Previous Next Email Guide Semester Subject Student Name Aakash Karade Technical Design IV Ar. K.V.Parmeshwar aakashk19@aoamumbai.in Studio Conductors Ar. Richa Raut, Ar. Geetesh Varte, Ar. Rohit Karekar, Ar. Pranay Bhavsar, Ar. K.V.Parmeshwar : : : : : : : : : : : The Project Was To Design The Structural Details And Elevations Of Truss. This Structure Is Taken From Previous Semester Ad Project Which Was Originally A School Building. A Part Of This Project That Is The Dining Area And The Multipurpose Area Was Taken. This Project Was All About Steel Structures And Its Connection Details With Steel- Beams, Stanchions, Gusset Plates, Angles, Etc. The Dining Area Has A Prate Truss Profile With A Curve From The Bottom Which Gives It A Beautiful Arched Look Over The Dining Area. This Area Also Has A Mezzanine Level Which Is Supported By Steel Sections Of Various Sizes Acting As Primary And Secondary Beams And Steel Joists. Further In The Details Section The Details Of Staircase, Toilet And Steel Connections Are Explained. The Other Structure Is A Multipurpose Area Again With A Large Span. This Has A Truss Profile Named Bow String The Name Itself Suggest Shaped Like A Bow. This Truss Alo Uses Hollow Pipe Sections As Previous Truss Which Are Light Weight, Strong, And Aesthetically Look Good From All Sides. Similarly As Earlier Details Of The Connections Are Explained In The Details Section Of The Project Structural drawings in steel 6

Email Guide Semester Subject Student Name Jayesh Sharma, Ansh Gala, Akanksha Singh Architectural Design IX Ar. Dhawal Jain akankshas17@aoamumbai.in anshg17@aoamumbai.in jayeshs17@aoamumbai.in Studio Conductors Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Nitesh Avhad, Ar. Hemal Biscuitwala, Ar. Dhaval Jain : : : : : : : : : : : The proposal attempts to bring people back into the light in the city. After a gray period, the damage caused by the explosion at Beirut, gives a chance to rethink the structure of the city. Contrasting to the earlier government centric and corrupt system, the city is being planned now in a way to bring the citizens to the center. Getting them together, providing them with better amenities and lifestyle and making them more aware of the same. Several public facilities have been designed along the sea-shore and at strategic points in the city to allow people leisure and public participation in the building of the city. Green patches have been reintroduced to the city through these patches. The cultural center acts as a built form that reflects the new city culture. It homes a wide range of functions and attracts people from a wide range of interests to occupy and move all around the building. The circular form allows the people to have a complete exterior view of the city and the court in the center attracts all the attention from all common balconies on each floor while the attached lawn provides informal seating and leisure spaces. Previous Next Rebuilding Beirut Port 4

Previous Next Email Guide Semester Subject Student Name Pratiksha Chalke, Sanchi Dattu Kharat, Shruti Sandeep Rathod Technical Design III Ar. Prerna Thacker, Ar. Harshada Shintre pratikshac20@aoamumbai.in , sanchi20@aoamumbai.in , shrutis20@aoamumbai.in Studio Conductors Ar. Prerna Thacker, Ar. Harshada Shintre : : : : : : : : : : : Through this exercise, the process of fenestration design for a building based on its location was understood. Each facade was designed keeping in mind the weather conditions, comfort, and requirements of the users. This exercise highlighted how passive architecture adapts to its surroundings as well as the material, form, and fenestrations, to eliminate the need for mechanical heating and ventilation. Tropical Bricks

Teaching Assistants Group Members Prachi Mane, Padmawati Thakre, Nupoor Save, Mrunmayee Sarang, Sanskar Khatri, Soumil Bobade, Anushka Kamble, Ravisha Vanjari, Om Patil, Ayush Pallathery Jeel Patel, Anjali Mangale, Poonam Mohape, Vanshika Arora Studio Conductors Ar. Neha Panchal, Ar. Nikita Sharma, Ar. Chintan Shah, Ar. Yagnik Bathija, Ar. Mythili Kowshik Shetty, Ar. Rishi Vora, Ar. Esha Tipnis : : : : : : MIRROR She and I are alike, Both young and keen archaeologists. She and I are oh! so different, She a menace and me a pacifist. We woke up to a cheerful summer morning, And walked up the hill to cure our urge to wander. There we saw Jack and Jill going up the hill To fetch a pail of water. We saw Jack mistreat Jill, I waited and looked into the matter. But when Jill let out disturbing shrill, In Jack, all we saw was our barbaric father. I was poised but she lost control And what came after was slaughter. 'She wanted his scrambled brain' claimed the abused daughter. Next morning with a clean slate, all I could say- "Jack fell down and broke his crown And Jill came tumbling after." I looked into mirror at my bruises, she grinned at me. I was her and she was me. Previous Next Implicating Archaeologist

Previous Next Workolive (2nd Place) Email Semester Competition Name Student Name Saloni Pawar , Kimaya Churi, Abhishek Suryavanshi Hivekraft Coworking Coliving IV salonip19@aoamumbai.in kimaya19@aoamumbai.in abhisheks19@aoamumbai.in : : : : : : : Competition Brief: The main aim of the competition is to design a shared space for a vibrant community of young professionals that support their dynamic lifestyles. Narrative: The city of Jaipur is known for its architecture, which is dominated by the Indian Vastu ideologies. In response to the brief, we designed a coworking and co-living space that provides guests with both a modern and traditional Jaipur stay. The construction is designed in such a way that the exterior will fascinate the Jaipuri sandstone jali look, while the interior will offer the individual a nice, warm, homely feeling through the use of modern interior design and homely internal décor of the dorms, 2 bhks, and loft apartments. We designed the structure with passive cooling measures in mind, and we included a wind tower as a natural venting agent. All of the spaces were designed with the Vastu and Jaipur regulations in mind. The outward appearance is simple yet Jaipuri; the use of graffiti on the outer facade symbolizes a free-spirited lifestyle with no restrictions, resulting in joyous behavior. Simple but enthralling!!

Email Guide Semester Subject Student Name Anmol Thakur Architectural Design V Ar. Venkat Ashok anmol19@aoamumbai.in Studio Conductors Ar. Shruti Barve , Ar. Karan Danda , Ar. Anuradha Shah , Ar. Venkat Ashok, Ar. Pradeep Pavithran : : : : : : : : : : : Inspired by the movie Chef , El jefe is a space designed to incorporate ancillary spaces that complement the overall design through landscape and spatial hierarchy.The site is 5000sq m spread that has 4 specific zones : Restaurant , Cafe and Workshop area , Residential unit and Food truck area. The space allows users to explore and experience spaces for learning & cooking , dining & bar , landscape for plantation and fresh ingredients. Experience through taste , smell , touch and sight of food from farms to plate is evoked through sensorial elements. Designing an interactive and inviting space for people to indulge and interact with, where they can spend time and enjoy food as they dive into the experiential journey through the architecture that takes them into wide arenas as open spaces to breathe , explore and circulate. Form encompasses architectural expressions such as symmetry ,fluidity , verticality and visual scale as the spaces unfold. Previous Next Chef - El Jefe

Previous Next Email Guide Semester Subject Student Name Shubham Pawar Allied Design - Landscape V Ar. Juhi Prasad Ar. Shruti Barve shubhamp18@aoamumbai.in Studio Conductors Ar. Juhi Prasad, Ar. Shruti Barve : : : : : : : : : : : The main objective behind this particular design was to have something which will have some sort of openness to it showing the expressive nature of the different types of users around it as well as the design should fundamentally cover all the basics regarding the surrounding interactions and also the shading and circulation,etc. There were a lot of varieties of grids to work with regarding the initial concept. Breaking down the narrative furthermore helped me to understand the relations of the grids with the developed narrative. Formal grids and multiform grids were the ones with which I decided to move ahead. The basic aspect to express my narrative was to have open access and seatings on most of the sides so that there's no crowded spots in the design and also to have a minimal but effective approach in terms of the design. The tree plantation and the overall landscaping was an important aspect to look at because of the existing college. The windows facing on the front side were to be noted because the overall plantation moved around it. Here the thought was to place trees which will work out as a canopy providing shade to the users. Gridworks

Previous Next Email Guide Semester Subject Student Name Krish Mewawala, Karishma Hatiram Allied Design - Interior Design VII Ar. Aniruddha Nafrey krishm18@aoamumbai.in , karishmah18@aoamumbai.in Studio Conductors Ar. Harshada Shintre, Ar. Sulakshana Bhanushali, Ar. Girish Nalawade, Ar. Aniruddha Nafrey : : : : : : : : : : : The experience centre is planned to be extremely legible and wall – free, such that every space can be clearly understood and accessible from every point in the space, making it more convenient for functioning. However, it is essential to divide spaces as well for carrying out various activities and functions. Small, eye – level partitions are used to divide spaces, and columns are used as demarcators of spaces. White is highly welcoming to visitors, and gives a very sleek and modern look to an office space. As a result, alucabond is intensively used to clad the interiors. Artifical greenery is used to make the space more peaceful and welcoming, and it blends well with the natural light from the atrium. The planning of the space is also done by understanding the way a user would use the space, providing maximum legibility, efficiency and ease of movement, a better experience as well as maximum privacy to the office users. On the other hand, the 2BHK is designed with an organic theme. The shelves and storages are designed in a honey – comb shape, and partitions are inspired from the honey – comb structure as well. The lighting is inspired from organic shapes as well, and wood as a material is used commonly. The shades of brown, cream and yellow are predominant in the interiors. Experiencing Centre

Previous Next Email Guide Semester Subject Student Name Bhavya Mewada Allied Design - Landscape V Ar. Juhi Prasad bhavya19@aoamumbai.in Studio Conductors Ar. Juhi Prasad, Ar. Shruti Barve : : : : : : : : : : : The process started by understanding the existing conditions & spaces which are in the Byculla park. The site holds rich heritage and cultural values which were studied to further program the design and required spaces. The existing natural cover, which are tree-typology , groundscape , softscape materials , heights of the entrance are understood with the help of diagrams; the narrative for these studies evolve towards the key idea of visual and physical curiosities which can be experienced in the space. Further the analytical and logical approach was laid out through studies of light & shadows , background-foreground , enclosures , heritage zones , scale-proportion , tactile textures. The proposal intended to retain the general character of the park : heritage zone. For education and entertainment of the public, different spaces were designed for interaction and making people understand the vegetation species , rainwater sustainability etc. The experience of the people is sequenced in a way where one is connected with the nature and the binaries that unflod : formal & informal , chaos & order develops a sense curiosity in the people. The Transition

Previous Next Email Studio Conductors Semester Subject Student Name Ameya Thanawala Architectural Building Services IV Ar. Richa Raut, Ar. Rohit Karekar ameyat19@aoamumbai.in : : : : : : : : : We often complain about the waste around us But, do we put in efforts to make a change? The narrative starts with the government making a rule of not collecting decomposable waste from the societies. This automatically forces the societies to develop their waste management mechanism and curate byproducts functional and self-sufficient to them. This would reduce the tremendous load on the existing system. The proposal further discusses tripartite and quadra-partite dustbins, toilets open to the public managed by individual societies, biogas domes, etc. it attempts to bring a shift in the attitude of the privileged and the ignorance of the unprivileged. Monthly fests, markets, and subsidies by the government would play a key element in putting this proposal in place. Self Sufficient Selves

Teaching Assistants Group Members Aaryan Doshi, Neha Toshniwal, Harshita Bawalekar, Kunaal Joshi Sherin James, Shreyash Chavan, Yash Bangera, Prerna Badgujar, Suvidha Gurnule, Chaturthi Dhakare, Abha Mahajan Ruchira Rathod , Vedang Naik, Tanaya Nadkarni Studio Conductors Ar. Neha Panchal, Ar. Nikita Sharma, Ar. Chintan Shah, Ar. Yagnik Bathija, Ar. Mythili Kowshik Shetty, Ar. Rishi Vora, Ar. Esha Tipnis : : : : : : DYSFUNCTIONAL DELUSION A quaint old village with strange berries It feels like butterflies fluttering in my veins Her cheeks so red like the mysterious berries, She's trapped my heart in smouldering flames Jill begins her day happy yet typical, Soon notices a shadow; Is someone following her? Encounters jack around the berry farm; strangely unusual, Conspiring to catch that familiar stalker. "Let's climb up the hill", muttered Jill Knowing they would be followed by one who sought her; And so Jack and Jill went up the hill To fetch a pail of water. Waiting for the stalker to be found, Abruptly, a man gushes; followed by a disaster, Jack falls down and breaks his crown, Jill comes tumbling after. Waking up feeling dizzy as ever, Finding the strange berries around Gaining his senses however, "I wonder why are my hands red and brown?" Previous Next Implicating Industrialist

Previous Next Email Guide Semester Subject Student Name Aditya Shanbhag, Prathmesh Panchal Humanities V Ar. Harshada Shinte, Ar. Amey Ghosalkar aditya19@aoamumbai.in , prathamesh19@aoamumbai.in Studio Conductors Ar. Harshada Shinte, Ar. Amey Ghosalkar : : : : : : : : : : : The National Institute of Faith Leadership (NIFL) is an Islamic institution of education, research, dialogue and introspection, with a bold vision of questioning today’s interpretation of Architecture and how it addresses faith! The campus is envisaged as an ecosystem to evolve and modernize Islam, to reiterate traditional values that are relevant in contemporary times and reposition them in a secular, plural and national context. The basic form of this object on site is mass with a hole. A courtyard that allows light into the building as it celebrates the introverted magnificence of an Islamic institution. The breaking of the arch is synonymous with the opening of the mind from myths and traditions. The iconic entrance is celebrating just that; an arch in concrete removes the ‘key stone’ to liberate the form, allowing in light and space. The building consists of basic geometrical forms but their sheer volumes create a bold architectural impression. The labor force for the construction of the building comprised the followers of the client Mahmood Madani's preaching from the neighboring village. National Institute Of Faith And Leadership (NIFT)