed in a honey – comb shape, and partitions are inspired from the honey – comb structure as well. The lighting is inspired from organic shapes as well, and wood as a material is used commonly. The shades of brown, cream and yellow are predominant in the interiors. Experiencing Centre













