The first illustration was chosen to be represented in the style of John Hejduk because of evident inner divisions created inside the form. The colour textures while enhancing the internal partitions. This style uses colours highlighting partitions and furniture while focusing on the spaces and detailing appropriately.

The second illustration in the style of Arata Isozaki highlights the form along with curves. This language helps to play with sciography. Here, the fenestrations are evident from the viewing direction of the drawing. The play of volumes is perceptible in the way it is represented. The variations of mass and void are something that dominates it.